Showing posts with label Song Obsessions. Show all posts
Showing posts with label Song Obsessions. Show all posts
Wednesday, October 29, 2014
Song Obsessions: Bob Dylan Edition
Though they certainly aren't mutually exclusive, of the big name folk singer-songwriters from the 60s, I tend to be more of a Paul Simon girl than a Dylanite. I listened to Dylan in college, but not obsessively (minus Blonde on Blonde); and while I really enjoyed some of his lyrics, his music didn't emotionally resonate with me in the same way some of Simon's songs did (blasphemy, I know!). Lately, however, I have been listening to a ton of Dylan. I'm not sure what spurred this development. Perhaps, I just listened to Sounds of Silence one too many times and decided I needed something darker and more ironic (sorry Paul!). Anyway, below are five Dylan tracks I can't get enough of currently:
1). "Like a Rolling Stone" from Highway 61 Revisited. I kept this album in my car stereo an embarrassingly long time just because I could not turn off this track once it had started. This is pretty obvious Dylan, but I really like him at his meanest. Dylan is great at crafting insults. Here, he is able to be both ruthless to the song's subject while being occasional empathetic, especially at the end: "When you got nothing, you've got nothing to lose/ You're invisible now, you've got no secrets to conceal."
2). "You're Gonna Make Me Lonesome When You Go" from Blood on the Tracks. There are a lot of great tracks off this album, but I adore the pessimism of this love song. The song perfectly captures the early glow of a new relationship, "Flowers on the hillside, bloomin' crazy/ Crickets talkin' back and forth in rhyme/ Blue river runnin' slow and lazy/ I could stay with you forever and never realize the time." However, the narrator has been down this particular road a few to many times to expect a happy ending, "Situations have ended sad/ Relationships have all been bad/ Mine've been like Verlaine's and Rimbaud's." So, the most romantic thing he can muster up to say to his lady love is that she'll make him lonesome when she leaves.
3). "4th Time Around" from Blonde on Blonde. I've been listening to this album on-and-off since college and I just recently learned it's a parody of the Beatles' "Norwegian Wood." John Lennon's lyrics sounded a little too Dylanesque for Dylan, so he decided to show him how it was done. Now, when I listen to the song, I can definitely hear the similarity. But really I like it because Dylan portrays himself as hilariously jerky in these lyrics. It's one of two songs on the album that make me laugh out ("Leopard Skin Pill Box Hat" being the other). I love what a little punk Bob Dylan was on this album.
4). "Mr. Tambourine Man" from Bringing It All Back Home. This is one of the few Dylan songs I actually listened to growing up. My father did not become a big Dylan fan until later in life; so while I was growing up he pretty much only listened to the "Greatest Hits." Since my dad loved this song, I didn't allow myself to like it until recently (Dads are so uncool). However, I really admire the complexity of the rhymes with in this song. The lyrics are little more poetic, and less flippant than my favorite Dylan. However, the guy was like 23 when he wrote, so I'll give him a pass. It's much less literary mag than the stuff Paul Simon wrote at that age.
5). "Idiot Wind" from Blood on the Tracks. This is a Bob Dylan put down song of the finest caliber. The lyrics have the bitterness and biting of his earlier angry songs like "Positively 4th Street" and "Like a Rolling Stone," but their is less self-righteous coldness and more emotional pain in "Idiot Wind." Dylan sings the song so passionately, that at times he sounds vaguely like a pirate. One of my favorite line sequences in the song nicely sums up the hurt accompanying the end of a long relationship, "I can't feel you anymore/ I can't even touch the books you've read/ Every time I crawl past your door/ I've been wishin' I was someone else instead." By the end of the song, Dylan even includes himself as equally culpable, "We're idiots, babe/ It's a wonder we can even feed ourselves." Awesome song, awesome album, check out both!
Tuesday, June 17, 2014
Audio Obsession: Lost in the Dream by the War on Drugs
Lost in the Dream by the War on Drugs (2014).
