Recommended TV: Hannibal

News came out this week that this is the last season of Hannibal (at least on NBC). It's cancellation should not be seen as failure though, and I recommend it wholeheartedly. Hannibal is the most beautiful and stunning television show airing right now, if not ever. This is a bold statement and it seems impossible if you are familiar with the books or previous movies. Beauty is not a word one would associate with a show about a cannibalistic serial killer. But, even at its most gruesome, it is so artful. Bryan Fuller, the show-runner, created the other shows Pushing Daisies, Dead Like Me, and Wonderfalls.

Season one has a crime-of-the-week plot structure. Will Graham (Hugh Dancy) helps the FBI catch killers because he can "see" inside their minds based on the crime scenes. This ability disrupts his own mental state to the point that he needs help. Enter Dr. Hannibal Lecter (Mads Mikkelsen). Season two has a different structure, which is driven more by Will's narrative and his changing relationship with Hannibal and the rest of his colleagues at the FBI. Season three began earlier this month and you're able to watch the aired episodes online. So far, this season is following Hannibal's narrative-- he's calling the shots. 

 

So, on to why this show is special: it's a feast for the senses. The dialogue is not wasted and often carries a double meaning; the imagery is significant and dream-like (or hallucinogenic); the sets and color palette are lovely and intentional; the lighting moody; and the food styling is so exquisite its enough to make you want to join in on the meals, even though you know you don't really want to. The cinematography is so perfect, its a wonder that you're only watching a network TV show and not a feature film. Now the disclaimer: this show is not for everyone. It is intense, disturbing, and shocking at times-- the crime scenes can be a lot to take. I would also recommend refraining from snacking while watching.

Happy 89th birthday, Angela Lansbury!

Film, television, and theater star Angela Lansbury turns 89 today. In a career that has spanned 70 years, Lansbury has seemingly done it all. Let's take a look at a small slice of her work:

Broadway

Mame (1966) Won the Tony award for Best Actress in a Musical for her performance in the title role. Lansbury is one of the women interviewed by author Eddie Shapiro in the book Nothing Like a Dame: Conversations with the Great Women of Musical Theater (2014). She talks about her roles on Broadway, including what was so great about Mame: "You have to understand that up until that point I had had a career that was technically interesting and diverse and full of acting opportunities but I never had a chance to touch a universal audience, really. Men, women, children, dogs, cats, the whole shebang." Listen to the original cast recording: Mame Soundtrack

Sweeney Todd (1979) Won the Tony award for Best Actress in a Musical as Mrs. Lovett. Listen to the original cast recording: Sweeney Todd Soundtrack

Television

Murder, She Wrote (1984-1996) Nominated for Lead Actress in a Drama Emmy as mystery novelist Jessica Fletcher for each of the show's twelve seasons. Find it in the catalog!

Film noir

Gaslight (1944) Nominated for the Best Supporting Actress Academy Award in 1945 Find it in the catalog!

Drama

	The Picture of Dorian Gray (1945) Nominated for the Best Supporting Actress Academy Award in 1946 Find it in the catalog!
	The Manchurian Candidate (1962) Nominated for the Best Supporting Actress Academy Award in 1963 Find it in the catalog!

Family films

	National Velvet (1944) Find it in the catalog!
	Bedknobs and Broomsticks (1971) Find it in the catalog!
	Nanny McPhee (2005) Find it in the catalog!

Voiceover work

Beauty and the Beast (1991) Find it in the catalog!

Do you have a favorite role of Angela Lansbury's? One of my favorite childhood movies was Bedknobs and Broomsticks. Compiling this list has compelled me to seek out her earlier work; I am just amazed to see the scope Angela Lansbury's enduring career!

It's Batman Day!

July 23 is Batman Day! To celebrate the 75th anniversary of Batman, special events are being held at book stores and comic book stores around the world.

Comic book stores are giving away free copies of Detective Comics #27 Special Edition. Modern Age Comics in Algonquin (2210 East Algonquin Rd) is a local comic book store participating in the Batman Day giveaway.

Additionally, tonight a Batman Day Trivia Contest will be held at 7 p.m. in the Barnes and Noble cafe in Spring Hill Mall.

Another way to celebrate is by watching your favorite Batman movie/s. As a kid I loved watching syndicated episodes of the 1960s Batman television series and the 1966 movie starring Adam West. Today the films in Christopher Nolan's Batman trilogy, starring Christian Bale, rank among my all-time favorites.

Adam West as Batman:
Batman: The Movie (1966)
Batman (TV series-1966-1968)
The New Adventures of Batman (Animated TV series-1977)

Michael Keaton as Batman:
Batman (1989)
Batman Returns (1992)

Val Kilmer as Batman:
Batman Forever (1995)

George Clooney as Batman:
Batman & Robin (1997)

Christian Bale as Batman:
Batman Begins (2005)
The Dark Knight (2008)
The Dark Knight Rises (2012)

In 2016 audiences will see how Ben Affleck fits into the role in Batman v Superman: Dawn of Justice. I grew up on DC Comics characters, so I am definitely excited to see the film. The only thing that would be better would to have a movie focused on Batman's sidekick, Robin (preferably played by Joseph Gordon-Levitt... Dark Knight Rises, why'd you tease us?).

