Recently Released Album Obsessions

Here are some newly released albums at the library that are definitely worth listening to:

Vestiges and Claws by Jose Gonzalez
Find it in the catalog!
Regular fans of the Swedish/ Argentinian guitarist Jose Gonzalez will not be disappointed by his latest effort which has been eight years in the making.  The album features his signature distinctive brand of spare, gloomy folk music (a favorite of mine) that he showcased on his two previous albums, Veneer and In Our Nature.  However, this time out he has more complicated musical arrangements (featuring flute and cello) and a slightly more upbeat worldview.
Repeat tracks:  "Forest," "Let It Carry You," and "Open Book."

Kintsugi by Death Cab for Cutie
Find it in the catalog!
This latest release from indie rock band Death Cab is a duel break up album.  Not only is it the first album since lead singer Ben Gibbard's divorce from Zooey Deschanel, it also marks guitarist Chris Walla's departure from the band.  Loss haunts this album, and it's got some pretty great heartbreak tracks on it including "You've Haunted Me All My Life" and "Binary Sea." The music, however, remains relativity upbeat and poppy.  Chris Walla's distinctive guitar style is always a big draw on Death Cab albums, and Kintsugi is no exception.  His presence will be missed in the band (at least by me).
Repeat Tracks:  "Little Wanderer," "Everything's a Ceiling," and "Good Help (Is So Hard to Find)."

Magnolia Electric Co. by Songs: Ohia
Find it in the catalog!

Didn't It Rain by Songs: Ohia.
Find it in the catalog!
These two deluxe edition album reissues represent the finest work of the late musician Jason Molina.  For those unfamiliar with Molina, check out fellow Media blogger Jason's tribute to the singer. Songs: Ohia has sort of an alt-country sound that can achingly haunting at times (especially the back half of Didn't It Rain) or hard rocking (like the first half of Magnolia Electric Co.).  Molina's singing voice is deep and rich, and one of my favorite things elements of these albums is his vocals. If you haven't listened to Molina before, definitely check out both these LPs!  For hardcore fans, there are additional discs with demos and outtakes for each record.
Repeat Tracks:  I love all three of the last songs on Didn't It Rain: "Blue Factory Flame," "Two Blue Lights, and "Blue Chicago Moon."  Off Magnolia Electric Co., my favorites are: "Farewell Transmission," "Almost Good Enough," and "Just Be Simple."

Song Obsessions: Bob Dylan Edition

Though they certainly aren't mutually exclusive, of the big name folk singer-songwriters from the 60s, I tend to be more of a Paul Simon girl than a Dylanite.  I listened to Dylan in college, but not obsessively (minus Blonde on Blonde); and while I really enjoyed some of his lyrics, his music didn't emotionally resonate with me in the same way some of Simon's songs did (blasphemy, I know!).  Lately, however, I have been listening to a ton of Dylan.  I'm not sure what spurred this development. Perhaps, I just listened to Sounds of Silence one too many times and decided I needed something darker and more ironic (sorry Paul!).  Anyway, below are five Dylan tracks I can't get enough of currently:

1).  "Like a Rolling Stone" from Highway 61 Revisited.  I kept this album in my car stereo an embarrassingly long time just because I could not turn off this track once it had started.  This is pretty obvious Dylan, but I really like him at his meanest.  Dylan is great at crafting insults.  Here, he is able to be both ruthless to the song's subject while being occasional empathetic, especially at the end: "When you got nothing, you've got nothing to lose/ You're invisible now, you've got no secrets to conceal."

2).  "You're Gonna Make Me Lonesome When You Go" from Blood on the Tracks. There are a lot of great tracks off this album, but I adore the pessimism of this love song.  The song perfectly captures the early glow of a new relationship, "Flowers on the hillside, bloomin' crazy/ Crickets talkin' back and forth in rhyme/ Blue river runnin' slow and lazy/ I could stay with you forever and never realize the time."  However, the narrator has been down this particular road a few to many times to expect a happy ending, "Situations have ended sad/ Relationships have all been bad/ Mine've been like Verlaine's and Rimbaud's."  So, the most romantic thing he can muster up to say to his lady love is that she'll make him lonesome when she leaves. 

3).  "4th Time Around" from Blonde on Blonde.  I've been listening to this album on-and-off since college and I just recently learned it's a parody of the Beatles' "Norwegian Wood."  John Lennon's lyrics sounded a little too Dylanesque for Dylan, so he decided to show him how it was done. Now, when I listen to the song, I can definitely hear the similarity.  But really I like it because Dylan portrays himself as hilariously jerky in these lyrics.  It's one of two songs on the album that make me laugh out ("Leopard Skin Pill Box Hat" being the other).  I love what a little punk Bob Dylan was on this album.

4).  "Mr. Tambourine Man" from Bringing It All Back Home.  This is one of the few Dylan songs I actually listened to growing up.  My father did not become a big Dylan fan until later in life; so while I was growing up he pretty much only listened to the "Greatest Hits."  Since my dad loved this song, I didn't allow myself to like it until recently (Dads are so uncool).  However, I really admire the complexity of the rhymes with in this song.  The lyrics are little more poetic, and less flippant than my favorite Dylan.  However, the guy was like 23 when he wrote, so I'll give him a pass.  It's much less literary mag than the stuff Paul Simon wrote at that age.

