About Time (2013).
Find it in the catalog!
Starring: Domhnall Gleeson, Rachel McAdams, Bill Nighy, and Lydia Wilson.
Directed by Richard Curtis.
Based off of the trailers for the film, I had literally no interest in seeing this movie. It looked like another generic Nicholas Sparks-lite romantic movie where Rachel McAdams falls in love with yet another time traveler. However, after I watched, I realized my first impression of the film was actually quite wrong.
The film isn't really centered all that much on the romance between adorably dorky Tim (Domhnall Gleeson) and bookish Mary (Rachel McAdams). Instead, it's a coming of age story about Tim's journey from a 21-year-old man-boy who lives with his parents into a fully formed adult. Lucky for him, he has the added bonus of being able to travel back in time and (maybe) fix his mistakes... or cause new ones.
About Time begins on Tim's 21st birthday, when his dad (played by the ever awesome Bill Nighy) breaks the news to Tim that all the men in their family can travel back in time. The way they accomplish time travel is incredibly geeky and low-tech!: just go into a dark place (like cupboard) and ball your hands in fist and concentrate and voila. They can travel back in time, but not the future. Also, going back in time can have consequences for the future. Tim decides to use his new-found power for world peace... Just kidding, he decides to use it to get a girlfriend.
His first prospect is his sister's pretty friend Charlotte (the near-ubiquitous Margot Robbie), who comes to stay with their family over the summer. However, Tim quickly learns that no amount of time travel can win her heart. He has much better success with Mary, who he meets on a literal blind date. Unfortunately for him, he accidentally mucks up the relationship by traveling back in time before he met her. But thankfully the movie doesn't dwell too much on his attempts to win her back. In fact their relationship is refreshingly devoid of rom-com cliques, and they instead pretty much act like two adults who love and respect for each other.
Tim's relationships with his family are also central to this movie's plot. Tim's sister Kit Kat (Lydia Wilson) starts out a bit flighty, but winds up having some serious problems as an adult. Tim naturally wants to help his sister out, and even attempts to use time travel, but discovers that "fixing" his sister's problem can't happen without complications. One of my favorite relationships in the movie is between Tim and his dad. Tim's dad is his mentor and confidant, and they have a very close father-son relationship that includes some serious ping-pong matches. Gleeson and Nighy have great chemistry together. And their relationship is key to one of the toughest decisions Tim has to make in the film.
About Time is a delightful movie about family, love, and the tough decisions one has to make growing up. It's a funny film throughout, though parts of it are quite touching, and the ending totally made me cry (I'm not proud). Highly recommend for fans of Bill Nighy or Richard Curtis's debut Love Actually. Also the soundtrack is pretty incredible, including essential tracks from Nick Cave and Arvo Pärt.
Showing posts with label Heather Recommends.... Show all posts
Showing posts with label Heather Recommends.... Show all posts
Tuesday, June 9, 2015
Recommended Watch: About Time
More posts on:
British,
Comedy,
Dreaminess,
DVDs,
Family Films,
Heather Recommends...
Tuesday, May 19, 2015
Recently Released Album Obsessions
Here are some newly released albums at the library that are definitely worth listening to:
Vestiges and Claws by Jose Gonzalez
Find it in the catalog!
Regular fans of the Swedish/ Argentinian guitarist Jose Gonzalez will not be disappointed by his latest effort which has been eight years in the making. The album features his signature distinctive brand of spare, gloomy folk music (a favorite of mine) that he showcased on his two previous albums, Veneer and In Our Nature. However, this time out he has more complicated musical arrangements (featuring flute and cello) and a slightly more upbeat worldview.
Repeat tracks: "Forest," "Let It Carry You," and "Open Book."
Kintsugi by Death Cab for Cutie
Find it in the catalog!
This latest release from indie rock band Death Cab is a duel break up album. Not only is it the first album since lead singer Ben Gibbard's divorce from Zooey Deschanel, it also marks guitarist Chris Walla's departure from the band. Loss haunts this album, and it's got some pretty great heartbreak tracks on it including "You've Haunted Me All My Life" and "Binary Sea." The music, however, remains relativity upbeat and poppy. Chris Walla's distinctive guitar style is always a big draw on Death Cab albums, and Kintsugi is no exception. His presence will be missed in the band (at least by me).
Repeat Tracks: "Little Wanderer," "Everything's a Ceiling," and "Good Help (Is So Hard to Find)."
Magnolia Electric Co. by Songs: Ohia
Find it in the catalog!
Didn't It Rain by Songs: Ohia.
Find it in the catalog!
These two deluxe edition album reissues represent the finest work of the late musician Jason Molina. For those unfamiliar with Molina, check out fellow Media blogger Jason's tribute to the singer. Songs: Ohia has sort of an alt-country sound that can achingly haunting at times (especially the back half of Didn't It Rain) or hard rocking (like the first half of Magnolia Electric Co.). Molina's singing voice is deep and rich, and one of my favorite things elements of these albums is his vocals. If you haven't listened to Molina before, definitely check out both these LPs! For hardcore fans, there are additional discs with demos and outtakes for each record.
Repeat Tracks: I love all three of the last songs on Didn't It Rain: "Blue Factory Flame," "Two Blue Lights, and "Blue Chicago Moon." Off Magnolia Electric Co., my favorites are: "Farewell Transmission," "Almost Good Enough," and "Just Be Simple."
Vestiges and Claws by Jose Gonzalez
Find it in the catalog!
Regular fans of the Swedish/ Argentinian guitarist Jose Gonzalez will not be disappointed by his latest effort which has been eight years in the making. The album features his signature distinctive brand of spare, gloomy folk music (a favorite of mine) that he showcased on his two previous albums, Veneer and In Our Nature. However, this time out he has more complicated musical arrangements (featuring flute and cello) and a slightly more upbeat worldview.
Repeat tracks: "Forest," "Let It Carry You," and "Open Book."
Kintsugi by Death Cab for Cutie
Find it in the catalog!
This latest release from indie rock band Death Cab is a duel break up album. Not only is it the first album since lead singer Ben Gibbard's divorce from Zooey Deschanel, it also marks guitarist Chris Walla's departure from the band. Loss haunts this album, and it's got some pretty great heartbreak tracks on it including "You've Haunted Me All My Life" and "Binary Sea." The music, however, remains relativity upbeat and poppy. Chris Walla's distinctive guitar style is always a big draw on Death Cab albums, and Kintsugi is no exception. His presence will be missed in the band (at least by me).
Repeat Tracks: "Little Wanderer," "Everything's a Ceiling," and "Good Help (Is So Hard to Find)."
Magnolia Electric Co. by Songs: Ohia
Find it in the catalog!
Didn't It Rain by Songs: Ohia.
Find it in the catalog!
These two deluxe edition album reissues represent the finest work of the late musician Jason Molina. For those unfamiliar with Molina, check out fellow Media blogger Jason's tribute to the singer. Songs: Ohia has sort of an alt-country sound that can achingly haunting at times (especially the back half of Didn't It Rain) or hard rocking (like the first half of Magnolia Electric Co.). Molina's singing voice is deep and rich, and one of my favorite things elements of these albums is his vocals. If you haven't listened to Molina before, definitely check out both these LPs! For hardcore fans, there are additional discs with demos and outtakes for each record.
Repeat Tracks: I love all three of the last songs on Didn't It Rain: "Blue Factory Flame," "Two Blue Lights, and "Blue Chicago Moon." Off Magnolia Electric Co., my favorites are: "Farewell Transmission," "Almost Good Enough," and "Just Be Simple."
Wednesday, October 29, 2014
Song Obsessions: Bob Dylan Edition
Though they certainly aren't mutually exclusive, of the big name folk singer-songwriters from the 60s, I tend to be more of a Paul Simon girl than a Dylanite. I listened to Dylan in college, but not obsessively (minus Blonde on Blonde); and while I really enjoyed some of his lyrics, his music didn't emotionally resonate with me in the same way some of Simon's songs did (blasphemy, I know!). Lately, however, I have been listening to a ton of Dylan. I'm not sure what spurred this development. Perhaps, I just listened to Sounds of Silence one too many times and decided I needed something darker and more ironic (sorry Paul!). Anyway, below are five Dylan tracks I can't get enough of currently:
1). "Like a Rolling Stone" from Highway 61 Revisited. I kept this album in my car stereo an embarrassingly long time just because I could not turn off this track once it had started. This is pretty obvious Dylan, but I really like him at his meanest. Dylan is great at crafting insults. Here, he is able to be both ruthless to the song's subject while being occasional empathetic, especially at the end: "When you got nothing, you've got nothing to lose/ You're invisible now, you've got no secrets to conceal."
2). "You're Gonna Make Me Lonesome When You Go" from Blood on the Tracks. There are a lot of great tracks off this album, but I adore the pessimism of this love song. The song perfectly captures the early glow of a new relationship, "Flowers on the hillside, bloomin' crazy/ Crickets talkin' back and forth in rhyme/ Blue river runnin' slow and lazy/ I could stay with you forever and never realize the time." However, the narrator has been down this particular road a few to many times to expect a happy ending, "Situations have ended sad/ Relationships have all been bad/ Mine've been like Verlaine's and Rimbaud's." So, the most romantic thing he can muster up to say to his lady love is that she'll make him lonesome when she leaves.