Find it in the catalog!
This album has been on permanent repeat in my car since it came out in March. I’ve been a fan of the War on Drugs since their 2011 album, Slave Ambient. The band has a dreamy, sprawling sound that makes for excellent road music. Additionally, I’m a huge sucker for break-up albums, which Lost in the Dream sort of is. However, singer Adam Granduciel’s lyrical angst and anxiety span far beyond just the fate of one relationship.
A mixture of shoegaze and classic rock (think: Springsteen and Dylan), the War on Drugs has a sound that is familiar, but more expansive and distinctive. Sort of like comfort food listening for the perpetually anxious. Philadelphia guitarist Kurt Vile used to be a member of the band, and he’s probably the best touchstone for their sound. However, Vile’s solo albums tend to be less complex and more upbeat. Lost in the Dream incorporates a variety of sounds (synth riffs, horn blasts, discordant noise) into its guitar and drum driven propulsion forward. Adam Granduciel’s voice is noticeably less Dylanesque here than on the band’s two previous album; which as much as I adore Dylan, is a nice change. It makes his voice less distracting and blends-in better with the sound of the band’s music.
Overall, this is definitely my favorite album by the War on Drugs to date, and my favorite album of the year so far. Stand out tracks for me include: “An Ocean Between the Waves,” “Suffering,” the titular track “Lost in the Dream” and closer “In Reverse.” Though all of the tracks on the album are enjoyable. If you are planning on going on a road trip this summer, this album (or really anything by the War on Drugs) would make an excellent soundtrack!
Find it in the catalog!
This album has been on permanent repeat in my car since it came out in March. I’ve been a fan of the War on Drugs since their 2011 album, Slave Ambient. The band has a dreamy, sprawling sound that makes for excellent road music. Additionally, I’m a huge sucker for break-up albums, which Lost in the Dream sort of is. However, singer Adam Granduciel’s lyrical angst and anxiety span far beyond just the fate of one relationship.
A mixture of shoegaze and classic rock (think: Springsteen and Dylan), the War on Drugs has a sound that is familiar, but more expansive and distinctive. Sort of like comfort food listening for the perpetually anxious. Philadelphia guitarist Kurt Vile used to be a member of the band, and he’s probably the best touchstone for their sound. However, Vile’s solo albums tend to be less complex and more upbeat. Lost in the Dream incorporates a variety of sounds (synth riffs, horn blasts, discordant noise) into its guitar and drum driven propulsion forward. Adam Granduciel’s voice is noticeably less Dylanesque here than on the band’s two previous album; which as much as I adore Dylan, is a nice change. It makes his voice less distracting and blends-in better with the sound of the band’s music.
Overall, this is definitely my favorite album by the War on Drugs to date, and my favorite album of the year so far. Stand out tracks for me include: “An Ocean Between the Waves,” “Suffering,” the titular track “Lost in the Dream” and closer “In Reverse.” Though all of the tracks on the album are enjoyable. If you are planning on going on a road trip this summer, this album (or really anything by the War on Drugs) would make an excellent soundtrack!
Friday, February 24, 2012
Song Obsessions
Below are six tracks I can't stop listening to. This time around I seem to have a lot of messed up love songs in the roster (big surprise!):
"Thirteen" by Big Star from Keep an Eye on the Sky (Find it in the catalog!).
The lyrics to this song are so simple and innocent, "Won't you let me take you home from school/ Won't you let me meet you at the pool/ Maybe Friday, I'll get tickets to the dance/ And I'll take you, ooh." However, Alex Chilton's vulnerable and world-weary vocals suggest that he knows that this young love won't last very long.
"All Dolled Up in Straps" by National from the Cherry Tree EP (Find it in the catalog!)