5). "Idiot Wind" from Blood on the Tracks.  This is a Bob Dylan put down song of the finest caliber.  The lyrics have the bitterness and biting of his earlier angry songs like "Positively 4th Street" and "Like a Rolling Stone," but their is less self-righteous coldness and more emotional pain in "Idiot Wind."  Dylan sings the song so passionately, that at times he sounds vaguely like a pirate.  One of my favorite line sequences in the song nicely sums up the hurt accompanying the end of a long relationship, "I can't feel you anymore/ I can't even touch the books you've read/ Every time I crawl past your door/ I've been wishin' I was someone else instead."  By the end of the song, Dylan even includes himself as equally culpable, "We're idiots, babe/ It's a wonder we can even feed ourselves."  Awesome song, awesome album, check out both!

Under the Radar Movies

Since prime time TV is pretty nil in the summer time, I usually like to catch up with movies and TV series I missed.  Below are three movies that came out relatively recently (in the last year or so), that didn't receive much buzz at the time, but are definitely worth seeking out.

Short Term 12 (2013):
Find in the catalog!

Initially I put off watching this movie, because the subject matter sounded rather depressing.  It's about a foster care home for neglected and troubled teens.  The film does have its dark moments, but there is enough humor and lightness to keep the movie from being downbeat.  Brie Lawson plays Grace, the lead councilor in charge of looking after the foster care home.  She's tough, but also very caring towards the teens staying under her care.  Her long term boyfriend Mason (a very bearded John Gallagher Jr.) also works as a counselor at the facility.   Marcus (Keith Stanfield) is on the verge and turning 18 and "graduating" out of foster care.  He is understandably apprehensive at the prospect of being returned to the streets where he grew up.  Meanwhile, a new teen, Jayden (Kaitlyn Dever), arrives at the facility.  Jayden is a troublemaker, but comes from a slightly more privileged background than the other children.  However, she has some problems below the surface which Grace seems to be the only person who understands.

Even though the subject matter is somewhat bleak, I really enjoyed this movie.  Brie Lawson gives a standout performance as Grace.  It was also interesting to see John Gallagher Jr. play a character who is a world away from his preppy and somewhat wimpy Newsroom character.  He gives a really likeable performance here. I never quite knew where the plot was going and there were quite a few surprises.  However, the characters are drawn emphatically, so you wind up rooting for them in spite of their circumstances. 

Drinking Buddies (2013):
Find it in the catalog!

I'll admit I've always thought of Olivia Wilde as being an actress somewhat in the same category as Megan Fox:  very pretty, but not a whole lot of substance there.  Thankfully, I was wrong about Ms. Wilde, who gives a wonderful performance as the tomboyish Kate in this Joe Swanberg directed comedy.  Shot in Chicago (at Revolution Brewing Company, no less), this movie follows the friendship between two brewery employees, brewer Luke (Jake Johnston of New Girl) and the head of PR Kate.  Luke and Kate flirt like crazy and have a ton in common, but both are in relationships with other people.  Luke has a long term live-in girlfriend, Jill (Anna Kendrick).  And Kate has an older music producer beau, Chris (Ron Livingston). After the couples travel together for a long weekend, Chris decides to break up with Kate.  Afterwards, Kate's new found singleness causes some uneasiness with her friendship with Luke.

As a huge fan of craft beer and things set in Chicago, I was preordained to like this movie.  Drinking Buddies has a plot that is pretty true to life for a certain set of late 20/ early 30 somethings.  Johnston, Kendrick and Wilde all give pretty funny and nuanced performances.  I was particularly impressed by Wilde's take on Kate, a character who on paper seems like the perfect girl.  She's funny, smart, pretty, and can drink her weight in beer.  Yet she also has some intimacy and maturity issues underneath her bubbly exterior.

Frances Ha (2012):  
Find it in the catalog!

Out of the movies on the list, this was the only one I really anticipated before watching.  Partly because of the director (Noah Baumbach) and the star (Greta Gerwig).  And partly because I will watch anything about an awkward, late 20-something girl trying to figure out her life.  I tried to catch the movie in theaters, but the run was so short that I missed it.  Frances (Gerwig) is a 27 year-old wannabe dancer, who decides to break up with her boyfriend to spend more time with her best friend and roommate, Sophie (Mickey Sumner).  Unfortunately for Frances, Sophie gets serious with her stock broker beau, Patch, and moves out of their apartment.  Without Sophie, Frances becomes increasing lost and struggles to find a place to rent in NYC that she can afford.  Throughout the movie, we follow Frances as she moves into several different apartments and attempts (feebly) to become a grown up.