3). "4th Time Around" from Blonde on Blonde. I've been listening to this album on-and-off since college and I just recently learned it's a parody of the Beatles' "Norwegian Wood." John Lennon's lyrics sounded a little too Dylanesque for Dylan, so he decided to show him how it was done. Now, when I listen to the song, I can definitely hear the similarity. But really I like it because Dylan portrays himself as hilariously jerky in these lyrics. It's one of two songs on the album that make me laugh out ("Leopard Skin Pill Box Hat" being the other). I love what a little punk Bob Dylan was on this album.
4). "Mr. Tambourine Man" from Bringing It All Back Home. This is one of the few Dylan songs I actually listened to growing up. My father did not become a big Dylan fan until later in life; so while I was growing up he pretty much only listened to the "Greatest Hits." Since my dad loved this song, I didn't allow myself to like it until recently (Dads are so uncool). However, I really admire the complexity of the rhymes with in this song. The lyrics are little more poetic, and less flippant than my favorite Dylan. However, the guy was like 23 when he wrote, so I'll give him a pass. It's much less literary mag than the stuff Paul Simon wrote at that age.
5). "Idiot Wind" from Blood on the Tracks. This is a Bob Dylan put down song of the finest caliber. The lyrics have the bitterness and biting of his earlier angry songs like "Positively 4th Street" and "Like a Rolling Stone," but their is less self-righteous coldness and more emotional pain in "Idiot Wind." Dylan sings the song so passionately, that at times he sounds vaguely like a pirate. One of my favorite line sequences in the song nicely sums up the hurt accompanying the end of a long relationship, "I can't feel you anymore/ I can't even touch the books you've read/ Every time I crawl past your door/ I've been wishin' I was someone else instead." By the end of the song, Dylan even includes himself as equally culpable, "We're idiots, babe/ It's a wonder we can even feed ourselves." Awesome song, awesome album, check out both!
Thursday, July 17, 2014
Under the Radar Movies
Since prime time TV is pretty nil in the summer time, I usually like to catch up with movies and TV series I missed. Below are three movies that came out relatively recently (in the last year or so), that didn't receive much buzz at the time, but are definitely worth seeking out.
Short Term 12 (2013):
Find in the catalog!
Initially I put off watching this movie, because the subject matter sounded rather depressing. It's about a foster care home for neglected and troubled teens. The film does have its dark moments, but there is enough humor and lightness to keep the movie from being downbeat. Brie Lawson plays Grace, the lead councilor in charge of looking after the foster care home. She's tough, but also very caring towards the teens staying under her care. Her long term boyfriend Mason (a very bearded John Gallagher Jr.) also works as a counselor at the facility. Marcus (Keith Stanfield) is on the verge and turning 18 and "graduating" out of foster care. He is understandably apprehensive at the prospect of being returned to the streets where he grew up. Meanwhile, a new teen, Jayden (Kaitlyn Dever), arrives at the facility. Jayden is a troublemaker, but comes from a slightly more privileged background than the other children. However, she has some problems below the surface which Grace seems to be the only person who understands.
Even though the subject matter is somewhat bleak, I really enjoyed this movie. Brie Lawson gives a standout performance as Grace. It was also interesting to see John Gallagher Jr. play a character who is a world away from his preppy and somewhat wimpy Newsroom character. He gives a really likeable performance here. I never quite knew where the plot was going and there were quite a few surprises. However, the characters are drawn emphatically, so you wind up rooting for them in spite of their circumstances.
Drinking Buddies (2013):
Find it in the catalog!
I'll admit I've always thought of Olivia Wilde as being an actress somewhat in the same category as Megan Fox: very pretty, but not a whole lot of substance there. Thankfully, I was wrong about Ms. Wilde, who gives a wonderful performance as the tomboyish Kate in this Joe Swanberg directed comedy. Shot in Chicago (at Revolution Brewing Company, no less), this movie follows the friendship between two brewery employees, brewer Luke (Jake Johnston of New Girl) and the head of PR Kate. Luke and Kate flirt like crazy and have a ton in common, but both are in relationships with other people. Luke has a long term live-in girlfriend, Jill (Anna Kendrick). And Kate has an older music producer beau, Chris (Ron Livingston). After the couples travel together for a long weekend, Chris decides to break up with Kate. Afterwards, Kate's new found singleness causes some uneasiness with her friendship with Luke.
As a huge fan of craft beer and things set in Chicago, I was preordained to like this movie. Drinking Buddies has a plot that is pretty true to life for a certain set of late 20/ early 30 somethings. Johnston, Kendrick and Wilde all give pretty funny and nuanced performances. I was particularly impressed by Wilde's take on Kate, a character who on paper seems like the perfect girl. She's funny, smart, pretty, and can drink her weight in beer. Yet she also has some intimacy and maturity issues underneath her bubbly exterior.
Frances Ha (2012):
Find it in the catalog!
Out of the movies on the list, this was the only one I really anticipated before watching. Partly because of the director (Noah Baumbach) and the star (Greta Gerwig). And partly because I will watch anything about an awkward, late 20-something girl trying to figure out her life. I tried to catch the movie in theaters, but the run was so short that I missed it. Frances (Gerwig) is a 27 year-old wannabe dancer, who decides to break up with her boyfriend to spend more time with her best friend and roommate, Sophie (Mickey Sumner). Unfortunately for Frances, Sophie gets serious with her stock broker beau, Patch, and moves out of their apartment. Without Sophie, Frances becomes increasing lost and struggles to find a place to rent in NYC that she can afford. Throughout the movie, we follow Frances as she moves into several different apartments and attempts (feebly) to become a grown up.
This movie is immensely relatable for late boomers to adulthood. As someone who had her fair share of addresses in her twenties, I could see myself in Frances immediately. Still that makes it all that much harder to watch her struggle, fail, and occasionally make a huge fool out of herself. Frances has somewhat limited social skills and sometimes she does or says things incredibly stupid or inappropriate. I found myself covering my eyes to avoid the awkwardness occasionally while watching this movie. That being said, overall this is quite an enjoyable movie. I especially enjoyed Frances's friendship with one of her roommates Benji (Michael Zegen); a trust-fund kid who's equally lost and unrealistic about life as Frances. Benji jokes frequently that they are both "undateable." The movie is shot beautifully in black and white, so it's a pleasure to look at as well.
Short Term 12 (2013):
Find in the catalog!
Initially I put off watching this movie, because the subject matter sounded rather depressing. It's about a foster care home for neglected and troubled teens. The film does have its dark moments, but there is enough humor and lightness to keep the movie from being downbeat. Brie Lawson plays Grace, the lead councilor in charge of looking after the foster care home. She's tough, but also very caring towards the teens staying under her care. Her long term boyfriend Mason (a very bearded John Gallagher Jr.) also works as a counselor at the facility. Marcus (Keith Stanfield) is on the verge and turning 18 and "graduating" out of foster care. He is understandably apprehensive at the prospect of being returned to the streets where he grew up. Meanwhile, a new teen, Jayden (Kaitlyn Dever), arrives at the facility. Jayden is a troublemaker, but comes from a slightly more privileged background than the other children. However, she has some problems below the surface which Grace seems to be the only person who understands.
Even though the subject matter is somewhat bleak, I really enjoyed this movie. Brie Lawson gives a standout performance as Grace. It was also interesting to see John Gallagher Jr. play a character who is a world away from his preppy and somewhat wimpy Newsroom character. He gives a really likeable performance here. I never quite knew where the plot was going and there were quite a few surprises. However, the characters are drawn emphatically, so you wind up rooting for them in spite of their circumstances.
Find it in the catalog!
I'll admit I've always thought of Olivia Wilde as being an actress somewhat in the same category as Megan Fox: very pretty, but not a whole lot of substance there. Thankfully, I was wrong about Ms. Wilde, who gives a wonderful performance as the tomboyish Kate in this Joe Swanberg directed comedy. Shot in Chicago (at Revolution Brewing Company, no less), this movie follows the friendship between two brewery employees, brewer Luke (Jake Johnston of New Girl) and the head of PR Kate. Luke and Kate flirt like crazy and have a ton in common, but both are in relationships with other people. Luke has a long term live-in girlfriend, Jill (Anna Kendrick). And Kate has an older music producer beau, Chris (Ron Livingston). After the couples travel together for a long weekend, Chris decides to break up with Kate. Afterwards, Kate's new found singleness causes some uneasiness with her friendship with Luke.
As a huge fan of craft beer and things set in Chicago, I was preordained to like this movie. Drinking Buddies has a plot that is pretty true to life for a certain set of late 20/ early 30 somethings. Johnston, Kendrick and Wilde all give pretty funny and nuanced performances. I was particularly impressed by Wilde's take on Kate, a character who on paper seems like the perfect girl. She's funny, smart, pretty, and can drink her weight in beer. Yet she also has some intimacy and maturity issues underneath her bubbly exterior.