Which actor do you prefer as Batman? Are you looking forward to Batman and Superman sharing the screen in Batman v Superman?

Listen up: Voices by Phantogram

Big beats and big guitars. You can't get much better than that. Phantogram is an electro-rock duo from New York state, and they produce a big sound for only two people. Sarah Barthel handles the vocals, and she does so with power. While two other tracks initially caught my attention (Howling at the Moon and Bad Dreams), their single Fall In Love is catchy and completely exemplary of the band's sound, so if you like this single, you'll enjoy the entire album. Phantogram remind me of M83, with their fairly seamless integration of electronic elements. Also one of their tracks is titled Bill Murray - so there's that in their favor. It's a good one for listening to in the car, loudly.

Voices by Phantogram
Find it in the catalog!

My Favorite Things 2013

This year, more so than any other in recent memory, I found myself playing catch-up with last year's "best-of" that I didn't take in much from this calendar year. Basically, I haven't read, listened to or watched enough of anything to make separate lists for each ... so, here's my Top Ten Favorite Things from 2013.

1 & 2. While everyone is talking about AMC, HBO and Showtime and their popular programming, I'm interested in BBC America, which produced two of my favorite television shows this year: Orphan Black and the third season of Luther. One could not find better acting, nor more complicated and well-drawn characters. Bonus: the female characters are strong. Tatiana Maslany (playing 7 characters on Orphan Black) should have been nominated and won an Emmy, and Ruth Wilson (from Luther) is so on point as psychopath Alice Morgan, it actually makes me giddy when she shows up on screen.

3 & 4. The Death of Bees by Lisa O'Donnell and Wave by Sonali Deraniyagala. I wrote reviews of both a while back, so I won't get into it again. Simply, both are books that stay with you.

5 & 6. I have slacked the most this year in the movie department. I have seen only one movie in the theater and about a handful on DVD. My two favorite films of the year are The Way Way Back and the German film Lore. It was theatrically released in 2012, but out on DVD in 2013, so I'm counting it. Lore takes place at the end of World War II and focuses on siblings who've been abandoned by their Nazi-sympathizing parents and now must confront the harsh reality of losing a war and the propaganda they've been fed. Superb performances from a very young cast and a WWII perspective not often told. The Way Way Back also features a younger actor with potential: Liam James (in the role of Duncan). His interactions with Sam Rockwell made this movie.

7. The album that sticks out to me this year is Tomorrow's Harvest by Boards of Canada. I enjoyed many others (from artists Daft Punk, Phoenix, Local Natives, The National, Quadron, Thundercat, and Cut Copy), but this one I enjoyed the whole way through. And I got sucked in. It's ambient, but not boring.

8-11. Even though I enjoyed the above album as a whole, my favorite songs of the year were Trying to Be Cool by Phoenix, Holy by Frightened Rabbit, Diane Young by Vampire Weekend (love, love, love the ending), and Heartbreaks + Setbacks by Thundercat.

The Hollow Crown: Richard II

The BBC has long been expert in adapting Shakespeare's stage plays to the screen. Every great Shakespearean actor since the advent of television has made an appearance in these adaptations: Judi Dench, Ian McKellen, John Gielgud, Anthony Hopkins, Patrick Stewart, Laurence Olivier, and countless other esteemed performers. The latest entry in this venerable tradition is The Hollow Crown, an adaptation of the Bard's second tetralogy: Richard II, 1 and 2 Henry IV, and Henry V. These closely connected history plays cover the--sometimes attenuated--reigns of these eponymous English kings: "how some have been deposed; some slain in war, some haunted by the ghosts they have deposed; some poison'd by their wives: some sleeping kill'd; all murder'd".

The first in the series, Richard II, can be summarized as the downfall of a young, wastrel monarch, Richard, and the rise of Henry Bolingbroke, beloved of the people. Given the author of this play, you are right to assume that there are endless layers of complexity to this history tale. In The Hollow Crown, Richard is played by Ben Wishaw, an actor that 007 fans will likely recognize from his role as Q in Skyfall (2012). Wishaw's performance as the doomed king is extraordinarily nuanced, as he alternates between imperious condescension and near-lunatic self-pity.

One of the earliest standout scenes in the adaptation is Richard's combative conversation with John of Gaunt, played by the illustrious Patrick Stewart. Gaunt is ill to the point of death in this scene, and is essentially using his poor health as an excuse to clear his conscience and tell the young king what he really thinks of him. Patrick Stewart is more than twice Ben Wishaw's age and is playing the part of a dying man, yet his repudiation of the young monarch is so forceful, so powerfully conveyed, that I actually felt concern for the wilting king. (Stewart has such gravitas that I'm convinced he could have done justice to any of the roles in this film. Yes, the queen included.)

Bolingbroke, the man that will inevitably take Richard's place on the throne, is a very different type of adversary. He isn't quite the ambitious lord that Richard believes him to be, but rather a man just ambitious enough to allow the forces of history to make him king. Remember, this is Shakespeare we're talking about, so the question of a character's motivation is never a simple thing. Bolingbroke is played by Rory Kinnear, also an alumnus of the 007 series. His performance is far less demanding than that of Richard, the hysteric, but he does a fine job of conveying his character's conflicted loyalties, as well as hinting at his dawning realization: "Uneasy lies the head that wears a crown."