This movie is immensely relatable for late boomers to adulthood.  As someone who had her fair share of addresses in her twenties, I could see myself in Frances immediately.  Still that makes it all that much harder to watch her struggle, fail, and occasionally make a huge fool out of herself.  Frances has somewhat limited social skills and sometimes she does or says things incredibly stupid or inappropriate.  I found myself covering my eyes to avoid the awkwardness occasionally while watching this movie.  That being said, overall this is quite an enjoyable movie.  I especially enjoyed Frances's friendship with one of her roommates Benji (Michael Zegen); a trust-fund kid who's equally lost and unrealistic about life as Frances.  Benji jokes frequently that they are both "undateable."  The movie is shot beautifully in black and white, so it's a pleasure to look at as well.

Audio Obsession: Lost in the Dream by the War on Drugs

Lost in the Dream by the War on Drugs (2014).
Find it in the catalog!

This album has been on permanent repeat in my car since it came out in March.  I’ve been a fan of the War on Drugs since their 2011 album, Slave Ambient.  The band has a dreamy, sprawling sound that makes for excellent road music.  Additionally, I’m a huge sucker for break-up albums, which Lost in the Dream sort of is.  However, singer Adam Granduciel’s lyrical angst and anxiety span far beyond just the fate of one relationship.

A mixture of shoegaze and classic rock (think: Springsteen and Dylan), the War on Drugs has a sound that is familiar, but more expansive and distinctive.  Sort of like comfort food listening for the perpetually anxious.  Philadelphia guitarist Kurt Vile used to be a member of the band, and he’s probably the best touchstone for their sound.  However, Vile’s solo albums tend to be less complex and more upbeat.  Lost in the Dream incorporates a variety of sounds (synth riffs, horn blasts, discordant noise) into its guitar and drum driven propulsion forward.  Adam Granduciel’s voice is noticeably less Dylanesque here than on the band’s two previous album; which as much as I adore Dylan, is a nice change.  It makes his voice less distracting and blends-in better with the sound of the band’s music.

Overall, this is definitely my favorite album by the War on Drugs to date, and my favorite album of the year so far.  Stand out tracks for me include: “An Ocean Between the Waves,” “Suffering,”  the titular track “Lost in the Dream” and closer “In Reverse.”  Though all of the tracks on the album are enjoyable.  If you are planning on going on a road trip this summer, this album (or really anything by the War on Drugs) would make an excellent soundtrack!

Comfort Food Cinema: Broadcast News

 Cranky Network Manager:  "It must be nice to always believe that you know better, to always think you're the smartest person in the room."

Jane Craig:  "No. It's awful."


Broadcast News (1987).
Call No.:  DVD COMEDY BROADCAST
Find it in the catalog!

For many people the hey day of romantic comedies was in the 1930s and 40s.  And while I'm a huge fan of rom-coms from this period (His Girl Friday, The Philadelphia Story, anything with Jimmy Stewart), I'm also partial to romantic comedies from the 1980s.  While Broadcast News doesn't exactly fit the mold of romantic comedy perfectly; it's one of my favorites of the era. 

The film follows Jane Craig (Holly Hunter), a gifted, but neurotic news producer.  Her friend and frequent collaborator is Aaron Altman (Albert Brooks), a talented writer and investigative journalist who also has secret feelings for Jane.  However, her relationship with Altman, is challenged when her network hires the hunky, but less substantial journalist Tom Grunick (William Hurt).  Tom is a former sports reporter turned anchor  Though he is quickly promoted, he lacks the knowledge and integrity of a journalist like Jane or Aaron.  In spite of their different perspectives on journalism, Jane finds herself falling for Tom.

Albert Brooks really steals the show as Aaron Altman.  He's got some of the funniest lines in the movie.  Even though Altman can be smug and manipulative, it's really hard not to feel for the guy.  He's gifted, super smart, but gets passed over for a promotion because he lacks the charm and attractiveness of Tom.  This jealously towards Tom is only intensified because of his feelings for Jane, and her preference for Tom in spite of all the similarities she and Aaron share and their great chemistry as friends.  In one of the most cringe-inducing scenes of the movie, Aaron gets his shot at becoming an anchor, only to ruin it with an incredible flop sweat attack.

From the fashion to the technology, the film definitely is of the 80s.  Jane has one scene where she's dressed to impress, which does not translate at all to today's fashion.  However, the themes and relationships in the movie are still fresh today.  This is a wickedly funny movie that also has some real heartbreaking moments in it.  If you have not seen it before, or haven't watched it for a while, it's definitely worth checking out!

Valentine's Day Movie Guide

Valentine's Day seems like a divisive holiday.  Some people go all out for it, and for other people it just reminds them of how lonely they are, or how much they hate watching Nicholas Sparks movies with their significant other.  Personally, I'm pretty indifferent towards the day, but it doesn't stop me from participating in it.  I like to celebrate with a nice bottle of red wine, some chocolate, and a fun, romantic movie.  Below are some film suggestions for celebrating Valentine's Day, whether you love or hate it:

If you are in love with someone you can't have:  Brief Encounter.  This short but sweet 1945 British melodrama centers on the forbidden romance between housewife Laura (Celia Johnson) and doctor Alec (Trevor Howard) who meet a train station cafe.  Both are married and have children, but they soon get sweep up in an intense emotional affair.  Brief Encounter definitely shows the hardship of loving someone you can't be with.