Frances Ha (2012):
Find it in the catalog!
Out of the movies on the list, this was the only one I really anticipated before watching. Partly because of the director (Noah Baumbach) and the star (Greta Gerwig). And partly because I will watch anything about an awkward, late 20-something girl trying to figure out her life. I tried to catch the movie in theaters, but the run was so short that I missed it. Frances (Gerwig) is a 27 year-old wannabe dancer, who decides to break up with her boyfriend to spend more time with her best friend and roommate, Sophie (Mickey Sumner). Unfortunately for Frances, Sophie gets serious with her stock broker beau, Patch, and moves out of their apartment. Without Sophie, Frances becomes increasing lost and struggles to find a place to rent in NYC that she can afford. Throughout the movie, we follow Frances as she moves into several different apartments and attempts (feebly) to become a grown up.
This movie is immensely relatable for late boomers to adulthood. As someone who had her fair share of addresses in her twenties, I could see myself in Frances immediately. Still that makes it all that much harder to watch her struggle, fail, and occasionally make a huge fool out of herself. Frances has somewhat limited social skills and sometimes she does or says things incredibly stupid or inappropriate. I found myself covering my eyes to avoid the awkwardness occasionally while watching this movie. That being said, overall this is quite an enjoyable movie. I especially enjoyed Frances's friendship with one of her roommates Benji (Michael Zegen); a trust-fund kid who's equally lost and unrealistic about life as Frances. Benji jokes frequently that they are both "undateable." The movie is shot beautifully in black and white, so it's a pleasure to look at as well.
More posts on:
Awkward and Amazing,
beer,
Breaking up is hard to do,
Chicago,
Comedy,
Drama,
DVDs,
Heather Recommends...,
Movies
Tuesday, June 17, 2014
Audio Obsession: Lost in the Dream by the War on Drugs
Lost in the Dream by the War on Drugs (2014).
Find it in the catalog!
This album has been on permanent repeat in my car since it came out in March. I’ve been a fan of the War on Drugs since their 2011 album, Slave Ambient. The band has a dreamy, sprawling sound that makes for excellent road music. Additionally, I’m a huge sucker for break-up albums, which Lost in the Dream sort of is. However, singer Adam Granduciel’s lyrical angst and anxiety span far beyond just the fate of one relationship.
A mixture of shoegaze and classic rock (think: Springsteen and Dylan), the War on Drugs has a sound that is familiar, but more expansive and distinctive. Sort of like comfort food listening for the perpetually anxious. Philadelphia guitarist Kurt Vile used to be a member of the band, and he’s probably the best touchstone for their sound. However, Vile’s solo albums tend to be less complex and more upbeat. Lost in the Dream incorporates a variety of sounds (synth riffs, horn blasts, discordant noise) into its guitar and drum driven propulsion forward. Adam Granduciel’s voice is noticeably less Dylanesque here than on the band’s two previous album; which as much as I adore Dylan, is a nice change. It makes his voice less distracting and blends-in better with the sound of the band’s music.
Overall, this is definitely my favorite album by the War on Drugs to date, and my favorite album of the year so far. Stand out tracks for me include: “An Ocean Between the Waves,” “Suffering,” the titular track “Lost in the Dream” and closer “In Reverse.” Though all of the tracks on the album are enjoyable. If you are planning on going on a road trip this summer, this album (or really anything by the War on Drugs) would make an excellent soundtrack!
Find it in the catalog!
This album has been on permanent repeat in my car since it came out in March. I’ve been a fan of the War on Drugs since their 2011 album, Slave Ambient. The band has a dreamy, sprawling sound that makes for excellent road music. Additionally, I’m a huge sucker for break-up albums, which Lost in the Dream sort of is. However, singer Adam Granduciel’s lyrical angst and anxiety span far beyond just the fate of one relationship.
A mixture of shoegaze and classic rock (think: Springsteen and Dylan), the War on Drugs has a sound that is familiar, but more expansive and distinctive. Sort of like comfort food listening for the perpetually anxious. Philadelphia guitarist Kurt Vile used to be a member of the band, and he’s probably the best touchstone for their sound. However, Vile’s solo albums tend to be less complex and more upbeat. Lost in the Dream incorporates a variety of sounds (synth riffs, horn blasts, discordant noise) into its guitar and drum driven propulsion forward. Adam Granduciel’s voice is noticeably less Dylanesque here than on the band’s two previous album; which as much as I adore Dylan, is a nice change. It makes his voice less distracting and blends-in better with the sound of the band’s music.
Overall, this is definitely my favorite album by the War on Drugs to date, and my favorite album of the year so far. Stand out tracks for me include: “An Ocean Between the Waves,” “Suffering,” the titular track “Lost in the Dream” and closer “In Reverse.” Though all of the tracks on the album are enjoyable. If you are planning on going on a road trip this summer, this album (or really anything by the War on Drugs) would make an excellent soundtrack!
Monday, June 9, 2014
Must-See Miniseries: The Hour
The Hour (2011).
The Hour. Season 2 (2013).
If you are looking for something new to watch now that most of the network TV shows have ended for the summer, check out the BBC miniseries The Hour. Set in mid-1950s in London The Hour is about the creation of an current affairs news show for the BBC. Hardscrabble journalist Freddie Lyon (Ben Whishaw) is tired of his job covering entertainment news (which he views as beneath him). Lucky for him, his best friend/ creative partner Bel Rowley (Romola Garai) is recruited by their mentor Clarence Fendley (Anton Lesser) to help produce a brand new news program called The Hour. Clarence decides on the upper-class, handsome news anchor Hector Madden (Dominic West aka. McNulty from the Wire) to host the program.
The Hour is full of Cold War paranoia and intrigue, yet the stories covered have clear parallels to modern day. As a huge Broadcast News fan, I really enjoyed the love triangle plot between Freddie, Bel, and Hector. There's definitely a clearer choice here than in Broadcast News, but it was nice to see a more sympathetic portrayal of the Aaron Altman character. Garai, Whishaw and West all give excellent performances. I particularly enjoyed the chemistry between Garai and Whishaw as friends in the first season. It was interesting to see West with his native British accent, since my main exposure to him was on the Wire. He definitely comes off as far more gentlemanly than Jimmy McNulty. I was also interested in the 1950s fashion aspect of the show. Whishaw looks even cuter than usual in his tweed business wear, and Garai's wardrobe had me perusing Boden USA for similar styles of dresses. Check it out!
The Hour. Season 2 (2013).
If you are looking for something new to watch now that most of the network TV shows have ended for the summer, check out the BBC miniseries The Hour. Set in mid-1950s in London The Hour is about the creation of an current affairs news show for the BBC. Hardscrabble journalist Freddie Lyon (Ben Whishaw) is tired of his job covering entertainment news (which he views as beneath him). Lucky for him, his best friend/ creative partner Bel Rowley (Romola Garai) is recruited by their mentor Clarence Fendley (Anton Lesser) to help produce a brand new news program called The Hour. Clarence decides on the upper-class, handsome news anchor Hector Madden (Dominic West aka. McNulty from the Wire) to host the program.
The Hour is full of Cold War paranoia and intrigue, yet the stories covered have clear parallels to modern day. As a huge Broadcast News fan, I really enjoyed the love triangle plot between Freddie, Bel, and Hector. There's definitely a clearer choice here than in Broadcast News, but it was nice to see a more sympathetic portrayal of the Aaron Altman character. Garai, Whishaw and West all give excellent performances. I particularly enjoyed the chemistry between Garai and Whishaw as friends in the first season. It was interesting to see West with his native British accent, since my main exposure to him was on the Wire. He definitely comes off as far more gentlemanly than Jimmy McNulty. I was also interested in the 1950s fashion aspect of the show. Whishaw looks even cuter than usual in his tweed business wear, and Garai's wardrobe had me perusing Boden USA for similar styles of dresses. Check it out!
More posts on:
British,
Broadcast News,
Drama,
Dreaminess,
Heather Recommends...,
Historical,
Mini-series,
Romance,
Staff Obsessions,
TV Shows
Wednesday, May 21, 2014
Comfort Food Cinema: Broadcast News
Cranky Network Manager: "It must be nice to always believe that you know better, to always think you're the smartest person in the room."
Jane Craig: "No. It's awful."
Broadcast News (1987).
Call No.: DVD COMEDY BROADCAST
Find it in the catalog!
For many people the hey day of romantic comedies was in the 1930s and 40s. And while I'm a huge fan of rom-coms from this period (His Girl Friday, The Philadelphia Story, anything with Jimmy Stewart), I'm also partial to romantic comedies from the 1980s. While Broadcast News doesn't exactly fit the mold of romantic comedy perfectly; it's one of my favorites of the era.