Richard II is, admittedly, a fairly grim affair. Apart from the king's absurdist self-pity, there is little in the way of humor. But, the following Henry IV plays feature one of Shakespeare's most beloved creations: the corpulent, riotous, corrupter of youth, Sir John Falstaff.

Title sequence greatness

Title sequences are easy to overlook; they're often taken for granted because it's the time when you go to the bathroom or go get the popcorn. However, I propose that title sequences are one of the best indicators of whether a film or TV show is worth watching, at least when you have no other motivations (starring your favorite actor, based on a book you read, etc.).

Obviously imagery is important, but instead of taking advantage of this moment, most sequences seem to be an afterthought - let's just film some scenery from a helicopter and throw the performers' names over the shots of countryside. Sure, sometimes this b-reel imagery sets up the place, maybe the time, but it's not especially imaginative. When you sit down, you want to be immediately taken somewhere, otherwise it's too easy to become distracted.

There is a reason that movies are scored and music videos exist; music and movies accentuate each other. Good, deliberate music can convey tone and emotion, and is also a place were imagination is welcome. One loophole: silence can also be effective for setting tone.

The last piece of the puzzle is the font and style used for the titles. Type can actually demonstrate emotion and relevance just as much as imagery, since it too is a visual medium. For instance, use a font such as courier, and you might be reminded of a typewriter, thus the 1940s, and therefore a WWII-era spy thriller (or something like that, you get my drift). Well chosen typeface is key to a memorable sequence. Also, how do the titles flow into one another? This can convey the tone of the movie, such as frantic, lackadaisical, quirky, etc.

Originality in all three aspects makes for great sequences. Of course, sometimes there isn't a title sequence-- which can be cool too as long as it's intentional. Check out a list of some personal favorites after the jump ...

Classic Cinema: Badlands

Badlands recently got the Criterion Collection treatment, and I cannot recommend this film enough. Terrence Malik's first major movie, made in 1973, is a masterpiece that still holds up.

Our introduction to main characters Kit (Martin Sheen) and Holly (Sissy Spacek) are telling. Kit is collecting garbage and hovers over a dead dog without a hint of emotion, and Holly is in her front lawn twirling a baton-- how much more innocent can you get? This couple embarks on a killing spree road trip which is loosely based on the real-life late 1950s Starkweather-Fugate killing spree.

It's not a particularly gory-violent film, but it's impact lies in the bursts of violence set against a quiet background. It's actually a quiet movie in many respects. Viewers are lulled into the story by the use of beautiful scenery (more on that later), some subtle humor peppered throughout, and a main theme song, Carl Orff's Schulwerk-Grassenhauer, that is playful and childlike, which is perfectly deceiving and strangely perfect. Kit and Holly build this detached world around themselves and when someone threatens it, Kit attacks. They are not socially awkward loners, though. Kit is adept at cultivating a James Dean persona, thinking that his charm will keep him afloat, which it does to a degree. Eventually, Holly just becomes bored, as a fifteen-year-old girl would.

The performances by Sheen and Spacek may very well be the best of their respective careers and is not to be overlooked, but, what I truly love about the movie is the visuals. I could not write up Badlands without mentioning Art Director Jack Fisk. I believe that he's as much responsible for the greatness of this film as Malik. Fisk is a master as conveying the simple beauty and struggle of landscape. Check out There Will Be Blood for further confirmation of this man's genius. (Also, Fisk met his future wife, Sissy Spacek, on this film.)

If you're already a fan of the film, be sure to checkout the 40 minute making-of documentary on this disc, which includes present day interviews with Sheen, Spacek, and Fisk.
Find it in the catalog!

Join the realm!

If you are a fan of Game of Thrones, like I am, you most definitely are looking forward to the third season, which starts on Sunday, March 31. I've grown more and more excited each week and am currently in the middle of re-watching Season 1 and Season 2 to get ready. While seasons 1 and 2 covered the story lines from the first books in author George R.R. Martin's A Song of Fire and Ice series, A Game of Thrones and A Clash of Kings, season 3 will cover roughly the first half of the 973-page third book, A Storm of Swords.

No spoilers here: A Storm of Swords. Is. Awesome. And heartbreaking. And captivating. And full of surprises. I can't wait to see how the actors, writers, and directors bring this book to life. 

It is known that Game of Thrones includes a long list of characters and settings to keep straight. Do you know the sigil of each house?

House Baratheon: Ours in the Fury
House Bolton: Our Blades are Sharp
House Lannister: Hear Me Roar (unofficial: A Lannister Always Pays His Debts)
House Martell: Unbowed, Unbent, Unbroken
House Mormont: Here we Stand
House Stark: Winter is Coming
House Tully: Family, Duty, Honor
House Targaryen: Fire and Blood

At jointherealm.com you can create your own house sigil by customizing the banner background, text, and icons. Here is the sigil I created. There was no squirrel icon available, so I settled on a food theme:

Have fun designing your house sigils!

The 2013 Dundees: Our Alternative Oscars

Below are our winners for our alternative Oscars, the Dundees, where I pick out my favorite performances in film and TV of the last year.  Since Ryan Gosling and Michael Fassbender were pretty much absent this year in film, I don't have a whole lot of complaints about this year's Oscar snubs.  That being said, I was disappointed to see that the Academy somehow had more love for Les Misérables than P.T. Anderson's fabulous The Master.   Personally,  I'd rather watch grass grow than Les Miz, at least that wouldn't involve Russell Crowe trying to sing!

