Showing posts with label Kate recommends.... Show all posts
Showing posts with label Kate recommends.... Show all posts

Sunday, November 22, 2015

The Truth Hurts (Especially when Adele is Singing it)

Reserve 25 in the catalog today
~Adele's third studio album, 25, was released on Friday, so I've only had the chance to listen to it like 8063 times~ 

Adele released her first album, 19, in 2008 after graduating from the BRIT School for Performing Arts & technology. She wrote most of the material for her debut album on her own and named the album for the age at which she did so. She kept the theme going when she released her sophomore album 21 in 2011. The album is deeply autobiographical, exploring the different stages of heartbreak from anger and bitterness to acceptance and eventual forgiveness. Adele is a vocal powerhouse and 21 is one of my absolute favorite albums to be released to this day. 

The wildly anticipated third release delivers what all Adele fans want — big vocals, ballads (heartbroken and otherwise) and the classic soundscape, culled from vintage pop and soul music. Technically, Adele has already made this album two times over. She's swept us off our feet before: stirred our souls so powerfully that 25 is not collectively as game-changing as some might have wanted it to be. It is, however, still a collection of beautifully crafted songs that evoke emotion unlike anything else I've heard this year. “Hello”, the opening track, picks up the heartbreak theme of 21 which documented a tumultuous breakup in her personal life. The new single echoes the reflective mood of the album’s [21] closing track, the piano ballad-turned-anthem “Someone Like You”. The album itself is a collection of torch songs, filled with longing for lost love and mourning for her own faded innocence. The second track, titled "Send My Love (To Your New Lover)", was produced by Max Martin and as a result the song has a very Taylor Swift-esque feel to it. "Send My Love" is more of an upbeat sendoff than anything else. "River Lea" is by far the most powerful song on the album; Adele finds herself filled with self-doubt, apologizing to a future lover for some uncommitted sin. 

The most standout aspect of the album as a whole isn't so much Adele's voice (which is just as phenomenal as always despite recent vocal cord surgery) as it is her delivery. There aren't many artists in the music industry today that convey emotion the way she does. She's authentic. My favorite tracks off 25 resonate strongly with my current situation: "Water Under the Bridge", "Love in the Dark", and "All I Ask". Clearly I'm stuck in one of those post-love ruts at the moment. Of course, after another 10,000 listens and once a little more time has passed, my favorite tracks are bound to change.  

Monday, January 26, 2015

And the Academy Award Goes To...


via Pixshark

I like to pretend I'm cultured, so Oscar nominations are a big deal for me. I always make a point to try and see all of the films nominated for Best Picture before the show airs. Here are my predictions for some of the most anticipated categories.

Best Picture                                                  

“American Sniper”
“Birdman”
“Boyhood”
“The Grand Budapest Hotel”
“The Imitation Game”
“Selma”
“The Theory of Everything”
“Whiplash” 

Boyhood was filmed over a span of twelve years and honestly moved me. If there has ever been a movie that's made me feel nostalgic (and I rarely use that word), then this is it. Ellar Coltrane and
Lorelei Linklater do an outstanding job as siblings navigating childhood and the perils of their mother's [Patricia Arquette] many failed relationships. Boyhood is available for checkout at both the Dundee Library and Randall Oaks Branch.

Actor in a Leading Role
Steve Carell, “Foxcatcher”
Bradley Cooper, “American Sniper”
Benedict Cumberbatch, “The Imitation Game”
Michael Keaton, “Birdman”
Eddie Redmayne, “The Theory of Everything”

Redmayne pulled off one of the most extraordinary transformations of the year when he appeared as renowned astrophysicist Stephen Hawking in The Theory of Everything. The up-and-coming actor spent months studying Hawking's life in order to prepare for the role he was chosen for without even having to audition. To say his hard work paid off would be an understatement. You can catch a free screening of The Theory of Everything at the Dundee Library on March 11, 2014 at 6:00 pm. No registration is required.    