The film follows Jane Craig (Holly Hunter), a gifted, but neurotic news producer. Her friend and frequent collaborator is Aaron Altman (Albert Brooks), a talented writer and investigative journalist who also has secret feelings for Jane. However, her relationship with Altman, is challenged when her network hires the hunky, but less substantial journalist Tom Grunick (William Hurt). Tom is a former sports reporter turned anchor Though he is quickly promoted, he lacks the knowledge and integrity of a journalist like Jane or Aaron. In spite of their different perspectives on journalism, Jane finds herself falling for Tom.
Albert Brooks really steals the show as Aaron Altman. He's got some of the funniest lines in the movie. Even though Altman can be smug and manipulative, it's really hard not to feel for the guy. He's gifted, super smart, but gets passed over for a promotion because he lacks the charm and attractiveness of Tom. This jealously towards Tom is only intensified because of his feelings for Jane, and her preference for Tom in spite of all the similarities she and Aaron share and their great chemistry as friends. In one of the most cringe-inducing scenes of the movie, Aaron gets his shot at becoming an anchor, only to ruin it with an incredible flop sweat attack.
From the fashion to the technology, the film definitely is of the 80s. Jane has one scene where she's dressed to impress, which does not translate at all to today's fashion. However, the themes and relationships in the movie are still fresh today. This is a wickedly funny movie that also has some real heartbreaking moments in it. If you have not seen it before, or haven't watched it for a while, it's definitely worth checking out!
Jane Craig: "No. It's awful."

Call No.: DVD COMEDY BROADCAST
Find it in the catalog!
For many people the hey day of romantic comedies was in the 1930s and 40s. And while I'm a huge fan of rom-coms from this period (His Girl Friday, The Philadelphia Story, anything with Jimmy Stewart), I'm also partial to romantic comedies from the 1980s. While Broadcast News doesn't exactly fit the mold of romantic comedy perfectly; it's one of my favorites of the era.
The film follows Jane Craig (Holly Hunter), a gifted, but neurotic news producer. Her friend and frequent collaborator is Aaron Altman (Albert Brooks), a talented writer and investigative journalist who also has secret feelings for Jane. However, her relationship with Altman, is challenged when her network hires the hunky, but less substantial journalist Tom Grunick (William Hurt). Tom is a former sports reporter turned anchor Though he is quickly promoted, he lacks the knowledge and integrity of a journalist like Jane or Aaron. In spite of their different perspectives on journalism, Jane finds herself falling for Tom.
Albert Brooks really steals the show as Aaron Altman. He's got some of the funniest lines in the movie. Even though Altman can be smug and manipulative, it's really hard not to feel for the guy. He's gifted, super smart, but gets passed over for a promotion because he lacks the charm and attractiveness of Tom. This jealously towards Tom is only intensified because of his feelings for Jane, and her preference for Tom in spite of all the similarities she and Aaron share and their great chemistry as friends. In one of the most cringe-inducing scenes of the movie, Aaron gets his shot at becoming an anchor, only to ruin it with an incredible flop sweat attack.
From the fashion to the technology, the film definitely is of the 80s. Jane has one scene where she's dressed to impress, which does not translate at all to today's fashion. However, the themes and relationships in the movie are still fresh today. This is a wickedly funny movie that also has some real heartbreaking moments in it. If you have not seen it before, or haven't watched it for a while, it's definitely worth checking out!
Thursday, February 13, 2014
Valentine's Day Movie Guide
Valentine's Day seems like a divisive holiday. Some people go all out for it, and for other people it just reminds them of how lonely they are, or how much they hate watching Nicholas Sparks movies with their significant other. Personally, I'm pretty indifferent towards the day, but it doesn't stop me from participating in it. I like to celebrate with a nice bottle of red wine, some chocolate, and a fun, romantic movie. Below are some film suggestions for celebrating Valentine's Day, whether you love or hate it:
If you are in love with someone you can't have: Brief Encounter. This short but sweet 1945 British melodrama centers on the forbidden romance between housewife Laura (Celia Johnson) and doctor Alec (Trevor Howard) who meet a train station cafe. Both are married and have children, but they soon get sweep up in an intense emotional affair. Brief Encounter definitely shows the hardship of loving someone you can't be with.
Also recommended: Lets be honest, forbidden love is way more romantic than boring old requited love, so you have lots of good options here: In the Mood for Love, Roman Holiday, Brokeback Mountain, The Royal Tenenbaums, and so on.
If your significant other is a film snob: The Before Trilogy: Before Sunrise, Before Sunset, and Before Midnight. This super talky series follows American Jesse (Ethan Hawke) and French Celine (Julie Delpy), who fall in love after meeting on a train to Vienna. The films manage to be both funny and heartfelt, plus there's lots of great European scenery (Vienna, Paris, Greece). My favorite of the bunch is the second one, Before Sunset.
If your significant other loves The Notebook, but you CAN'T GO THROUGH THAT AGAIN THIS YEAR!: Awww...congratulations, you've got yourself a hopeless romantic! Titanic would probably work, but really, do you want to have to watch that? Instead, I recommend ruining The Notebook for them by choosing one of Gosling's less appealing roles. Perhaps, Only God Forgives or Blue Valentine (balding Gosling with a mustache, ouch).
If you just recently broke up with someone: Annie Hall. This classic Woody Allen movie follows the sweet, but mismatched relationship between Alvy Singer (Allen) and Annie Hall (Diane Keaton).
Also recommended: High Fidelity, 500 Days of Summer.
If you are happily single: Bridget Jones Diary. Seriously is there any harder decision than choosing between Colin Firth and Hugh Grant? This movie is a super cute update on Pride and Prejudice. And if you're single, pat yourself on the back, because you don't have to listen to your boyfriend whine throughout the entire movie!
Also recommended: 13 Going on 30.
If your girlfriend is a librarian:Nothing says romance to a librarian like a little Jane Austen, so I highly recommend the Colin Firth Pride and Prejudice. But pretty much any Austen will do. My favorite is the Ang Lee classic Sense and Sensibility.
If you are in an on-again, off-again relationship: Eternal Sunshine of the Spotless Mind. Joel Barish (Jim Carey) is heartbroken when his ex-girlfriend Clementine undergoes a procedure to erase their relationship from her memory. Bitter, he decides to have him memories of her erased as well. However, during the process of having his mind wiped, Joel realizes that he is still in love with Clementine and fights to keep her in his memories.
If you are unhappily in a relationship: Sleep Walk With Me. On top of dealing with a struggling comedy career and a recently diagnosed sleepwalking disorder, Mike Pandamiglo (Mike Birbiglia) begins to have some doubts about his long-time girlfriend Abby (Lauren Ambrose).
If you're in a long distance relationship: Like Crazy. Anna (Felcity Jones) is a British student who attended college in the United States. While there, she fell for her T.A. Jacob (Anton Yelchin). After graduation, Anna decides to spend the summer with Jacob, overstaying her visa. After she returns home to England for a family engagement, Anna is shocked when she is denied reentry to the United States and deported to England. The two lovers then try to keep their relationship together in spite of being an ocean apart.
If you want wallow in misery, because you'll never find anyone ever: Probably the best bet here is to play the Smiths on repeat and wash down your sorrows with some whiskey. However, if you don't quite want to be THAT miserable on Valentine's Day, I recommend checking out a Michelango Antonioni film and watch really, really good looking people (or Jack Nicholson) suffer from loneliness and alienation in beautiful locales. Check out his alienation trilogy: L'Avventura, L'Eclisse, and La Notte.
Also recommended: Anything by Ingmar Bergman or any film adaptations of Kazuo Ishiguro novels.
If you're in love with a friend, but you don't know how to tell them: Tootsie. Talk about awkward situations, Michael Dorsey (Dustin Hoffman) is in love with his beautiful coworker Julie Nichols (Jessica Lange). However, she only knows him as his female alter-ego Dorothy Michaels. This movie is probably my all time favorite romantic comedy and features my ultra crush, young Bill Murray, as Dustin Hoffman's roommate.
Also Recommended: My Best Friend's Wedding, Pretty in Pink.
You are falling fast for someone: Weekend. Russell (Tom Cullen) and Glen (Chris New), meet at club in Nottingham. The two go home together and begin an intense relationship. However, Glen is soon to be leaving the country for an art course in America.
Also recommended: Once, Lost in Translation, Out of Sight.
Thursday, September 26, 2013
Pick Me Up Pictures: Moonstruck
Moonstruck (1987)
Call No.: DVD COMEDY MOONSTRUCK
Find in the Catalog!
In spite of having a big soft spot for 80s romantic comedies (i.e. Tootsie, Broadcast News, anything with John Cusack), I had never gotten around to watching Moonstruck. I blame it partly on not really seeing Nicholas Cage as a convincing romantic hero and partly on some skepticism about Cher's acting abilities (I should have known not to doubt Cher!). However, recently I was in the mood to watch something light and fun after watching lots of depressing romance movies from the Guardian's 25 best romance films of all time list (I'm looking at you, Brief Encounter). So I checked out Moonstruck and was immediately cast under its spell.