Since seeing them live, I've been revisiting the National's earlier, pre-Alligator albums which I really haven't listened to all that much. And, man, have I been missing out! They have some really great early albums. "All Dolled Up in Straps" from their Cherry Tree EP really stood out for me. The lyrics are pretty dark. It seems to be about a guy accusing his girlfriend of cheating on him, or a guy worried that the girl he's stalking might be seeing someone else. Somehow, the song still manages to be catchy. I also adore Matt Berninger's voice on the song. It sound rawer than his later work, like he's singing with a sore throat.
"Under Your Spell" by Desire from the Drive soundtrack (Find it in the catalog!).
I listened to a lot of 80s-inspired disco pop like Sally Shapiro, The Chromatics and College in grad school. The late night vibe and bitter-sweetness really appealed to me. So naturally I fell in love with the Drive soundtrack as soon as I saw the film. This song is my favorite though; it's a nice obsessive love song.
"One Sunday Morning (Song for Jane Smiley's Boyfriend)" and "Whole Love" by Wilco from Whole Love (Find it in the catalog!).
I really enjoyed the last Wilco album. If I had listened to it earlier in the year, it probably would have been in my top ten of the year. These are my two favorite songs from the album. "Whole Love" is a short, sweet love song that sets the stage for the epic and beautiful closer, "One Sunday Morning (Song for Jane Smiley's Boyfriend)".
"Civilian" by Wye Oak from Civilian (Find it in the catalog!).
I hadn't really listened this band too much before seeing them in concert, but I was blown away by their performance. This song is full of anxiousness and builds slowly up until the crazy guitar work at the end.
"Thirteen" by Big Star from Keep an Eye on the Sky (Find it in the catalog!).
The lyrics to this song are so simple and innocent, "Won't you let me take you home from school/ Won't you let me meet you at the pool/ Maybe Friday, I'll get tickets to the dance/ And I'll take you, ooh." However, Alex Chilton's vulnerable and world-weary vocals suggest that he knows that this young love won't last very long.
"All Dolled Up in Straps" by National from the Cherry Tree EP (Find it in the catalog!)
Since seeing them live, I've been revisiting the National's earlier, pre-Alligator albums which I really haven't listened to all that much. And, man, have I been missing out! They have some really great early albums. "All Dolled Up in Straps" from their Cherry Tree EP really stood out for me. The lyrics are pretty dark. It seems to be about a guy accusing his girlfriend of cheating on him, or a guy worried that the girl he's stalking might be seeing someone else. Somehow, the song still manages to be catchy. I also adore Matt Berninger's voice on the song. It sound rawer than his later work, like he's singing with a sore throat.
"Under Your Spell" by Desire from the Drive soundtrack (Find it in the catalog!).
I listened to a lot of 80s-inspired disco pop like Sally Shapiro, The Chromatics and College in grad school. The late night vibe and bitter-sweetness really appealed to me. So naturally I fell in love with the Drive soundtrack as soon as I saw the film. This song is my favorite though; it's a nice obsessive love song.
"One Sunday Morning (Song for Jane Smiley's Boyfriend)" and "Whole Love" by Wilco from Whole Love (Find it in the catalog!).
I really enjoyed the last Wilco album. If I had listened to it earlier in the year, it probably would have been in my top ten of the year. These are my two favorite songs from the album. "Whole Love" is a short, sweet love song that sets the stage for the epic and beautiful closer, "One Sunday Morning (Song for Jane Smiley's Boyfriend)".
"Civilian" by Wye Oak from Civilian (Find it in the catalog!).
I hadn't really listened this band too much before seeing them in concert, but I was blown away by their performance. This song is full of anxiousness and builds slowly up until the crazy guitar work at the end.
Thursday, July 7, 2011
My summer road trip playlist
My list is mostly about a good driving beat and is just a sampling, because frankly, this list would only last about an hour, and that would be one lame road trip!