Also recommended: Lets be honest, forbidden love is way more romantic than boring old requited love, so you have lots of good options here:  In the Mood for Love, Roman Holiday, Brokeback Mountain, The Royal Tenenbaums, and so on. 

If your significant other is a film snob:  The Before Trilogy:  Before Sunrise, Before Sunset, and Before Midnight.  This super talky series follows American Jesse (Ethan Hawke) and French Celine (Julie Delpy), who fall in love after meeting on a train to Vienna.  The films manage to be both funny and heartfelt, plus there's lots of great European scenery (Vienna, Paris, Greece).  My favorite of the bunch is the second one, Before Sunset. 

If your significant other loves The Notebook, but you CAN'T GO THROUGH THAT AGAIN THIS YEAR!:  Awww...congratulations, you've got yourself a hopeless romantic!  Titanic would probably work, but really, do you want to have to watch that?  Instead, I recommend ruining The Notebook for them by choosing one of Gosling's less appealing roles.  Perhaps, Only God Forgives or Blue Valentine (balding Gosling with a mustache, ouch). 

If you just recently broke up with someone:  Annie Hall. This classic Woody Allen movie follows the sweet, but mismatched relationship between Alvy Singer (Allen) and Annie Hall (Diane Keaton). 

Also recommended:  High Fidelity, 500 Days of Summer.

If you are happily single: Bridget Jones Diary.  Seriously is there any harder decision than choosing between Colin Firth and Hugh Grant?  This movie is a super cute update on Pride and Prejudice.  And if you're single, pat yourself on the back, because you don't have to listen to your boyfriend whine throughout the entire movie!

Also recommended:  13 Going on 30.

If your girlfriend is a librarian:Nothing says romance to a librarian like a little Jane Austen, so I highly recommend the Colin Firth Pride and Prejudice.  But pretty much any Austen will do.  My favorite is the Ang Lee classic Sense and Sensibility.  

If you are in an on-again, off-again relationship: Eternal Sunshine of the Spotless Mind.  Joel Barish (Jim Carey) is heartbroken when his ex-girlfriend Clementine undergoes a procedure to erase their relationship from her memory.  Bitter, he decides to have him memories of her erased as well.  However, during the process of having his mind wiped, Joel realizes that he is still in love with Clementine and fights to keep her in his memories.

If you are unhappily in a relationship: Sleep Walk With Me.  On top of dealing with a struggling comedy career and a recently diagnosed sleepwalking disorder, Mike Pandamiglo (Mike Birbiglia) begins to have some doubts about his long-time girlfriend Abby (Lauren Ambrose).

If you're in a long distance relationship: Like Crazy.  Anna (Felcity Jones) is a British student who attended college in the United States.  While there, she fell for her T.A. Jacob (Anton Yelchin).  After graduation, Anna decides to spend the summer with Jacob, overstaying her visa.  After she returns home to England for a family engagement, Anna is shocked when she is denied reentry to the United States and deported to England.  The two lovers then try to keep their relationship together in spite of being an ocean apart. 

If you want wallow in misery, because you'll never find anyone ever:  Probably the best bet here is to play the Smiths on repeat and wash down your sorrows with some whiskey.  However, if you don't quite want to be THAT miserable on Valentine's Day, I recommend checking out a Michelango Antonioni film and watch really, really good looking people (or Jack Nicholson) suffer from loneliness and alienation in beautiful locales.  Check out his alienation trilogy: L'Avventura, L'Eclisse, and La Notte.

Also recommended:  Anything by Ingmar Bergman or any film adaptations of Kazuo Ishiguro novels.

If you're in love with a friend, but you don't know how to tell them:  Tootsie.  Talk about awkward situations, Michael Dorsey (Dustin Hoffman) is in love with his beautiful coworker Julie Nichols (Jessica Lange).  However, she only knows him as his female alter-ego Dorothy Michaels.   This movie is probably my all time favorite romantic comedy and features my ultra crush, young Bill Murray, as Dustin Hoffman's roommate.

Also Recommended:  My Best Friend's Wedding, Pretty in Pink.

You are falling fast for someone:  Weekend.  Russell (Tom Cullen) and Glen (Chris New), meet at club in Nottingham.  The two go home together and begin an intense relationship.  However, Glen is soon to be leaving the country for an art course in America.

Also recommended: Once, Lost in Translation, Out of Sight.