Loretta (Cher) is a widowed bookkeeper in her late 30s. Her first husband was hit by a bus. Loretta believes this is because of curse put on her marriage due to getting hitched in City Hall. When her boyfriend, Johnny Cammareri (Danny Aiello) proposes, she accepts but decides to do everything right this time. Johnny is a nice, middle-aged mamma's boy who Loretta likes but doesn't love. When he flies off to Sicily to look after his dying mom, Loretta tries to honor his wish to have his estranged brother Ronny (Nicholas Cage) attend their wedding. However, things become a wee-bit complicated when Loretta and Ronny wind up in bed together.
Moonstruck gives off the vibe of a modern fairy tale. From Loretta's strange Italian grandfather walking around with a million dogs to the giant, over-sized full (Cosmo's) moon, the movie definitely has a quirky, magical quality to it. Probably my favorite aspect of the movie is Loretta's tight knit family. Olympia Dukakis gives an inspired performance as Loretta's practical but heartbroken mom. She has some great lines, including advising Loretta that it's good that she doesn't love Johnny because "When you love them, they drive you crazy because they know that they can." I also really liked that Loretta is a really strong character. Whether she's making Johnny propose to her on his knees or telly Ronny to "snap out of it" when he confesses his love for her, Loretta certainly doesn't kowtow to the men in her life.
Overall, this is a super cute movie! Definitely check it out if you want a movie that's light, funny, romantic but also smart and well acted.
Call No.: DVD COMEDY MOONSTRUCK
Find in the Catalog!
In spite of having a big soft spot for 80s romantic comedies (i.e. Tootsie, Broadcast News, anything with John Cusack), I had never gotten around to watching Moonstruck. I blame it partly on not really seeing Nicholas Cage as a convincing romantic hero and partly on some skepticism about Cher's acting abilities (I should have known not to doubt Cher!). However, recently I was in the mood to watch something light and fun after watching lots of depressing romance movies from the Guardian's 25 best romance films of all time list (I'm looking at you, Brief Encounter). So I checked out Moonstruck and was immediately cast under its spell.
Loretta (Cher) is a widowed bookkeeper in her late 30s. Her first husband was hit by a bus. Loretta believes this is because of curse put on her marriage due to getting hitched in City Hall. When her boyfriend, Johnny Cammareri (Danny Aiello) proposes, she accepts but decides to do everything right this time. Johnny is a nice, middle-aged mamma's boy who Loretta likes but doesn't love. When he flies off to Sicily to look after his dying mom, Loretta tries to honor his wish to have his estranged brother Ronny (Nicholas Cage) attend their wedding. However, things become a wee-bit complicated when Loretta and Ronny wind up in bed together.
Moonstruck gives off the vibe of a modern fairy tale. From Loretta's strange Italian grandfather walking around with a million dogs to the giant, over-sized full (Cosmo's) moon, the movie definitely has a quirky, magical quality to it. Probably my favorite aspect of the movie is Loretta's tight knit family. Olympia Dukakis gives an inspired performance as Loretta's practical but heartbroken mom. She has some great lines, including advising Loretta that it's good that she doesn't love Johnny because "When you love them, they drive you crazy because they know that they can." I also really liked that Loretta is a really strong character. Whether she's making Johnny propose to her on his knees or telly Ronny to "snap out of it" when he confesses his love for her, Loretta certainly doesn't kowtow to the men in her life.
Overall, this is a super cute movie! Definitely check it out if you want a movie that's light, funny, romantic but also smart and well acted.
Friday, July 19, 2013
A Room With A View
A Room with A View (1985).
Call No.: DVD DRAMA ROOM
Find it in the catalog!
I've been on an Italy kick lately, because I have been planning a trip there later on this year. So while I was initially worried that this Merchant Ivory film might be a little bit on the slow and tedious side, I decided to watch it anyway for the spectacular scenery in Florence. Luckily, A Room with a View proved to be a lively and enjoyable film.
Set during the Edwardian era and based off an E.M. Forester novel, this 1985 film adaption follows a young British woman, Lucy Honeychurch (Helena Bonham Carter), as she vacations in Florence for the first time under the supervision of her much older and tightly-wound cousin Charlotte (Maggie Smith). At their hotel in Italy, Lucy and Charlotte become close with several other English travelers including novelist Eleanor Lavish (Judi Dench), Reverend Beebe (Simon Callow), and most importantly, the free-spirited Mr. Emerson (Denholm Elliot) and his son, George (Julian Sands). While on the trip, Lucy begins to long for more freedom and finds herself increasing drawn to George, but she is confused by her feelings. When George passionately kisses Lucy in a field, their embrace is interrupted by a horrified Charlotte, who insists Lucy must leave Florence at once and makes Lucy promise to keep the kiss a secret (lest she be blamed).
After returning to England, Lucy accepts the proposal of the extremely nerdy Cyril Vyse (Daniel Day-Lewis). Cyril is a more socially suitable match for Lucy than George, but he lacks passion. Lucy and Cyril share one of the most comically awkward kisses in cinema history, thanks in part to Cyril's pince-nez glasses. However, her engagement gets tested when Mr. Emerson and George rent a cottage in Lucy's town. Will Lucy choose George with his enviable bone-structure and vastly superior kisses? Or stay true to her commitments and marry the annoyingly stuffy Cyril?
Though the film is almost 30 years old, it still feels fresh. The cast is superb and it was fun to see these big names actors when they were much younger. I didn't recognize Daniel Day-Lewis at first and was totally jealous of Helena Bonham Carter's marvelously gigantic hair. Not being a big Merchant Ivory fan, I was surprised by how much humor was in the film. There are lots of laughs, including a famous bathing sequence featuring George, Reverend Beebe, and Lucy's brother Freddy (Rupert Graves). The film is beautiful to look at, very romantic, and I appreciated how all of the characters were treated with empathy. Even though Cyril's priggishness is often played for laughs, his character is not entirely dismissible and it's obvious that he does genuinely care for Lucy. Whether you're a fan of well-acted historical dramas, want to armchair travel to Florence, or you just want an excuse to stare at Julian Sands's cheekbones for two hours, A Room With View is definitely worth watching!
Friday, May 17, 2013
Actor to Watch: Benedict Cumberbatch
The first film I remember seeing Cumberbatch in was Atonement, where he plays a creepy, creepy character. He was excellent in that small part, so good in fact, that I initially ignored watching Sherlock because the actor still gave me the creeps. However, when I finally broke down and watched the series, I was blown away. Cumberbatch's Sherlock manages to balance the character perfectly, he's intelligent, charismatic, while also amusingly irritating and rude. Cumberbatch can actually make the act of thinking look compelling on the show, and his chemistry with Martin Freeman's Watson makes the show fun to watch.
Cumberbatch is an interesting actor, and I'm definitely looking forward to seeing what he'll do in even bigger roles and movies. Check out one of his films:
Starter for Ten (2006): A cute, British slice of life comedy about a working class kid (James McAvoy) as he navigates his first year at Bristol College, joining the academic team and deciding between two girls (Rebecca Hall and Alice Eve). Cumberbatch plays the uptight academic team leader.
Find it in the catalog!
Atonement (2007).
Find it in the catalog!
The Other Boleyn Girl (2008).
Find it in the catalog!
The Last Enemy (2008). A Masterpiece Contemporary miniseries about a researcher Dr. Stephen Ezard (Cumberbatch) who returns home after his brother's death, only to fall for the brother's widow and get involved in an government conspiracy (whoops!).
Find it in the catalog!
Four Lions (2010).
Find it in the catalog!
Sherlock!: Seasons 1 and 2.
A modern update on the classic Sir Arthur Conan Doyle books. Highly recommended!
War Horse (2011): Steven Spielberg's World War I drama about a boy and his horse, featuring just about every famous Brit you can think of (minus Hugh Grant)!
Find it in the catalog!
Tinker Tailor Soldier Spy (2011).
Find it in the catalog!
Thursday, April 18, 2013
Films featuring Libraries and Librarians
In honor of National Library Week, check out a movie about libraries! Below are some famous movies featuring libraries and librarians:
The Time Traveler's Wife (2010): Based off the Audrey Niffenegger weeper, this movie follows the tortured but passionate romance of artist Claire and librarian Henry. Personally, I'd recommend reading the book over watching this movie, but Rachel McAdams and Eric Bana do look fantastic!
Find this film in the catalog!
The Hollywood Librarian (2009): This documentary looks that different images of librarians and libraries in American movies.
Find this film in the catalog!
The Station Agent (2004): The so-hot-right-now Peter Dinklage made his big break in this indie sleeper. Michelle Williams plays his love interest, a local librarian who is unhappily pregnant by her good-for-nothing boyfriend.
Find this film in the catalog!
Miranda (2003): John Simms (from the British miniseries State of Play) plays a librarian who falls for a mysterious but comely library patron (Christina Ricci).
Find this film in the catalog!
The Mummy (1999): In this action thriller, Rachel Weisz plays a beautiful but clumsy librarian at the library of Alexandra.