This has been a big year for comebacks, with everyone from Matthew McConaughey to Bradley Cooper turning in refreshingly good performances.  In this vein, I was thrilled to see Joaquin Phoenix nominated for his fantastic performance in The Master.  Sure, he'll probably lose out to Daniel Day-Lewis, but it's nice to see him back!

Without further ado, here are the winners:

Best Comedy:  Moonrise Kingdom.
This movie has a tinge of bittersweet, as all Wes Anderson movies do, but it is also one of the funniest movies of the year.  For a more in-depth look at the movie, check out this great post by fellow Media Corner blogger Danielle. 

Runner Up:  Damsels in Distress. It took me about a half hour or so to adjust to the offbeat-ness of this movie, but its over the top strangeness eventually won me over.  It's sort of like an upside down 80s college comedy.

Best (Anti-) Romantic Comedy:  Celeste and Jesse Forever.  This movie doesn't really count as a rom-com in the traditional sense, since it's about two people getting divorced. It does manage to be the right mix of funny and moody, and has an incredible cast including Rashida Jones, Andy Samberg and Chris Messina.  It's a great sleeper movie.

Most Enviable Wardrobe, Female Performance:  Megan Draper (Jessica Paré) on Mad Men.  I was so disappointed when she quit her job at Sterling Cooper Draper Price, because we'd no longer get to see her incredible 60s office chic outfits!

Music Roundup: My Top 10 Albums of 2012

Top Ten

The Seer - Swans
The music on The Seer is far more sophisticated than the Swans recordings of the early-'80s, when the band was about brutal noise and confrontation at the expense of all else. Michael Gira has refined his songwriting and expanded his thematic concerns throughout his long career, most notably with his Angels of Light project. But the dark drama and punishing intensity are still integral to the band's vision. The Seer is a sinister, droning masterpiece.

'Allelujah! Don't Bend! Ascend! - Godspeed You! Black Emperor
Certain artists inspire devotion, and GY!BE have had a devout following since their 1997 debut. 'Allelujah! is their first new record since 2002 (Yanqui U.X.O.);  a record comprised of two relatively long compositions and two shorter works that have been part of the collective's live repertoire. (The Guardian published a statement from the group coincident with the release of 'Allelujah!, providing some genuinely moving sentiments about the group's ambitions.) If you're unfamiliar with GY!BE, the ideal introduction is "The Dead Flag Blues," the legendary first track from the group's debut record. There's simply no better encapsulation of the what Godspeed You! Black Emperor is about. Follow that with the 'Allelujah! track "Their Helicopters' Sing" for further evidence of the visceral beauty of this group's music.

The Sun - Cat Power
Chan Marshall's career has had distinct musical phases that aren't always appreciated by the same audience; her stark, guitar-based recordings from the '90s often go unappreciated by those who favor her Southern soul influenced work. As a fan of her entire catalog, I'd like to think that The Sun represents yet another break/innovation. The soulful horn section has been replaced with warm synthesizers and electronic beats. There isn't much precedent for this type of production in Marshall's work, though it may have some superficial similarities with her guest spot on Handsome Boy Modelling School's 2004 record. The appeal of any Cat Power album is Marshall's voice, and it's invigorating to hear her sing with such directness on The Sun.

Four - Bloc Party
Bloc Party have always excelled at combining the best elements of  late-90s Blur and Radiohead with intense post-punk angularity. Those expected strengths are very much on display on the band's fourth record, but, really, nothing could have prepared me for the monster riffs of "Coliseum."

Cancer4Cure - El-P
The music of El-P is so idiosyncratic and distinctly his own that it's almost instantly identifiable. Forever at the margins of whatever can be considered "mainstream" hip-hop, El-P has consistently crafted innovative and intriguing music that reveals a profound appreciation for classic sampling. C4C is unquestionably one of El-P's finest records; a wild melange of samples and sounds that is, strangely, the most focused he has ever sounded.

Key to the Kuffs - JJ DOOM
You can pair MF DOOM with just about anyone and the results will, at the very least, be interesting. But his recent collaboration with MC/producer Jneiro Jarel is considerably more than a curio. Key to the Kuffs isn't a perfect record; and it suffers by comparison to Madvillainy, DOOM's beloved 2004 collaboration with Madlib. (To be fair, every recording suffers by comparison with Madvillainy.) Taken on a track-by-track basis, this is some of the best work DOOM has done in years. "Guv'nor" is almost certainly the standout, with its woozy production and lyrics that range far wider than DOOM's typical concerns.

awE naturalE - THEESatisfaction
I first heard TheeSatisfaction as guest artists on one my favorite records of 2011, Black Up by Shabazz Palaces. awE naturalE is the Seattle duo's debut full-length, and it easily exceeds all expectations in its seductive beauty and the seemingly effortless interplay between the singer (Cat) and the emcee (Stas).

Don't Be a Stranger - Mark Eitzel
My appreciation for this record may, to some extent, be tinged with nostalgia for the magisterial dolorousness of classic American Music Club. (Along with Red House Painters, A.M.C. were the demigods of slow-core.) But, taken on its own terms, Don't Be a Stranger is a beautifully crafted record that makes the most of Eitzel's unique voice and songcraft.