Actress in a Leading Role
Marion Cotillard, “Two Days, One Night”
Felicity Jones, “The Theory of Everything”
Julianne Moore, “Still Alice”
Rosamund Pike, “Gone Girl”
Reese Witherspoon, “Wild”

Moore's performance in Still Alice resonates with both heartbreak and humanity. Unfolding in incremental passages, and shot through with piercing detail, it is the sad, beautifully realized story of a victim of early-onset Alzheimer's and how the disease changes a life and the lives of the loved ones and colleagues around her.

Actor in a Supporting Role
Robert Duvall, “The Judge”
Ethan Hawke, “Boyhood”
Edward Norton, “Birdman”
Mark Ruffalo, “Foxcatcher”
J.K. Simmons, “Whiplash”

J.K. Simmons is excellent no matter what role he takes on, really. His versatility is what makes him so valuable in Hollywood- starring in films as heartwarming as Juno and as biting as Up in the Air. In Whiplash, he takes on a more villainous role as a teacher at a cut-throat music conservatory. Simmons is best known for his appearances in Farmers Insurance commercials, and now he's the front-runner in the race for best supporting actor. 

Actress in a Supporting Role
Patricia Arquette, “Boyhood”
Laura Dern, “Wild”
Emma Stone, “Birdman”
Keira Knightley, “The Imitation Game”
Meryl Streep, “Into the Woods”

Arquette did a simply outstanding job as Mason and Samantha's mother in Boyhood. The movie could just as easily be titled Motherhood.

Directing
Alejandro González Iñárritu, “Birdman”
Richard Linklater, “Boyhood”
Bennett Miller, “Foxcatcher”
Wes Anderson, “The Grand Budapest Hotel”
Morten Tyldum, “The Imitation Game”

Linklater spent 12 years of his life filming Boyhood. That in itself is Oscar-worthy.

Animated Feature Film
“Big Hero 6”
“The Boxtrolls”
“How to Train Your Dragon 2”
“Song of the Sea”
“The Tale of the Princess Kaguya”
***"The Lego Movie" was not nominated and therefore I refuse to predict a winner***

 Everything is awesome. Enough said.


 
via Forbes



Friday, November 14, 2014

Country Albums You Can't Miss

 You may not have guessed it from my first post, but I'm a whiskey drinkin', cowboy chasin', hell of a time (that's a Brooks & Dunn reference...I'm not actually that clever). Some of my favorite albums of all time include George Strait's Easy Come, Easy Go and Garth Brooks' Ropin the Wind. While a lot of people tend to believe that country music is only for the beer-drinking or the brokenhearted-mostly true- it's also for the hopeless romantics and the old souls like myself. So, without further ado, here are some country albums you may have missed, coming from a self-proclaimed expert in the genre. 


Brandy Clark: 12 Stories
Released in 2013, Brandy's album is the quintessential country album. A huge relief for true country fans: Brandy's writing tackles topics like drug abuse, murder, and adultery. Most of the songs on this album have just been waiting to be recorded while Brandy has been busy writing chart toppers for superstars like Miranda Lambert, The Band Perry, and Keith Urban. Whether you're a fan of contemporary country or a Dolly Parton diehard, 12 Stories is worth checking out. Stand-out tracks: Get High, Hold My Hand, Pray to Jesus


Eric Church: The Outsiders

On his fourth studio album, North Carolina singer-songwriter Eric Church made a record that's weirder, louder and even more badass than any before. Church is a crafty, ambitious songwriter with a sensitive, rueful side. With The Outsiders, Church splits the difference between contemporary country's biggest trends: new-school storytelling (Kacey Musgraves, Ashley Monroe ) and check-cashing bro-country (Florida Georgia Line, Luke Bryan). And why not? His success raises the bar of possibility in an overcautious industry. Stand-out tracks: Like a Wrecking Ball, That's Damn Rock & Roll, The Joint


Ashley Monroe: Like a Rose

Monroe is classic, Tennessee country. I first discovered her when the Pistol Annies released their debut album in 2011. She can only be described as "sassy" or "spunky" or with some other coded feminine adjectives. Her second solo album Like a Rose brings out the singer's true colors. Similar to Clark in that her writing doesn't shy away from darker themes, the lyrics are as close as you can get to poetry in country music. Stand-out tracks: Used, Monroe Suede, You Ain't Dolly (And You Ain't Porter)