Find this film in the catalog!
Wings of Desire (1987): This Wim Wenders masterpiece features one of the most famous library scenes ever in the Berlin State Libary (Staatsbibliothek zu Berlin). For the angels in the film, who can hear humans' thoughts, the library is one of the loudest places in the city. This is a spectacularly beautiful film, highly recommended!
Find this film in the catalog!
Breakfast Club (1985): What's a fate worth than death for a high school student? Having to spend Saturday in the school library! Check out this John Hughes classic and have Simple Minds stuck in your head all day.
Find this film in the catalog!
Ghostbusters (1984): This classic 80s sci-fi comedy has lots of great scenes in the New York Public Library, including a librarian ghost who mysteriously stacks books!
Find this film in the catalog!
The Music Man (1962): Featuring Marian the Librarian, queen of all librarian stereotypes. She shushes, wears her hair up in a bun, and has spiffy glasses. But when she takes down her hair, she's a total babe!
Find this film in the catalog!
Desk Set (1957): Watch the sparks fly between Katherine Hepburn and Spencer Tracy in this romance set in television reference library!
Find this film in the catalog!
It's a Wonderful Life (1956): Without George Bailey around, Mary Hatch (Donna Reed) is forced to live her life as a librarian. The horror! The horror!
Find this film in the catalog!
For further celebration, check out some fiction and non-fiction books featuring libraries and librarians!
Monday, February 4, 2013
The 2013 Dundees: Our Alternative Oscars
Below are our winners for our alternative Oscars, the Dundees, where I pick out my favorite performances in film and TV of the last year. Since Ryan Gosling and Michael Fassbender were pretty much absent this year in film, I don't have a whole lot of complaints about this year's Oscar snubs. That being said, I was disappointed to see that the Academy somehow had more love for Les Misérables than P.T. Anderson's fabulous The Master. Personally, I'd rather watch grass grow than Les Miz, at least that wouldn't involve Russell Crowe trying to sing!
This has been a big year for comebacks, with everyone from Matthew McConaughey to Bradley Cooper turning in refreshingly good performances. In this vein, I was thrilled to see Joaquin Phoenix nominated for his fantastic performance in The Master. Sure, he'll probably lose out to Daniel Day-Lewis, but it's nice to see him back!
Without further ado, here are the winners:
Best Comedy: Moonrise Kingdom.
This movie has a tinge of bittersweet, as all Wes Anderson movies do, but it is also one of the funniest movies of the year. For a more in-depth look at the movie, check out this great post by fellow Media Corner blogger Danielle.
Runner Up: Damsels in Distress. It took me about a half hour or so to adjust to the offbeat-ness of this movie, but its over the top strangeness eventually won me over. It's sort of like an upside down 80s college comedy.
Best (Anti-) Romantic Comedy: Celeste and Jesse Forever. This movie doesn't really count as a rom-com in the traditional sense, since it's about two people getting divorced. It does manage to be the right mix of funny and moody, and has an incredible cast including Rashida Jones, Andy Samberg and Chris Messina. It's a great sleeper movie.
Most Enviable Wardrobe, Female Performance: Megan Draper (Jessica Paré) on Mad Men. I was so disappointed when she quit her job at Sterling Cooper Draper Price, because we'd no longer get to see her incredible 60s office chic outfits!
This has been a big year for comebacks, with everyone from Matthew McConaughey to Bradley Cooper turning in refreshingly good performances. In this vein, I was thrilled to see Joaquin Phoenix nominated for his fantastic performance in The Master. Sure, he'll probably lose out to Daniel Day-Lewis, but it's nice to see him back!
Without further ado, here are the winners:
Best Comedy: Moonrise Kingdom.
This movie has a tinge of bittersweet, as all Wes Anderson movies do, but it is also one of the funniest movies of the year. For a more in-depth look at the movie, check out this great post by fellow Media Corner blogger Danielle.
Runner Up: Damsels in Distress. It took me about a half hour or so to adjust to the offbeat-ness of this movie, but its over the top strangeness eventually won me over. It's sort of like an upside down 80s college comedy.
Best (Anti-) Romantic Comedy: Celeste and Jesse Forever. This movie doesn't really count as a rom-com in the traditional sense, since it's about two people getting divorced. It does manage to be the right mix of funny and moody, and has an incredible cast including Rashida Jones, Andy Samberg and Chris Messina. It's a great sleeper movie.
Most Enviable Wardrobe, Female Performance: Megan Draper (Jessica Paré) on Mad Men. I was so disappointed when she quit her job at Sterling Cooper Draper Price, because we'd no longer get to see her incredible 60s office chic outfits!
Tuesday, October 2, 2012
Dreamy Men of Masterpiece Theater
There are lots of good reasons to check out Masterpiece Theater. It has quality shows, helps you pretend to have read classic novels like Great Expectations or Tess D'Ubervilles, and there really isn't too much else on Sunday nights (when Breaking Bad and Mad Men are off season). But best of all, it has handsome British men in period dress! Who could ask for more?
Below we* list our favorite men of Masterpiece Theater. Since PBS has created a Men of Austen website, so you can rank which Austen hero is the most eligible bachelor (surprise, surprise: Colin Firth as Mr. Darcy is winning), I'm leaving them out of the running (though, Rupert Perry-Jones as Captain Wentworth would have been my pick).
Matthew Crawley
Found On: Downton Abbey
Played by Dan Stevens
Why we love Matthew: Those blue eyes. And he's the least terrible of Lady Mary's many suitors.
The down side: Matthew can be a little bit stubborn.
Also worth mentioning from Downtown Abbey:
William Mason (Thomas Howes) looks like a younger, blonder, old-timey sibling of John Krasinski. William is also a sweetheart and can play the piano.
Thomas Barrow (Rob James-Collier) is terrible. But he's gorgeous and he seems to have curtailed his bad behavior a little bit in Season 2.
Sherlock Holmes:
Found On: Sherlock.
Played by: Benedict Cumberbatch
Why we love Sherlock: He's brilliant, has a great head of hair, and looks equally great in a suit or a towel.
The down side: His personality is a lot to tolerate on a daily (or even hourly) basis.
Also worth mentioning from Sherlock:
Martin Freeman makes an adorable Dr. Watson. He's definitely the more marriageable one of the duo.
Magnus Martnisson:
Found On: Wallander (seasons 1 and 2).
Played by: Tom Hiddleston.
Why we love Magnus: He's dashingly handsome, but his longish curly hair makes him look nerdy enough to be attainable.
The down side: Martinsson saves the day on at least one occasion, but some of the time he can be a little bit incompetent.
Also worth mentioning from Wallander:
Kenneth Branagh is a little bit too mature to be my type, but his character Kurt Wallander seems to have a way with the ladies on show, in spite of his near constant dourness.
*All "we"s are meant in the royal sense.
Below we* list our favorite men of Masterpiece Theater. Since PBS has created a Men of Austen website, so you can rank which Austen hero is the most eligible bachelor (surprise, surprise: Colin Firth as Mr. Darcy is winning), I'm leaving them out of the running (though, Rupert Perry-Jones as Captain Wentworth would have been my pick).
Matthew Crawley
Found On: Downton Abbey
Played by Dan Stevens
Why we love Matthew: Those blue eyes. And he's the least terrible of Lady Mary's many suitors.
The down side: Matthew can be a little bit stubborn.
Also worth mentioning from Downtown Abbey:
William Mason (Thomas Howes) looks like a younger, blonder, old-timey sibling of John Krasinski. William is also a sweetheart and can play the piano.
Thomas Barrow (Rob James-Collier) is terrible. But he's gorgeous and he seems to have curtailed his bad behavior a little bit in Season 2.
Sherlock Holmes:
Found On: Sherlock.
Played by: Benedict Cumberbatch
Why we love Sherlock: He's brilliant, has a great head of hair, and looks equally great in a suit or a towel.
The down side: His personality is a lot to tolerate on a daily (or even hourly) basis.
Also worth mentioning from Sherlock:
Martin Freeman makes an adorable Dr. Watson. He's definitely the more marriageable one of the duo.
Magnus Martnisson:
Found On: Wallander (seasons 1 and 2).
Played by: Tom Hiddleston.
Why we love Magnus: He's dashingly handsome, but his longish curly hair makes him look nerdy enough to be attainable.
The down side: Martinsson saves the day on at least one occasion, but some of the time he can be a little bit incompetent.
Also worth mentioning from Wallander:
Kenneth Branagh is a little bit too mature to be my type, but his character Kurt Wallander seems to have a way with the ladies on show, in spite of his near constant dourness.
*All "we"s are meant in the royal sense.
Thursday, July 19, 2012
EW's List of the 50 Best Movies You've Never Seen
Entertainment Weekly published a list of the 50 best movies released in the last 20 years. Check it out here. I've seen about half of the movies on the list. It helps that the EW writers seem to like Sam Rockwell almost as much as I do. Below are my favorites from their list:
Fish Tank (2009). 15-year-old Mia lives in the Essex projects with her single-mom and sister. Mia has a tough life, her mother pretty much ignores her and the only person who seems to take an interest in her is her mom's boyfriend Connor. Media Corner favorite Michael Fassbender is in it!