Between the Times and the Tides - Lee Ranaldo
As guitarist and co-founder of the band Sonic Youth, Lee Ranaldo's legacy as a rock innovator is secure. But, like his band-mates Kim Gordon and Thurston Moore, he has pursued various solo projects throughout has career. While the numerous side projects by Gordon and Moore are still pretty recognizable as Sonic Youth recordings (to the extent that Sonic Youth can be said to have a recognizable template), Ranaldo is pursuing musical ideas far afield of his full-time gig. From the darkly pulsing opening track, "Waiting on a Dream," to the gentle lyricism of "Stranded,"Between the Times and the Tides is a beautiful record that displays Ranaldo's maturation as a songwriter.

Mature Themes - Ariel Pink's Haunted Graffiti
Mature Themes is as strange as Ariel Pink himself. You just need to accept that Pink is working on another level, and the more time you spend with his songs, the more resonant they become. (Though I'm not sure there's any way to make sense of the almost unbelievably odd "Schnitzel Boogie.") Mature Themes isn't all experimentation and obfuscation; "Only in My Dreams" is as direct and charming a pop song as you could ask for, and the album's closer, "Baby," is a surprisingly soulful cover that just may be my favorite track of the year.

Other Highlights

2012 featured new music from some of my longtime favorites: Deerhoof (Breakup Song), Sun Kil Moon (Among the Leaves), Spiritualized (Sweet Heart, Sweet Light), Nas (Life Is Good), Mount Eerie (Clear Moon), and a late-entry from Big Boi (Vicious Lies and Dangerous Rumors). There were also a handful of newcomers who made an indelible impression: Frank Ocean (Channel Orange), Death Grips (The Money Store), and the surprisingly divisive pop singer Lana Del Rey (Born to Die). Say what you will about Del Rey's debut album, her single "Video Games" is an evocative song that feels emblematic of its moment in time, an impression that is only enhanced by its accompanying video.

New on DVD: "Moonrise Kingdom"

“I love you, but you don’t know what you’re talking about.”
- Sam to Suzy

Moonrise Kingdom is set during 1965 in New Penzance Island, New England, about two misunderstood twelve-year-olds who fall in love and decide to run away together. This Wes Anderson film is full of whimsy and wonderful performances, especially from the two young leads playing Sam and Suzy.

Sam (Jared Gilman), an orphan, is described as "emotionally deranged" by his fellow Khaki scouts at Camp Ivanhoe. He runs away from the scouts with a canoe stocked full of supplies, which sets off a search party of Scout Master Ward (Edward Norton), the rest of Troup 55, and Island Police, headed by Captain Sharp (Bruce Willis). When Sam's foster parents hear about his running away, they inform Captain Sharp that Sam is no longer welcome back to their home.

Suzy (Kara Hayward) does not have any friends and gets in trouble at school. Her three younger brothers entertain themselves with games and listening to records, while she spends her time reading or looking at the world through her binoculars. She always has binoculars at her side and believes they are her magical powers.

Sam travels across the island from Camp Ivanhoe to Summer's End to meet Suzy, one year after their initial meeting. Between summers they wrote each other letters, talking about the difficulty of fitting in and getting along with classmates and authority figures. (“Dear Suzy, I have been trying very hard to make friends, but I feel people do not like my personality.”) When Suzy's mother (Frances McDormand) discovers one of Sam's letters to Suzy, she and Mr. Bishop (Bill Murray) join the search.  

Sam utilizes his Khaki scout knowledge as he and Suzy navigate their way along the Old Chickchaw Harvest Migration Trail. Suzy brings a suitcase full of library books (which she may return, someday), her cat, Lionel's record player, and her lefty scissors. Whenever they stop to take a break she reads aloud from her books as Sam listens and smokes a pipe. She prefers stories with magical powers and tells Sam that she wants to go on adventures when she’s older.

I could go on about the awesome cast, from Sam's fellow Khaki scouts to Jason Schwartzman's brief appearance as Cousin Ben. And the script by Anderson and Roman Coppola has so many great lines I had to restrain myself from including twenty quotes in this post.* Additionally, the soundtrack, with songs from composer Benjamin Britton, Alexandre Desplat, and Hank Williams, is beautiful and playful, down to the final “cuckoo, cuckoo.” Hilarious, sweet, and definitely a little crazy, Moonrise Kingdom is my favorite movie of the year.


*Okay, I can't help myself. If you want to see more of my favorite quotes from the movie, click to read more!

Joseph Gordon-Levitt's Greatest Hits

Joseph Gordon-Levitt (JGL) has been a favorite of mine for several years now and he just keeps getting better. He varies his parts, but always turns in a noteworthy performance. Besides being easy on the eyes, he exudes easiness and charm in spades.

Joseph was most famous for his teenage role on the CBS sitcom 3rd Rock From the Sun in the late nineties to early aughts. He has since made a name for himself in the film industry. These are some of his greatest hits:

1. 10 Things I Hate About You: Yes, it's a high school movie. But, it also has JGL, Heath Ledger and Julia Stiles as relative youngsters. Based on Shakespeare's Taming of the Shrew, it's one of the better teenage movies. Find it in the catalog!