Josh Ritter: The Beast in Its Tracks

Josh Ritter's new album, The Beast in Its Tracks, opens with a minute-long fragment of a song addressed to a former lover: "Last night I saw/Someone with your eyes/Someone with your smile/Someone with your smile/We danced/And I regret that she asked me to/'Cause she didn't have your arms." This image of attempting to move on whilst preoccupied with a former love is the overarching theme of this album. The Beast in Its Tracks feels an awful lot like the songwriter without his mask on; an attempt at confessional - if not autobiographical - work. Musically, The Beast in Its Tracks is in keeping with Ritter's established sound; acoustic guitar, crystal-clear vocals, and strings that enhance the songs without being intrusive. "Bonfire" sounds remarkably like a classic Paul Simon song, and wouldn't sound out of place on any of Simon's early solo records. But this time out there are no third-person narratives about mummies doomed to live and love eternally, or tragic first-person reminiscences of Arctic explorers. What we have instead is a beautiful collection of songs about starting again in the wake of a love affair, and the singer's feelings of exhilaration and ambivalence. There is a tension to the lyrics about starting anew. It's as if Ritter is trying to convince himself that he's okay ("I'm happy for the first time in a long time"), but his misgivings are on display on every song ("I can't pretend that all is well, it's like I'm haunted by a ghost"). I think the key to this recurring theme lies in track nine, "The Apple Blossom Rag". Seemingly recorded live - the song begins with unintelligible whispering near the microphone, and what sounds like plates being cleared in the background - "The Apple Blossom Rag" is bitter, funny, and wistful, all at once, concluding with the heartbreaking self-realization: "Lord, I'm such a fool/For things that sing so sweet and sad/But are so [expletive] cruel." Whether this move toward more personal songwriting proves to be a permanent one for Ritter or a mere detour into "breakup album" territory, The Beast in Its Tracks is well worth your time.

Nicholas Sparks: Who Dies? Safe Haven edition.

 Disclaimer: It goes without saying, you shouldn't read this post if you haven't seen the movie and knowing the deceased party will ruin it for you.  Also, you probably shouldn't read it if you think The Notebook is one the most romantic books/ movies ever.    

There's a new Nicholas Sparks movie out just in time in Valentine's Day!.  So those of you in happy coupledom get to endure two hours of beaches, kissing in the rain, shirtless Josh Duhamel, and emotional manipulation! But lest you decide to break up with your significant other so you don't have see Safe Haven, this Nicholas Sparks movie has a twist!*  It's a thriller-- well a Sparksian-take on a thriller anyway.  It's like The Notebook as written by M. Night Shamymalan.

Premise:  Katie (Julianne Hough) flees Boston to a sunny, coastal town in North Carolina (of course) after she maybe killed a guy (or at least hurt him).  But hey, she totally had her reasons, okay?  However, a meanie Boston police detective (David Lyons) just won't let sleeping dogs lie and is trying to track down Katie.  Once in North Carolina, Katie immediately finds work as a waitress and rents a shabby chic cabin in the woods.  Even though she's trying her best to avoid all human connection (smart girl), she quickly becomes friends with her neighbor Jo (Cobie Smothers aka. Robin from How I Met Your Mother), whom no one else in the town talks to or knows about.  Katie soon finds herself falling for a handsome store owner Alex (Josh Duhamel), who lost his wife to cancer and has two cute kids.  However, because of Katie's dark past, she's not sure if entering into a relationship with Alex is a good idea.

Who dies?:  Alex does.  Katie kills him because she's really a crazy murderess. No, just kidding.  The truth is wayyyyy weirder.  So, it turns out the detective isn't interested in finding Katie just because she's a (possible) murderer on the lam.  It's really because he's her abusive ex-husband, whom she stabbed but didn't kill. Predictably, he catches up with her in NC and a messy fight ensues.  Alex's store starts ablaze and the evil ex dies in the scuffle.  Everybody else makes it out okay, though most of Alex's store is destroyed.

But that's not even the craziest twist!  Cue the theremin, because Jo is really Alex's dead wife. SHE'S REALLY DEAD! I know that sounds like I'm making that up.  But that actually happens!  She just wanted to make sure Alex chose the right replacement.  Now that he's happily ever after with Katie, Jo can cross over.

For more Nicholas Sparks spoilers, check out my earlier posts.   Or if I haven't totally ruined it, you can check out the book!


*Seriously though, you definitely should break up with them.  Unless you want to have to see every Nicholas Sparks adaptation for the rest of your life.  Doesn't dying alone sound more pleasant?

Time Capsule Album Obsessions: College

Somehow when I had dreamed of going way to college, I didn't imagine that I'd be escaping to Appleton, WI-a city almost more culturally devoid than the tiny, far-north Chicago suburb that I grew up in. I had more exotic locales like Chicago or New York City in mind. But a scholarship, parental pressure, and a campus that reminded me of Rushmore Academy won out in the end and I went to Lawrence University in Appleton.  Lawrence University is one of the premier colleges for music in the United States, which is great if you like classical music or the opera. However, for rock music you pretty much have to drive to Milwaukee (a little over an hour away) or Madison (about an hour and a half away) to see anyone decent live.  Unsurprisingly, I didn't go to a lot of shows during this period.  However, I did discover a bunch of new bands thanks to being surrounded by a bunch of music geeks.  Below are my five most listened to albums from college (check out the whole list here):

Transatlanticism by Death Cab for Cutie (2003).
Find it in the catalog!
This is one of the few early Death Cab albums that I can still listen to without cringing too much at my former, college-aged self.  I related to these songs immensely then, so listening to them is sort of like looking at pictures of yourself with a bad haircut that you thought was awesome at the time.  That's no diss to Death Cab.  I actually like their recent stuff quite a bit (especially Codes and Keys).  And Chris Walla's guitar work has always been superb. But Ben Gibbard's lyrics seem a little too angst ridden and confessional in hindsight.  Maybe I've just grown to hate earnestness.  In spite of this, Transatlanticism still holds up pretty well for me, possibly because Gibbard's lyrics aren't as intensely personally as on some of Death Cab's other albums from the early aughts.  I'm not a huge fan of "Tiny Vessels" or "Death of an Interior Decorator."  But the rest of the album is pretty solid. 