George Washington (2000). If you are only familiar with director David Gordon Green's recent work, including Your Highness and Pineapple Express, this movie will definitely surprise you. This is Green in his arty, serious, Malickian mode. George Washington is also Paul Schneider's film debut.
Ghost Dog: The Way of the Samurai (1999). Jim Jarmusch's film about a professional killer (played by Forest Whitaker) who follows a strict samurai code of ethics. RZA from the Wu-Tang Clan did the score fore the movie and even makes a brief cameo!
Moon (2009). Sam Bell (Sam Rockwell) is nearing the end of his time of a solo three-year stint on a lunar mine. However, he starting to have health problems and strange hallucinations. After a bad accident, Sam discovers something unnerving about his mission on the moon.
My Summer of Love (2004). This film shows how the friendship between two girls, working class Mona (Nathalie Press) and wealthy Tasmin (Emily Blunt), evolves over the course of one summer.
Safe Men (1998). An outrageous comedy that has one of the best casts ever: Paul Giamatti, Steve Zahn, Sam Rockwell and Mark Ruffalo are all in it!
Fish Tank (2009). 15-year-old Mia lives in the Essex projects with her single-mom and sister. Mia has a tough life, her mother pretty much ignores her and the only person who seems to take an interest in her is her mom's boyfriend Connor. Media Corner favorite Michael Fassbender is in it!
George Washington (2000). If you are only familiar with director David Gordon Green's recent work, including Your Highness and Pineapple Express, this movie will definitely surprise you. This is Green in his arty, serious, Malickian mode. George Washington is also Paul Schneider's film debut.
Ghost Dog: The Way of the Samurai (1999). Jim Jarmusch's film about a professional killer (played by Forest Whitaker) who follows a strict samurai code of ethics. RZA from the Wu-Tang Clan did the score fore the movie and even makes a brief cameo!
Moon (2009). Sam Bell (Sam Rockwell) is nearing the end of his time of a solo three-year stint on a lunar mine. However, he starting to have health problems and strange hallucinations. After a bad accident, Sam discovers something unnerving about his mission on the moon.
My Summer of Love (2004). This film shows how the friendship between two girls, working class Mona (Nathalie Press) and wealthy Tasmin (Emily Blunt), evolves over the course of one summer.
Safe Men (1998). An outrageous comedy that has one of the best casts ever: Paul Giamatti, Steve Zahn, Sam Rockwell and Mark Ruffalo are all in it!
Wednesday, June 6, 2012
Flock of Seagulls Awards: Best Achievements in Hair and Grooming
After two years of doing the Beardys, I'm officially over beards. I'm sick of talking about them. I'm sick of seeing them. I'm even over Ryan Gosling having one (scorpion jacket? okay, beard? no!). So instead of awarding the bewhiskered this year, we will celebrate the weird and the wonderful world of hair in pop culture this year.
I will, however, award a solo Beardy to Jason Segel for most disgusting facial hair in honor of his wispy mutton chops in the Five-Year Engagement...ew. Unfortunately, I couldn't find a picture on the interwebs of Segel's chops, so here's my mock-up. The real version is much more terrifying:
Now on to the Flock of Seagull's Hair Awards:
Best Hair Performance by a Group: The cast of Parks and Recreation.
Okay, I'm slightly biased. Donna (played by Retta) has more or less my exact haircut. However, the rest of the Parks department has enviable hair too. Pawnee must have some pretty good stylists!
Best Hair Performance by an actor: Kit Harrington as Jon Snow from Game of Thrones.
So pretty, I'm jealous of his curls!
Best hair performance by an actress: Connie Britton as Tami Taylor from Friday Night Lights. Pretty much every woman in Hollywood has a good head of hair, but if I could only pick one to emulate, it would have to Mrs. Taylor's big, wavy blond coiffure.
Best Bangs: Hannah Simone as Cece on New Girl.
Best Masterpiece Theatre hair performance by an actor: Benedict Cumberbatch as Sherlock Holmes on Sherlock.
Besides solving crimes, playing violin and generally being a pain in the neck, Sherlock knows his way with a curling iron!
Best Masterpiece Theatre hair performance by an actress: Laura Carmichael as Lady Edith Crawley on Downton Abbey.
Sure, she might be the last Crawley sister to marry, but she has the coolest hair. Spinster power!
Best Red Head: Christina Hendricks as Joan Holloway/ Harris on Mad Men.
Sorry Conan!
Most Red Heads in a single film: The Help
Including Emma Stone, Jessica Chastain, Bryce Dallas Howard, Sissy Spacek, and Allison Janney.
Thursday, May 10, 2012
Time Capsule Album Obsessions: College
Somehow when I had dreamed of going way to college, I didn't imagine that I'd be escaping to Appleton, WI-a city almost more culturally devoid than the tiny, far-north Chicago suburb that I grew up in. I had more exotic locales like Chicago or New York City in mind. But a scholarship, parental pressure, and a campus that reminded me of Rushmore Academy won out in the end and I went to Lawrence University in Appleton. Lawrence University is one of the premier colleges for music in the United States, which is great if you like classical music or the opera. However, for rock music you pretty much have to drive to Milwaukee (a little over an hour away) or Madison (about an hour and a half away) to see anyone decent live. Unsurprisingly, I didn't go to a lot of shows during this period. However, I did discover a bunch of new bands thanks to being surrounded by a bunch of music geeks. Below are my five most listened to albums from college (check out the whole list here):
Transatlanticism by Death Cab for Cutie (2003).
Find it in the catalog!
This is one of the few early Death Cab albums that I can still listen to without cringing too much at my former, college-aged self. I related to these songs immensely then, so listening to them is sort of like looking at pictures of yourself with a bad haircut that you thought was awesome at the time. That's no diss to Death Cab. I actually like their recent stuff quite a bit (especially Codes and Keys). And Chris Walla's guitar work has always been superb. But Ben Gibbard's lyrics seem a little too angst ridden and confessional in hindsight. Maybe I've just grown to hate earnestness. In spite of this, Transatlanticism still holds up pretty well for me, possibly because Gibbard's lyrics aren't as intensely personally as on some of Death Cab's other albums from the early aughts. I'm not a huge fan of "Tiny Vessels" or "Death of an Interior Decorator." But the rest of the album is pretty solid.
Favorite Songs: Sound of Settling, Transatlanticism, Passenger Seat
Alligator by the National.
Find it in the catalog!
The National were a band I had been hearing good things about for a while, but could never track down one of their records. When I saw Alligator on the shelves at Borders (in McHenry, of all places), I picked it up and fell in love with it instantly. The National were different from a lot of the bands I had been listening to at the time. The music was dark and well-crafted, and singer Matt Berninger had a deep, world-weary voice. The National is still one of my favorite bands and I've loved both of their subsequent albums, but Alligator still probably has the most songs on it that I love (Boxer is my favorite overall). Out of the albums that I loved in college, this is definitely the one that I revisit the most often.
Favorite Songs: All the Wine, Geese of Beverly Road, Daughters of the Soho Riots, Mr. November
Yankee Hotel Foxtrot- Wilco (2002)
Find it in the catalog!
When I was in high school, "country" even of the alt variety, sounded like something that I just couldn't get into. So it took me a really long time to listen to Wilco. So long, in fact, that I did not check out Yankee Hotel Foxtrot until a year after it was released, in spite of its universal acclaim. However, once I finally did get around to checking it out, I pretty much listened to it on repeat for about two years (it is part of my subconscious now). This is still one of my favorite albums of all time.
Favorite Songs: I'm Trying to Break Your Heart, Ashes of American Flags, Jesus, Etc., Poor Places
Something Else- Kinks
Find it in the catalog!
The Kinks were probably my favorite band in college. Yet I don't remember how I started listening to them, I just remember suddenly being into the Kinks. But it's pretty safe to blame the movie Blow-up, which made me want to check out anything that British and from the 60s. The Kinks definitely had a gritter sound than other music from the 60s that I was used to (i.e. The Beatles and Simon and Garfunkel), which made their music sound more modern to me. Also, Ray Davies is probably one of my favorite songwriters ever. His lyrics are funny, biting and have great social commentary. Something Else was my introduction to the Kinks. While I'd eventually love The Kinks are the Village Green Preservation Society and Lola Versus Powerman and the Money-go-round more, Something Else remained in heavy rotation until grad school, largely thanks to "Waterloo Sunset."
Favorite Songs: Waterloo Sunset, Afternoon Tea, and Tin Solider Man
69 Love Songs- Magnetic Fields
Find it in the catalog!
I first got into the Magnetic Fields with the album The Charm of the Highway. I liked how poppy and yet bleak Stephin Merritt's songs were, as well as how clever some of the lyrics were. Pretty much all of the Magnetic Fields albums were played in heavy rotation in my dorm room, but 69 Love Songs is probably Merritt's masterpiece. Also, the three disc set was the perfect length to drive home for breaks.