2. Manic: The first pairing of JGL with Zooey Deschanel, although this one lacks the cuteness of (500) Days of Summer (see below). Manic is more dark and moody and shows JGL in a much different light than his previous work on 3rd Rock or 10 Things. I'm sure that that was a conscious choice on his part to avoid being type-cast. JGL plays Lyle, who is placed in a mental institution with other teens after some violent incidents. He is a somewhat sympathetic character plopped into the chaos of real teenage angst. Find it in the catalog!

3. Brick: A more cerebral turn for JGL. He plays Brendan, a high-schooler on the hunt for his ex-girlfriend's murderer, and to do so must access the sinister crowd, including the local drug dealer.  The tone is noir, the dialogue Shakespearean, but shot in color with more modern circumstances. It's an odd contrast and I guarantee you won't have seen a similar movie. (This is from director/writer Rian Johnson who subsequently wrote and directed The Brothers Bloom and the upcoming Looper also starring JGL.) Find it in the catalog!

4. The Lookout: A caper with excellent tension and performances all around (especially Matthew Goode with a role against type here). JGL plays Chris, a bank janitor with short-term memory issues as a result of a car accident in high school-- which makes him the perfect patsy. This just might be my favorite JGL film. Maybe. Find it in the catalog!

5. (500) Days of Summer: The second pairing of JGL and Zooey Deschanel. This flick is quirky, but still meaningful and one of the better rom-coms in recent years. This film definitely showcases JGL's lighter side. Great soundtrack. Find it in the catalog!

6. Inception: JGL is one of many, but still manages to make an impression. Check out the Media Corner synopsis. Find it in the catalog!

7. 50/50: As I stated earlier this year, I think this movie was robbed at Oscar nomination time. JGL leads as a twenty-something diagnosed with cancer. Joseph was able to run the gammit of emotions: confusion, anger, frustration, humor and thinking it might help you get the ladies (which I was unaware was one of the stages of dealing with cancer ...). Find it in the catalog!

Lastly, I would be remiss if I did not mention his excellent and grounding performance in The Dark Knight Rises. His character's place and purpose was unclear in pre-production, but he becomes the one to watch in the last installment of Nolan's grand trilogy. Joseph also has three more movies in the can: soon to be released Premium Rush, the aforementioned Looper, and Lincoln where he plays Robert Todd to Daniel Day-Lewis' Abraham (now that will be one to watch!). Oh, and did I mention he's currently writing and directing his first movie, Don Jon's Addiction? What a renaissance man.

Happy birthday, Will Ferrell!

Actor Will Ferrell turns 45 today. Ferrell is known for his hilarious and quotable film characters, from Buddy the Elf to anchorman Ron Burgundy to figure skater Chazz Michael Michaels. His latest movie to hit DVD is Casa de mi Padre, out tomorrow. Later this summer Ferrell can be seen in the comedy The Campaign co-starring Zach Galifianakis. Will Ferrell fans are undoubtedly looking forward to the Anchorman 2 movie due to be released in 2013, reuniting the cast from the original 2004 film, which also starred Steve Carell, Paul Rudd, David Koechner, and Christina Applegate.

I always enjoy the way Ferrell plays off his co-stars, and he had great chemistry with his news team in Anchorman. I especially loved the back and forth insult slinging between Ron Burgundy (Ferrell) and Veronica Corningstone (Applegate). Ferrell and John C. Reilly were a great partnership as NASCAR drivers in Talladega Nights, and as rivals who become best friends in Step Brothers:

Brennan: Listen, I know that we started out as foe. But after that courageous act that you showed me against the one they call Derek, maybe someday we could become friends. Friends who ride majestic, translucent steeds, shooting flaming arrows across the bridge of Hemdale.

Dale: I would follow you into the mists of Avalon if that's what you mean.

Ferrell also shared hilarious scenes with Mark Wahlberg in The Other Guys. Wahlberg, as NYC police detective Terry, couldn't stand to be around Ferrell's character Allen Gamble, who he saw as weak and a "fake cop." Terry used a metaphor comparing himself to a lion and Allen to a tuna, and told Allen that he would even go outside the food chain to attack him. Allen came right back at Terry and explained why a tuna could take a lion in the ocean "9 times out of 10":

OK, first off: a lion, swimming in the ocean. Lions don't like water. If you placed it near a river or some sort of fresh water source, that make sense. But you find yourself in the ocean, 20 foot wave, I'm assuming off the coast of South Africa, coming up against a full grown 800 pound tuna with his 20 or 30 friends, you lose that battle, you lose that battle 9 times out of 10. And guess what, you've wandered into our school of tuna and we now have a taste of lion. We've talked to ourselves. We've communicated and said 'You know what, lion tastes good, let's go get some more lion'. We've developed a system to establish a beach-head and aggressively hunt you and your family and we will corner your pride, your children, your offspring.

And that's not even the end of that scene. Another one of my favorite Will Ferrell roles was Buddy in Elf. A "human raised by elves," Buddy was happy all of the time, saw the good in everyone, and loved candy: "We elves try to stick to the four main food groups: candy, candy canes, candy corns, and syrup."