Favorite Songs: Sound of Settling, Transatlanticism, Passenger Seat

Alligator by the National. 
Find it in the catalog!
The National were a band I had been hearing good things about for a while, but could never track down one of their records.  When  I saw Alligator on the shelves at Borders (in McHenry, of all places), I picked it up and fell in love with it instantly.  The National were different from a lot of the bands I had been listening to at the time.  The music was dark and well-crafted, and singer Matt Berninger had a deep, world-weary voice.  The National is still one of my favorite bands and I've loved both of their subsequent albums, but Alligator still probably has the most songs on it that I love (Boxer is my favorite overall).  Out of the albums that I loved in college, this is definitely the one that I revisit the most often. 

Favorite Songs: All the Wine, Geese of Beverly Road, Daughters of the Soho Riots, Mr. November

Yankee Hotel Foxtrot- Wilco (2002)
Find it in the catalog!
When I was in high school, "country" even of the alt variety, sounded like something that I just couldn't get into.  So it took me a really long time to listen to Wilco.  So long, in fact, that I did not check out Yankee Hotel Foxtrot until a year after it was released, in spite of its universal acclaim.  However, once I finally did get around to checking it out, I pretty much listened to it on repeat for about two years (it is part of my subconscious now). This is still one of my favorite albums of all time.

Favorite Songs:  I'm Trying to Break Your Heart, Ashes of American Flags, Jesus, Etc., Poor Places

Something Else- Kinks
Find it in the catalog!

The Kinks were probably my favorite band in college. Yet I don't remember how I started listening to them, I just remember suddenly being into the Kinks.  But it's pretty safe to blame the movie Blow-up, which made me want to check out anything that British and from the 60s.  The Kinks definitely had a gritter sound than other music from the 60s that I was used to (i.e. The Beatles and Simon and Garfunkel), which made their music sound more modern to me.  Also, Ray Davies is probably one of my favorite songwriters ever.  His lyrics are funny, biting and have great social commentary.  Something Else was my introduction to the Kinks.  While I'd eventually love The Kinks are the Village Green Preservation Society and Lola Versus Powerman and the Money-go-round more, Something Else remained in heavy rotation until grad school, largely thanks to "Waterloo Sunset."

Favorite Songs:  Waterloo Sunset, Afternoon Tea, and Tin Solider Man

69 Love Songs- Magnetic Fields
Find it in the catalog!

I first got into the Magnetic Fields with the album The Charm of the Highway.  I liked how poppy and yet bleak Stephin Merritt's songs were, as well as how clever some of the lyrics were.  Pretty much all of the Magnetic Fields albums were played in heavy rotation in my dorm room, but 69 Love Songs is probably Merritt's masterpiece.  Also, the three disc set was the perfect length to drive home for breaks.

Favorite songs: I Don't Want to Get Over You, I Don't Believe in the Sun, No One Will Ever Love You,  The Sun Goes Down and The World Goes Dancing, Busby Berkeley Dream, I Can't Touch You Anymore

What We're Listening to: Tramp by Sharon Van Etten

Tramp by Sharon Van Etten
Find it in the catalog!


Tramp is the third album by New York City-based singer-songwriter Sharon Van Etten.  I really enjoyed her last album, Epic (especially the closing track, "Love More").  However, Tramp sounded even more promising because it was produced by Aaron Dessner of The National (one of my favorite bands) and had a stellar guest list including Zach Condon of Beirut, Jenn Wasner of Wye Oak, and Matt Barrick of the Walkmen among others.

Van Etten could rival Adele for writing songs about love gone wrong.  On her last two albums, many songs revolved around a break up with a particularly nasty boyfriend.  While I'm a break-up song connoisseur, I was happy to see that she had mostly moved on from that on Tramp. There is still some romantic angst (including the awesome break-up anthem "Serpents"), but Van Etten seems more focused on personal growth and her own failings this time out.

Van Etten's lyrics really add a lot to the album.  She's good a conveying a lot simply.  For instance, one of my favorite lines on the album is from "Give Out:" "You're the reason why I'll move to the city/ Or why I'll need to leave."  Tramp has a somber and emotional vibe; it's a great album to listen to on a gloomy day.