"One Big Holiday" by My Morning Jacket. This track if off of their 2003 disc It Still Moves and is the perfect opener with it's pulsing guitar
"Bloodbuzz Ohio" by The National from their 2010 disc High Violet, a favorite of the Media Corner crew
"My Girls" from Merriweather Post Pavilion by Animal Collective
"Paper Planes" from M.I.A's second major release Kala
"Milk" by Kings of Leon, a more mellow, but beaticious track from their best album Aha Shake Heartbreak
"I Wanna Be Adored" by the Stone Roses, the late '80s band with merit, from their eponymous debut
"Around the World" by Daft Punk from their album Homework. If we're talking about beats, we gotta have a little electronica on the list
"There Goes the Fear" by one of my favorite British bands, The Doves. In fact, just check out the entire Best of Doves CD
"Dog Days Are Over" by Florence + the Machine from their debut disc Lungs. This has been overplayed a bit, but it's nonetheless a great one for driving
"Boy With a Coin" from The Shepherd's Dog by Iron and Wine
"The Influence" by Jurassic 5 from their 2000 disc Quality Control. I love this old-school sounding hip-hop track
"Someone Great" by LCD Soundsystem. There are several songs on Sound of Silver that I could pick, but this one won
"Second Chance" from Gimme Some by Peter Bjorn and John; it has a catchy hook and, be warned: it will get stuck in your head
"Higher Ground," a rocking cover of the Stevie Wonder song by the Red Hot Chili Peppers. Find it on What Hits!?
"1901" by Phoenix (Wolfgang Amadeus Phoenix) was in a car commercial after all
"Sweet Disposition" by The Temper Trap from the 500 Days of Summer Soundtrack
"Kanske är jag kär i dig" found on Night Falls of Koretdala by Jens Lekman, which ends most excellently and is already a favorite of mine
Got any tracks that are essential to your road trip playlist? Let's hear 'em!
"One Big Holiday" by My Morning Jacket. This track if off of their 2003 disc It Still Moves and is the perfect opener with it's pulsing guitar
"Bloodbuzz Ohio" by The National from their 2010 disc High Violet, a favorite of the Media Corner crew
"My Girls" from Merriweather Post Pavilion by Animal Collective
"Paper Planes" from M.I.A's second major release Kala
"Milk" by Kings of Leon, a more mellow, but beaticious track from their best album Aha Shake Heartbreak
"I Wanna Be Adored" by the Stone Roses, the late '80s band with merit, from their eponymous debut
"Around the World" by Daft Punk from their album Homework. If we're talking about beats, we gotta have a little electronica on the list
"There Goes the Fear" by one of my favorite British bands, The Doves. In fact, just check out the entire Best of Doves CD
"Dog Days Are Over" by Florence + the Machine from their debut disc Lungs. This has been overplayed a bit, but it's nonetheless a great one for driving
"Boy With a Coin" from The Shepherd's Dog by Iron and Wine
"The Influence" by Jurassic 5 from their 2000 disc Quality Control. I love this old-school sounding hip-hop track
"Someone Great" by LCD Soundsystem. There are several songs on Sound of Silver that I could pick, but this one won
"Second Chance" from Gimme Some by Peter Bjorn and John; it has a catchy hook and, be warned: it will get stuck in your head
"Higher Ground," a rocking cover of the Stevie Wonder song by the Red Hot Chili Peppers. Find it on What Hits!?
"1901" by Phoenix (Wolfgang Amadeus Phoenix) was in a car commercial after all
"Sweet Disposition" by The Temper Trap from the 500 Days of Summer Soundtrack
"Kanske är jag kär i dig" found on Night Falls of Koretdala by Jens Lekman, which ends most excellently and is already a favorite of mine
Got any tracks that are essential to your road trip playlist? Let's hear 'em!
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Sunday, February 13, 2011
Take My Breath Away: Love Songs
I generally prefer my music to be sad, with the occasional twist of bitter, but that doesn't mean I don't occasionally fall for a nice love song. In honor of St. Valentine's Day, below is a list of some of my favorite romantic songs. This is not a list of the greatest love songs of all time, so don't be offended that I didn't include "Take My Breath Away" or "In Your Eyes." Also, the author is not responsible for the repercussions of putting any of these songs on a mix tape for your lady friend.