Ferrell is also not afraid to let loose and sing, which he's done in several of his films. Check out a clip of his performance of "Something to Talk About" in Step Brothers:


Happy birthday to the songbird of his generation, Will Ferrell!

I named a few of my favorite Will Ferrell moments. What is your favorite Will Ferrell scene and/or quote?

Time Capsule Album Obsessions: College

Somehow when I had dreamed of going way to college, I didn't imagine that I'd be escaping to Appleton, WI-a city almost more culturally devoid than the tiny, far-north Chicago suburb that I grew up in. I had more exotic locales like Chicago or New York City in mind. But a scholarship, parental pressure, and a campus that reminded me of Rushmore Academy won out in the end and I went to Lawrence University in Appleton.  Lawrence University is one of the premier colleges for music in the United States, which is great if you like classical music or the opera. However, for rock music you pretty much have to drive to Milwaukee (a little over an hour away) or Madison (about an hour and a half away) to see anyone decent live.  Unsurprisingly, I didn't go to a lot of shows during this period.  However, I did discover a bunch of new bands thanks to being surrounded by a bunch of music geeks.  Below are my five most listened to albums from college (check out the whole list here):

Transatlanticism by Death Cab for Cutie (2003).
Find it in the catalog!
This is one of the few early Death Cab albums that I can still listen to without cringing too much at my former, college-aged self.  I related to these songs immensely then, so listening to them is sort of like looking at pictures of yourself with a bad haircut that you thought was awesome at the time.  That's no diss to Death Cab.  I actually like their recent stuff quite a bit (especially Codes and Keys).  And Chris Walla's guitar work has always been superb. But Ben Gibbard's lyrics seem a little too angst ridden and confessional in hindsight.  Maybe I've just grown to hate earnestness.  In spite of this, Transatlanticism still holds up pretty well for me, possibly because Gibbard's lyrics aren't as intensely personally as on some of Death Cab's other albums from the early aughts.  I'm not a huge fan of "Tiny Vessels" or "Death of an Interior Decorator."  But the rest of the album is pretty solid. 

Favorite Songs: Sound of Settling, Transatlanticism, Passenger Seat

Alligator by the National. 
Find it in the catalog!
The National were a band I had been hearing good things about for a while, but could never track down one of their records.  When  I saw Alligator on the shelves at Borders (in McHenry, of all places), I picked it up and fell in love with it instantly.  The National were different from a lot of the bands I had been listening to at the time.  The music was dark and well-crafted, and singer Matt Berninger had a deep, world-weary voice.  The National is still one of my favorite bands and I've loved both of their subsequent albums, but Alligator still probably has the most songs on it that I love (Boxer is my favorite overall).  Out of the albums that I loved in college, this is definitely the one that I revisit the most often. 

Favorite Songs: All the Wine, Geese of Beverly Road, Daughters of the Soho Riots, Mr. November

Yankee Hotel Foxtrot- Wilco (2002)
Find it in the catalog!
When I was in high school, "country" even of the alt variety, sounded like something that I just couldn't get into.  So it took me a really long time to listen to Wilco.  So long, in fact, that I did not check out Yankee Hotel Foxtrot until a year after it was released, in spite of its universal acclaim.  However, once I finally did get around to checking it out, I pretty much listened to it on repeat for about two years (it is part of my subconscious now). This is still one of my favorite albums of all time.

Favorite Songs:  I'm Trying to Break Your Heart, Ashes of American Flags, Jesus, Etc., Poor Places

Something Else- Kinks
Find it in the catalog!

The Kinks were probably my favorite band in college. Yet I don't remember how I started listening to them, I just remember suddenly being into the Kinks.  But it's pretty safe to blame the movie Blow-up, which made me want to check out anything that British and from the 60s.  The Kinks definitely had a gritter sound than other music from the 60s that I was used to (i.e. The Beatles and Simon and Garfunkel), which made their music sound more modern to me.  Also, Ray Davies is probably one of my favorite songwriters ever.  His lyrics are funny, biting and have great social commentary.  Something Else was my introduction to the Kinks.  While I'd eventually love The Kinks are the Village Green Preservation Society and Lola Versus Powerman and the Money-go-round more, Something Else remained in heavy rotation until grad school, largely thanks to "Waterloo Sunset."

Favorite Songs:  Waterloo Sunset, Afternoon Tea, and Tin Solider Man

69 Love Songs- Magnetic Fields
Find it in the catalog!

I first got into the Magnetic Fields with the album The Charm of the Highway.  I liked how poppy and yet bleak Stephin Merritt's songs were, as well as how clever some of the lyrics were.  Pretty much all of the Magnetic Fields albums were played in heavy rotation in my dorm room, but 69 Love Songs is probably Merritt's masterpiece.  Also, the three disc set was the perfect length to drive home for breaks.

Favorite songs: I Don't Want to Get Over You, I Don't Believe in the Sun, No One Will Ever Love You,  The Sun Goes Down and The World Goes Dancing, Busby Berkeley Dream, I Can't Touch You Anymore

Happy St. Patrick's Day!: The Films of Michael Fassbender

In honor of St. Patrick's Day, check out a film by Ireland's finest countryman- Michael Fassbender: 

300 (2006):  Does the thought of lots of ancient Greeks and Persians fighting sound like fun?  Then you are the perfect audience for this movie.  Warning though, you'll probably feel really self-conscious about your abs after watching it.