Stand out tracks:  I love "Serpents", which rocks surprisingly hard for an otherwise mellow album.  "Give Out" is a beautiful but bittersweet track about starting a new relationship after being hurt.  "I'm Wrong" is a builder and is oddly inspirational for a song pleading for self-delusion.  The closer "Joke or a Lie" is a lovely blend of vulnerability and melancholy.

Song Obsessions

 Below are six tracks I can't stop listening to.  This time around I seem to have a lot of messed up love songs in the roster (big surprise!):

"Thirteen" by Big Star from Keep an Eye on the Sky  (Find it in the catalog!).
The lyrics to this song are so simple and innocent, "Won't you let me take you home from school/ Won't you let me meet you at the pool/ Maybe Friday, I'll get tickets to the dance/ And I'll take you, ooh."  However, Alex Chilton's vulnerable and world-weary vocals suggest that he knows that this young love won't last very long. 

"All Dolled Up in Straps" by National from the Cherry Tree EP (Find it in the catalog!)
Since seeing them live, I've been revisiting the National's earlier, pre-Alligator albums which I really haven't listened to all that much.  And, man, have I been missing out!  They have some really great early albums.  "All Dolled Up in Straps" from their Cherry Tree EP really stood out for me.  The lyrics are pretty dark.  It seems to be about a guy accusing his girlfriend of cheating on him, or a guy worried that the girl he's stalking might be seeing someone else.  Somehow, the song still manages to be catchy.  I also adore Matt Berninger's voice on the song.  It sound rawer than his later work, like he's singing with a sore throat.   

"Under Your Spell" by Desire from the Drive soundtrack (Find it in the catalog!).  
I listened to a lot of 80s-inspired disco pop like Sally Shapiro, The Chromatics and College in grad school.  The late night vibe and bitter-sweetness really appealed to me. So naturally I fell in love with the Drive soundtrack as soon as I saw the film.  This song is my favorite though; it's a nice obsessive love song.

"One Sunday Morning (Song for Jane Smiley's Boyfriend)" and "Whole Love" by Wilco from Whole Love (Find it in the catalog!). 
I really enjoyed the last Wilco album.  If I had listened to it earlier in the year, it probably would have been in my top ten of the year.  These are my two favorite songs from the album.  "Whole Love" is a short, sweet love song that sets the stage for the epic and beautiful closer, "One Sunday Morning (Song for Jane Smiley's Boyfriend)". 

"Civilian" by Wye Oak from Civilian (Find it in the catalog!). 
I hadn't really listened this band too much before seeing them in concert, but I was blown away by their performance.  This song is full of anxiousness and builds slowly up until the crazy guitar work at the end.

Current Album Obsessions

Five albums that have spent an unhealthy amount of time in my car stereo of late:

Have One on Me- Joanna Newsom
Call No.: CD ROCK RAP NEWSOM HAVE
Find it in the catalog!

I avoided listening to this album for almost a year after it was released.  While I like Ys. initially, it wasn't a record that I wanted to listen to over and over again.  And this album is three discs and over two hours long.   It seemed exhausting.  However, I find Have One on Me a lot more enjoyable that Ys.  The songs are still super long and complicated, but they have an easygoing, seventies Joanie Mitchell vibe to them.  Also, while the album works together well as a whole, it's not necessary to listen to all three discs in a row.

Track Obsessions:  "In California", "Have One on Me", "Good Intentions Paving Company", "Does Not Suffice"

The Rip Tide- Beirut
Find it in the catalog!

It's been four long years since Zach Condon's last album, 2007's Flying Club Cup.  Being a fan of both previous Beirut albums, this was one of my most anticipated albums of the year.  Upon first listen, The Riptide seemed a little bit underwhelming.  It lacks the big, orchestral punch of the previous two albums and is, instead, more an understated synth pop album (but not of the Cut Copy variety).  However, after repeated listens, my appreciation for the album has grown considerably. Though Beirut's sound has evolved, The Rip Tide still has the moodiness and old-timey quality that I enjoyed on his previous albums. 

Track Obsessions:  I almost always hit repeat (at least once) on "East Harlem" and "the Peacock."  "Payne's Bay" (especially the first two minutes) and "Santa Fe" are favorites as well.

Meadowlands- The Wrens
Call No.: CD ROCK RAP WRENS MEADOWLANDS
Find it in the catalog!

I had never really listened to the Wrens before, having had them mildly confused with late 90s Canadian folk punk (that's a real thing, apparently) outfit the Weakerthans.  I listened to the Weakerthans during my short-lived emo period, which is not a musical phase I like to revisit often.  Anyway, I'm glad I finally checked out the Wrens.  Meadowlands is a breakup album, which always wins bonus points from me, but it also rocks pretty hard on occasion. 

Track Obsessions:  "Hopeless" has become a recent favorite of mine, but "Everyone Chooses Side" is still my absolute obsession here.  It gets repeated at least twice per album listen. 

Apocalypse- Bill Callahan
Call No: CD ROCK RAP CALLAHAN APOCALYPSE
Find it in the catalog!