Favorite songs: I Don't Want to Get Over You, I Don't Believe in the Sun, No One Will Ever Love You, The Sun Goes Down and The World Goes Dancing, Busby Berkeley Dream, I Can't Touch You Anymore
Transatlanticism by Death Cab for Cutie (2003).
Find it in the catalog!
This is one of the few early Death Cab albums that I can still listen to without cringing too much at my former, college-aged self. I related to these songs immensely then, so listening to them is sort of like looking at pictures of yourself with a bad haircut that you thought was awesome at the time. That's no diss to Death Cab. I actually like their recent stuff quite a bit (especially Codes and Keys). And Chris Walla's guitar work has always been superb. But Ben Gibbard's lyrics seem a little too angst ridden and confessional in hindsight. Maybe I've just grown to hate earnestness. In spite of this, Transatlanticism still holds up pretty well for me, possibly because Gibbard's lyrics aren't as intensely personally as on some of Death Cab's other albums from the early aughts. I'm not a huge fan of "Tiny Vessels" or "Death of an Interior Decorator." But the rest of the album is pretty solid.
Favorite Songs: Sound of Settling, Transatlanticism, Passenger Seat
Alligator by the National.
Find it in the catalog!
The National were a band I had been hearing good things about for a while, but could never track down one of their records. When I saw Alligator on the shelves at Borders (in McHenry, of all places), I picked it up and fell in love with it instantly. The National were different from a lot of the bands I had been listening to at the time. The music was dark and well-crafted, and singer Matt Berninger had a deep, world-weary voice. The National is still one of my favorite bands and I've loved both of their subsequent albums, but Alligator still probably has the most songs on it that I love (Boxer is my favorite overall). Out of the albums that I loved in college, this is definitely the one that I revisit the most often.
Favorite Songs: All the Wine, Geese of Beverly Road, Daughters of the Soho Riots, Mr. November
Yankee Hotel Foxtrot- Wilco (2002)
Find it in the catalog!
When I was in high school, "country" even of the alt variety, sounded like something that I just couldn't get into. So it took me a really long time to listen to Wilco. So long, in fact, that I did not check out Yankee Hotel Foxtrot until a year after it was released, in spite of its universal acclaim. However, once I finally did get around to checking it out, I pretty much listened to it on repeat for about two years (it is part of my subconscious now). This is still one of my favorite albums of all time.
Favorite Songs: I'm Trying to Break Your Heart, Ashes of American Flags, Jesus, Etc., Poor Places
Something Else- Kinks
Find it in the catalog!
The Kinks were probably my favorite band in college. Yet I don't remember how I started listening to them, I just remember suddenly being into the Kinks. But it's pretty safe to blame the movie Blow-up, which made me want to check out anything that British and from the 60s. The Kinks definitely had a gritter sound than other music from the 60s that I was used to (i.e. The Beatles and Simon and Garfunkel), which made their music sound more modern to me. Also, Ray Davies is probably one of my favorite songwriters ever. His lyrics are funny, biting and have great social commentary. Something Else was my introduction to the Kinks. While I'd eventually love The Kinks are the Village Green Preservation Society and Lola Versus Powerman and the Money-go-round more, Something Else remained in heavy rotation until grad school, largely thanks to "Waterloo Sunset."
Favorite Songs: Waterloo Sunset, Afternoon Tea, and Tin Solider Man
69 Love Songs- Magnetic Fields
Find it in the catalog!
I first got into the Magnetic Fields with the album The Charm of the Highway. I liked how poppy and yet bleak Stephin Merritt's songs were, as well as how clever some of the lyrics were. Pretty much all of the Magnetic Fields albums were played in heavy rotation in my dorm room, but 69 Love Songs is probably Merritt's masterpiece. Also, the three disc set was the perfect length to drive home for breaks.
Favorite songs: I Don't Want to Get Over You, I Don't Believe in the Sun, No One Will Ever Love You, The Sun Goes Down and The World Goes Dancing, Busby Berkeley Dream, I Can't Touch You Anymore
Wednesday, May 9, 2012
Happy Birthday Ghostface Killah!
Break out your biggest gold chain necklace and start blasting Supreme Clientele, because it's Dennis Coles aka. Ghostface Killah aka. Ghostdini aka. Ironman aka. Tony Starks aka. my spirit Wu-Tang Clan member's 42nd Birthday! Check out an album by Wu-Tang Clan or by Ghostface to celebrate!
More posts on:
CDs,
Happy Birthday,
Heather Recommends...,
Rap Music,
Wu-Tang Clan
Thursday, May 3, 2012
Time Capsule Album Obsessions: High School
My high school years aren’t really a period I’m nostalgic about. Like a
lot of people from a small town, I spent much of high school looking
forward to leaving home and going to college. I was more of an honor
students than a rebel, but I did experiment with punk rock and light
subversion. After spending my freshman and sophomore years listening to
emo (Bright Eyes, mostly) and glam rock (thanks to Ewan McGregor)
I discovered the Cure and 80s post punk (which would dominate my
playlists until grad school). Below are five albums that I listened to
way too much during high school:
The Smiths- The Queen Is Dead.
Find it in the catalog!
The Smiths are basically required listening for every angst-ridden high school student. At the time, I could certainly relate to Morrissey’s sizable amount of self-pity on songs like “I Know It’s Over” and “Never Had No One Ever.” But it was more than just adolescent woefulness that drew me to the Smiths. Morrissey has one of best voices in rock, and he can be pretty funny at times. Also, Johnny Marr’s excellent guitar work makes the music still sound fresh today.
Find it in the catalog!
The Smiths are basically required listening for every angst-ridden high school student. At the time, I could certainly relate to Morrissey’s sizable amount of self-pity on songs like “I Know It’s Over” and “Never Had No One Ever.” But it was more than just adolescent woefulness that drew me to the Smiths. Morrissey has one of best voices in rock, and he can be pretty funny at times. Also, Johnny Marr’s excellent guitar work makes the music still sound fresh today.
Favorite tracks: The Boy with the Thorn In His Side, There is a Light (That Never Goes Out), Some Girls are Bigger Than Others
I
think I definitely enjoy this album more now than I did in high school.
Back then, I thought liking Joy Division made me dark and edgy, so I
pretended to enjoy it more than I did. And I liked the cryptic
but bleak lyrics. It wasn’t until college, when a lot of bands started
to emulate Joy Division’s sound that I began to appreciate how spare and
yet awesomely rocking they were. Still, I listened to this album
a lot in high school for only sort of liking it. Perhaps, I just
wanted to scare my parents.
Favorite tracks: Isolation, Heart and Soul, The Eternal.
Joni Mitchell-Blue
My
sophomore year of high school, I bought a turntable. I had a cheap box
record player before this, but the turntable was a definite step up.
To build up my record collection, I'd buy pretty much anything from the
60s and 70s that was reasonably cool or had a spiffy cover. This was one
of those records. I bought it for it's pretty blue cover, but played
it over and over again for its mellow vibe and romantic angst. At 15, I
hadn't really lived enough to understand the complex emotions on the
album. But I was naive enough to think that I did.
Favorite Tracks: California, River, A Case of You.
I
went to high school about 30 years after it was cool to like this
album. Thankfully, none of my classmates knew who S and G were and
therefore were clueless as to how much of a geek I was. I started
listening to S and G after hearing that Paul Simon was a big influence
on my then rock-God, Connor Oberst of Bright Eyes. My dad didn’t have Graceland, but I permanently borrowed his copies of Bookends and BOTW. Paul Simon’s witty, literate, and offbeat lyrics really appealed to me. I also liked the band’s quirky folk rock sound. BOTW is an ambitious but fun album. S and G played around with a bunch of
sounds, including gospel (“Bridge Over Troubled Water,”) straight rock
‘n’ roll (“Baby Driver”) and even Bossa Nova (“So Long, Frank Lloyd
Wright”- not my favorite). There are lots of classic songs on the this
album, including the title track, “The Boxer” and “Cecilia,” but my
all-time favorite song is the haunting “Only Living Boy in New York.”
Favorite Tracks: Cecilia, Keep the Customer Satisfied, Baby Driver, Only Living Boy in New York, and Song for the Asking.
I
discovered this band from one of my friends who was much hipper than me.
From their cool, retro red cover to their jangly, 60s inspired folk pop,
Belle and Sebastian were pretty much perfect in my book. Stuart
Murdoch's lyrics were smart and funny, but a little wistful. Belle and
Sebastian were more or less the sonic equivalent of watching a Wes
Anderson movie. What more could a pretentious, old soul 17 year old
want in a band? Even with their post-Juno popularity and accusations of tweeness, If You're Feeling Sinister and Tigermilk are still favorites of mine.
Favorite Tracks: The Fox in the Snow; Get Me Away From Here, I'm Dying; If You're Feeling Sinister
Check out my whole list of high school album obsessions.
Subscribe to:
Posts (Atom)