That Teenage Feeling- Neko Case
From: Fox Confessor Brings the Flood (2006).
Find it in the catalog!
This song nicely contrasts a skeptical, but mature outlook on love with a naive, but romantic teenage one:
Now that we've met, we can only laugh at these regrets
Common as a cold, They are telephone poles
They follow each other, one after another,
After another...
But now my heart is green, like weeds
Grown to outlive the season
And nothing comforts me the same
As my brave friend who says:
"I don't care if forever never comes,
Because I'm holding out for that teenage feeling."
Slow Show- The National
From: Boxer (2007).
Find it in the catalog!
Like any song from the National, it's hard to tell exactly what it's about. However, there definitely some angst in this song. I couldn't help myself though, because there is a lot of sweetness in the song too:
I want to hurry home to you
Put on a slow, dumb show for you
and crack you up
So you can put a blue ribbon around my brain
God, I'm very very frightened
I'll over do it
You know I dreamed about you
For 29 years before I saw you
You know I dreamed about you
I missed you for, for 29 years
Johnsburg, Illinois/ Shore Leave- Tom Waits
From: Swordfishtrombones (1983).
Find it in the catalog!
This is kind of a toss up for me. Both songs are about his wife and from the same album. But I'm leaning more towards "Johnsburg, Illinois," because I grew up in the next town over. And that song is definitely the coolest thing about Johnsburg.
She's my true love
She's all that I think of
Look here is my wallet
That's her
She grew up on a farm there
There is a place on my arm
Where I've written her name
Next to mine
(from "Johnsburg, Illinois")
And I wondered how the same moon outside
Over this Chinatown fair
Could look down on Illinois
And find you there
And you know I love you, baby
And I'm so far away from home
And I miss my baby so
And I can't make it by myself
I love you so
(from "Shore Leave")
Higher Power- Jonathan Richman.
From: I, Jonathan (1992).
Find it in the catalog!
Jonathan may have a childlike outlook on romance and well, pretty much everything else, but he's awesome and this song will give you a case of the awwws...
They say that magic and the science world collide
But Einstein saw me looking at her and he joined my side
And I knew how it would be the way she hated me
And there must be a higher power somewhere
It's magic It's magic the way we got together
It's magic It's freedom, it's fair
It's magic It's magic no not at random
And there must be a higher power somewhere
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Friday, January 28, 2011
Song Obsessions of the Moment
1). "Eyesore" by Women.
From: Public Strain (2010).
Find it in the catalog!
I loved the song "Black Rice" from Women's 2008 self-titled debut album. But overall, I'm a bigger fan of the second album by this Canadian rock band. They have a spare, post-punk sound that reminds me more than a little bit of Wire, and the album's bleak mood is near perfect winter listening. "Eyesore" is the last track on the album and is nearly six minutes long, but it's probably the catchiest song on Public Strain. "Eyesore" has some interesting shifts in song structure about midway through, and the harmonies are wonderfully haunting.
2). "Lost Verses" by Sun Kil Moon.
From: April (2008).
Find it in the catalog!
This is more of a long term obsession for me, but I recently became re-obsessed with it while I was compiling a mix of songs of heartbreak and despair for our Young and Restless Unvalentine's Day Party (you should come!). It is probably my favorite ever Sun Kil Moon song; though "Light," which immediately follows it on April, would be a close second. "Lost Verses" is a nine minute epic that is written from the perspective of a ghost. It manages to be both sorrowful and uplifting.
3). "Laughing Hieroglyphics" and "Oliver Twist" by Avey Tare. From: Down There (2010).
Find it in the catalog!
Animal Collective co-mastermind Avey Tare's solo album is one of my favorite records from last year. The whole album has a swampy, dark vibe that makes it perfect to listen to when you're not in the best of moods, but you can still dance to it. "Laughing Hieroglyphics" and "Oliver Twist" are my two favorite songs from the album, probably because they both have killer beats. "Laughing Hieroglyphics" show cases Avey's unique and emotional vocals. "Oliver Twist" has a very cool and very danceable mid-song shift.