I hadn't heard of Bill Callahan or Smog until his record, Sometimes I Wish I Was an Eagle, was listed on fellow blogger Jason's best of 2009 list.  Because I refuse admit that there are musicians that I haven't heard of, I immediately checked him out and I have been a fan ever since.  Callahan has a lo-fi sound, mixed with witty lyrics and a gloomy baritone.  Apocalypse is his latest seven song EP and it ranks among his finest work.

Track Obsessions:  "Drover," "Baby's Breath," and "Riding for the Feeling."
 
Yuck- Yuck
Call No.: CD ROCK RAP YUCK YUCK
Find it in the catalog!

The cover of this album (Google it, if you must) is one my least favorites of the year. In general, this would cause me to avoid listening to all together like Cocorosie's Grey Oceans (click on link at your own risk- you cannot un-see it!).  However, I was desperate for something new to listen to and had heard good things. Yuck's sound reminded me a lot of the 90's guitar driven alternative rock like the Smashing Pumpkins that I listened to early in my high school career.  In fact, with hints of the Cure and guy/ girl vocals, Yuck would have totally been my favorite band ever, if I discovered them in high school.  I'm glad I checked out the album in spite of the aesthetic unpleasantness of the cover, though Grey Oceans is still gonna be a no-go.

Track Obsessions: "Get Away," "Suck," "Sunday," and closer "Rubber."

I Think I Need A New Heart: Break-Up Albums

In honor of single people's least favorite holiday, I complied a list of my favorite break up albums.  The only thing I love more than songs about heartbreak is whole albums devoted to the topic.  Why spend minutes wallowing in self-pity, when you can spend hours!?  For a truly pathetic Valentine's Day celebration, I recommend watching Say Anything, in addition to checking out one of these albums.  You can spend the evening crying, because no one will ever love you as much as Lloyd Dobler loves Diane Court. (un)Happy listening!:

Sea Change by Beck. 

Find it in the catalog!

With moody, spare steel guitar work and song titles like “Lonesome Tears” and “Guess I’m Doing Fine,” it’s no wonder Sea Change has become a classic break up album.  However, those going through real romantic pain will probably find it a bit too mellow to weep to.  

Best Songs of Suffering: “Lost Cause,” “The Golden Age,” and “Side of the Road.” 

Attack and Release- The Black Keys

Find it in the catalog

Pretty much any Keys album will work for a break up.  These dudes know pain and that’s why we love them!  However, this album probably has the most heartbreak per square inch.  This album rocks pretty hard, so you won’t need your hanky.  Recommend for those angry post-break up moments.  

Best Songs of Suffering: “Remember When (Side A),” “Psychotic Girl,” “Lies,” and “Things Ain’t Like They Used to Be.”

For Emma, Forever Ago- Bon Iver

Find it in the catalog!

If you are so heartbroken that you want to lock yourself away in a remote cabin, this is the album for you.  Inspired by a real life break up, this album has lots of moody and introspective songs. 

Best Songs of Suffering: “Skinny Love,” “Blindsided,” and “Forever Emma.”  

Heartbroken, in disrepair: Songs for the lovelorn and lonely

"What came first, the music or the misery? People worry about kids playing with guns, or watching violent videos, that some sort of culture of violence will take them over. Nobody worries about kids listening to thousands, literally thousands of songs about heartbreak, rejection, pain, misery and loss. Did I listen to pop music because I was miserable? Or was I miserable because I listened to pop music?"

-Rob Gordon, High Fidelity

Unrequited love isn't the biggest injustice in the world, though those suffering from it may disagree.  Previously, I posted on songs written from the perspective of the person leaving a relationship.  Today we look at the flip side of the coin: songs about being dumped or never even noticed in the first place.  Since nothing inspires art like heartbreak, the pool of songs for this list is considerably larger.  There is seemingly endless supply of songs and albums devoted to love gone wrong.  So while being spurned may sting, there is certainly no shortage of stuff to listen into while you are wallowing in disquietude.  Below are some of my current favorite rejection-inspired songs.

Just Ain't Gonna Work Out- Songs of Rejection

There are plenty of good songs out there for the recently dumped- whether they are bitterly hostile or desperate to rekindle their relationship (or both). However, it can be just as hard to let someone down gently (especially if they are the clingy type) as it is to be kicked to the curb. So here are songs written from the perspective of the dumper, not the dumpee.  Making a mix tape of these songs to give to your not-so-special someone is probably not the kindest way to break it off, but it's nicer than what Arthur Russell would do!

Side note: I found it funny that most of the songs on the list were written by adorably geeky guys (minus, of course, Robyn), so I included their pictures. Unsurprisingly, most of these dudes have also written some pretty excellent songs about being dumped too. Expect that list shortly.

Just Ain’t Gonna Work Out- Mayer Hawthorne

Mayer Hawthorne is so smooth.  Not only can he pull off a hipster Dwight Shrute look, but he made a break up song that still sounds seductive.  Some people may be put off by Hawthorne's whiteboy retro soul shtick, but his album makes for pleasant listening and is surprisingly un-ironic. Check out the video for the song, which shows that sometimes ladies can be undateable too.