Angel (2007):  This is definitely a strange movie to watch.  It reminded me of a melodrama from the 1940s.  There's lots of lavish scenery and swelling music, but with an unlikeable protagonist, Angel- a snotty and overly self-assured romance author.  Fassbender plays Esmé- a struggling  and self-involved artist with gold-digger tendencies.  

Hunger (2008):  Fassbender gives an impressive performance as IRA prisoner Bobby Sands who goes on a hunger strike.  This is a pretty brutal movie to watch, but a good one.  Director Steve McQueen (not of Bullitt fame) also worked with Fassbender on Shame. 

Fish Tank (2009): In this gritty, British slice-of-life drama, Fassbender plays Connor, the boyfriend of Mia's (the protagonist) mother and the only person whom seems to look out for Mia.  Connor does some detestable things in the movie, but Fassbender brings out the charismatic and sympathetic elements of the character too.

Inglourious Basterds (2009):  Quentin Tarantino's World War II masterpiece.  Fassbender plays a Scotch-drinking British film critic turned spy against the Germans.  If you only have time to watch one Fassbender movie, this is the best!

Centurion (2010):  If 300 didn't give you enough a chance to ogle Fassbender's abs, here's your second chance. Evidentially ancient warriors were allergic to shirts. 

Jonah Hex (2010):   I haven't seen this, so no word on whether it's so bad it's good...or just sleep inducing.  Definitely not the best movie with Fassbender and Christoph Waltz though.

Jane Eyre (2011): Fans of the book may prefer the BBC version, because it is a more faithful adaptation.  But this adaptation has the handsomest Rochester ever. 

X-Men: First Class (2011):  This is a well-done adaptation of a comic book.  But more importantly- it has Fassbender and James McAvoy in one movie!  Now if only they could make an Austen adaptation together!

Coming Soon: A Dangerous Method (2011).  David Croenberg's drama about Freud (Viggo Mortensen) and Jung (Fassbender).

The 2012 Dundees: Our Alternative Oscars

 

Minus the divisive Tree of Life and the critically panned Extremely Loud and Incredibly Close, this year's Oscar's Best Picture nominations seem even more safe and boring than last year's, when we at least had The Social Network to root for.  Worst of all, they totally snubbed my beloved Michael Fassbender.  And what's up with not nominating Drive for anything besides sound editing?  Does the Academy want to deny us Ryan Gosling dressed up in suit?  Albert Brooks and Cliff Martinez deserved nominations at least.  Oh well, at least Michelle Williams got a nomination for My Week with Marilyn (though it would have been cooler if it was for Meek's Cutoff). 

Anyway, below are my highlights of the year in Film and TV.  Think of it like the Oscars with 100 % more dreaminess (and 600% more Gosling)! 

Best Funny Movie of the Year:  The Trip.  Bridesmaids is probably the most laugh-out loud funny movie, but The Trip is more profound.  The movie follows British comedians Steve Coogan and Rob Brydon on a culinary tour of England, while both men deal with disappointments in their lives and career.  It's an interesting exploration of male friendship, but lest you think it's too serious it features some pretty funny sequences like Coogan and Brydon's dueling Michael Caine impressions.

Best Romantic Comedy:  Friends With Benefits.  I really liked the first part of this movie, which seemed like romantic comedy satire.  But it eventually turns into a regular rom-com at the end.  Sort of like a friend who is all cynical about love until they get a girlfriend or boyfriend and then you have tolerate their lovey-doveyness with a straight face.  However, I enjoyed the performances by Mila Kunis, Patricia Clarkson as Kunis's hippy mom, and Woody Harrelson as Justin Timberlake's coworker (who puts a whole new spin on the "gay best friend" role) enough to recommend it.

Runner-Up:  Crazy Stupid Love.  If this movie had just been about Ryan Gosling and Emma Stone's character, it probably would have been my favorite.  Their romance seemed sweet and naturally evolving and Emma Stone is super funny.  However, the Steve Carrell and Julianne Moore storyline, which is the bulk of the movie, seemed a little bit too contrived and treacly. 

Most Enviable Wardrobe, Male Performance:  Ryan Gosling in Crazy Stupid Love.  Speaking of Crazy Stupid Love, Gosling's Lothario character Jacob Palmer has a pretty sweet wardrobe.  Not quite as sweet as his abs though!

Most Enviable Wardrobe, Female Performance:  Leslie Knope (Amy Poehler) from Parks and Recreation.  This was a close call category.  I was tempted to go with Zooey Deschanel's Jess from New Girl, because I love Zooey's quirky vintage style.  But let's face it, she's dressed that way forever.  On the more-realistic end, I pretty much wished I owned everything Erin Hannon (Ellie Kemper) wears on The Office.  She has a cute and modest business wardrobe that doesn't looked picked out by a stylist.  However, I had to give it to Leslie, who went from a boxy, Hilary Clinton-esque wardrobe to more a more structured and feminine look. Several times this season, I have thought to myself "I want that shirt," so well played Leslie! 

Best Supporting Canine:  Cosmo as Arthur in Beginners.  Sorry Uggie, but I haven't seen The Artist yet.  It's hard not to fall for shaggy Arthur, especially when he's proposing marriage to Ewan MacGregor in subtitles.