4). "Say Valley Maker" by Smog. From: A River Ain't Too Much to Love (2005).
Find it in the catalog!
I love Bill Callahan's use of natural imagery in his songs. Here he uses a river to describe a person drifting there way through life, and why maybe that's not the best way to live. I really like the way the song builds up to the closer.
5). "Monster" by Kanye West. From: My Beautiful Dark Twisted Fantasy (2010).
Find it in the catalog!
MBDTF pretty much topped all best of 2010 album lists (well, besides ours), but I didn't really think I would like it. And besides, with his over the top Twitter feed and award show interrupting, Kanye isn't exactly the most popular or easiest to like celebrity. However, after listening to it, I found that I enjoyed MBDTF quite a bit. It's a catchy and showy album, but it still wouldn't make my top ten list for last year (it was a pretty great year for music). "Monster" was the track that stood out the most for me on the album, mostly because of Nicky Minaj's awesome cameo.
From: Public Strain (2010).
Find it in the catalog!
I loved the song "Black Rice" from Women's 2008 self-titled debut album. But overall, I'm a bigger fan of the second album by this Canadian rock band. They have a spare, post-punk sound that reminds me more than a little bit of Wire, and the album's bleak mood is near perfect winter listening. "Eyesore" is the last track on the album and is nearly six minutes long, but it's probably the catchiest song on Public Strain. "Eyesore" has some interesting shifts in song structure about midway through, and the harmonies are wonderfully haunting.
2). "Lost Verses" by Sun Kil Moon.
From: April (2008).
Find it in the catalog!
This is more of a long term obsession for me, but I recently became re-obsessed with it while I was compiling a mix of songs of heartbreak and despair for our Young and Restless Unvalentine's Day Party (you should come!). It is probably my favorite ever Sun Kil Moon song; though "Light," which immediately follows it on April, would be a close second. "Lost Verses" is a nine minute epic that is written from the perspective of a ghost. It manages to be both sorrowful and uplifting.
3). "Laughing Hieroglyphics" and "Oliver Twist" by Avey Tare. From: Down There (2010).
Find it in the catalog!
Animal Collective co-mastermind Avey Tare's solo album is one of my favorite records from last year. The whole album has a swampy, dark vibe that makes it perfect to listen to when you're not in the best of moods, but you can still dance to it. "Laughing Hieroglyphics" and "Oliver Twist" are my two favorite songs from the album, probably because they both have killer beats. "Laughing Hieroglyphics" show cases Avey's unique and emotional vocals. "Oliver Twist" has a very cool and very danceable mid-song shift.
4). "Say Valley Maker" by Smog. From: A River Ain't Too Much to Love (2005).
Find it in the catalog!
I love Bill Callahan's use of natural imagery in his songs. Here he uses a river to describe a person drifting there way through life, and why maybe that's not the best way to live. I really like the way the song builds up to the closer.
5). "Monster" by Kanye West. From: My Beautiful Dark Twisted Fantasy (2010).
Find it in the catalog!
MBDTF pretty much topped all best of 2010 album lists (well, besides ours), but I didn't really think I would like it. And besides, with his over the top Twitter feed and award show interrupting, Kanye isn't exactly the most popular or easiest to like celebrity. However, after listening to it, I found that I enjoyed MBDTF quite a bit. It's a catchy and showy album, but it still wouldn't make my top ten list for last year (it was a pretty great year for music). "Monster" was the track that stood out the most for me on the album, mostly because of Nicky Minaj's awesome cameo.
Tuesday, November 9, 2010
Song obessions of the moment
Playing a track over and over again isn't that strange of a behavior for me. Below are five tracks that I just can't seem to get enough of lately:
Katy Song" by the Red House Painters. Found on: Retrospective (1999) and Lost Verses Live (2009). I generally prefer to listen to Sun Kil Moon albums than to the Red House Painters, because I like my Mark Kozelek less angsty and more chill. This song is definitely on the grim side of the spectrum, sample lyrics "glass on the pavement under my shoe/ without you, is all my life amounts to." Still, I can't resist a good break-up song. Plus the guitar vaguely reminds of the Smiths and I love the catchy closing melody.
"Mama's Eyes" by Justin Townes Earle. Found on: Midnight at the Movies (2009).
I don't normally listen to country music, but I checked out Earle's most recent album Harlem River Blues (2010) and I enjoyed it. So I decided to check out his earlier work too. As a whole, I prefer Harlem River Blues, but Midnight at the Movies has more stand out tracks. "Mama's Eyes" will ring true for anyone who has a somewhat complicated relationship with a parent, which is to say almost everyone.
"Dance Yrself Clean" by LCD Soundsystem. Found on: This is Happening (2010). Recently, I saw LCD Soundsystem in concert. Since then, I've been revisiting their albums. This song is a lengthy nine minutes, but it doesn't stop me from playing it at least twice every time I listen to that album. This track would make a nice addition to any party mix, as it's hard not to dance along to- even while driving.
"Falling Down" by Tom Waits. Found on: Big Time (1988) and Glitter and Doom Live (2009). I'm more of a casual Waits listener than some of the Media Corner staff (cough, cough). However, my iTunes Shuffle cannot get enough of Waits; especially if I'm in a bad mood and skipping lots of songs, so this track fits perfectly. Waits's distinctive, gravelly sounding, whiskey-aged voice improves with time, so I highly recommend the Glitter and Doom-version.
"Cry When You Get Older" by Robyn. Found on: Body Talk, Part 1 (2010). I've been a fan of both the all ready released parts of the Body Talk series by Swedish pop star Robyn. However, this anthem is my pick for best of song from the series so far. It's rare for a heartbreak song to also be catchy, upbeat and fun to singalong to (though not for Robyn).
Katy Song" by the Red House Painters. Found on: Retrospective (1999) and Lost Verses Live (2009). I generally prefer to listen to Sun Kil Moon albums than to the Red House Painters, because I like my Mark Kozelek less angsty and more chill. This song is definitely on the grim side of the spectrum, sample lyrics "glass on the pavement under my shoe/ without you, is all my life amounts to." Still, I can't resist a good break-up song. Plus the guitar vaguely reminds of the Smiths and I love the catchy closing melody.
"Mama's Eyes" by Justin Townes Earle. Found on: Midnight at the Movies (2009).
I don't normally listen to country music, but I checked out Earle's most recent album Harlem River Blues (2010) and I enjoyed it. So I decided to check out his earlier work too. As a whole, I prefer Harlem River Blues, but Midnight at the Movies has more stand out tracks. "Mama's Eyes" will ring true for anyone who has a somewhat complicated relationship with a parent, which is to say almost everyone.

"Dance Yrself Clean" by LCD Soundsystem. Found on: This is Happening (2010). Recently, I saw LCD Soundsystem in concert. Since then, I've been revisiting their albums. This song is a lengthy nine minutes, but it doesn't stop me from playing it at least twice every time I listen to that album. This track would make a nice addition to any party mix, as it's hard not to dance along to- even while driving.
"Falling Down" by Tom Waits. Found on: Big Time (1988) and Glitter and Doom Live (2009). I'm more of a casual Waits listener than some of the Media Corner staff (cough, cough). However, my iTunes Shuffle cannot get enough of Waits; especially if I'm in a bad mood and skipping lots of songs, so this track fits perfectly. Waits's distinctive, gravelly sounding, whiskey-aged voice improves with time, so I highly recommend the Glitter and Doom-version.
"Cry When You Get Older" by Robyn. Found on: Body Talk, Part 1 (2010). I've been a fan of both the all ready released parts of the Body Talk series by Swedish pop star Robyn. However, this anthem is my pick for best of song from the series so far. It's rare for a heartbreak song to also be catchy, upbeat and fun to singalong to (though not for Robyn).
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