The Tallest Man On Earth: Love Is All

The Tallest Man On Earth is the enigmatic stage name of Swedish singer-songwriter Kristian Matsson. He has been recording original music and performing live for several years, but recently received a significant profile boost when he toured with critically-acclaimed artist Bon Iver. All of Matsson's work is guitar-based and heavily folk influenced, and his distinctively raspy voice is a wonderful instrument for his evocative song lyrics. While I would recommend the entirety of his 2010 album The Wild Hunt, it's the song "Love Is All" that has really stolen my heart. The video director Johan Stolpe has collected and edited vintage home movies - seemingly shot on Super 8 - into an unexpectedly moving complement to the song itself.

Nicholas Sparks: Who Dies? Safe Haven edition.

 Disclaimer: It goes without saying, you shouldn't read this post if you haven't seen the movie and knowing the deceased party will ruin it for you.  Also, you probably shouldn't read it if you think The Notebook is one the most romantic books/ movies ever.    

There's a new Nicholas Sparks movie out just in time in Valentine's Day!.  So those of you in happy coupledom get to endure two hours of beaches, kissing in the rain, shirtless Josh Duhamel, and emotional manipulation! But lest you decide to break up with your significant other so you don't have see Safe Haven, this Nicholas Sparks movie has a twist!*  It's a thriller-- well a Sparksian-take on a thriller anyway.  It's like The Notebook as written by M. Night Shamymalan.

Premise:  Katie (Julianne Hough) flees Boston to a sunny, coastal town in North Carolina (of course) after she maybe killed a guy (or at least hurt him).  But hey, she totally had her reasons, okay?  However, a meanie Boston police detective (David Lyons) just won't let sleeping dogs lie and is trying to track down Katie.  Once in North Carolina, Katie immediately finds work as a waitress and rents a shabby chic cabin in the woods.  Even though she's trying her best to avoid all human connection (smart girl), she quickly becomes friends with her neighbor Jo (Cobie Smothers aka. Robin from How I Met Your Mother), whom no one else in the town talks to or knows about.  Katie soon finds herself falling for a handsome store owner Alex (Josh Duhamel), who lost his wife to cancer and has two cute kids.  However, because of Katie's dark past, she's not sure if entering into a relationship with Alex is a good idea.

Who dies?:  Alex does.  Katie kills him because she's really a crazy murderess. No, just kidding.  The truth is wayyyyy weirder.  So, it turns out the detective isn't interested in finding Katie just because she's a (possible) murderer on the lam.  It's really because he's her abusive ex-husband, whom she stabbed but didn't kill. Predictably, he catches up with her in NC and a messy fight ensues.  Alex's store starts ablaze and the evil ex dies in the scuffle.  Everybody else makes it out okay, though most of Alex's store is destroyed.

But that's not even the craziest twist!  Cue the theremin, because Jo is really Alex's dead wife. SHE'S REALLY DEAD! I know that sounds like I'm making that up.  But that actually happens!  She just wanted to make sure Alex chose the right replacement.  Now that he's happily ever after with Katie, Jo can cross over.

For more Nicholas Sparks spoilers, check out my earlier posts.   Or if I haven't totally ruined it, you can check out the book!


*Seriously though, you definitely should break up with them.  Unless you want to have to see every Nicholas Sparks adaptation for the rest of your life.  Doesn't dying alone sound more pleasant?

What we're listening to: Master of My Make-Believe by Santigold

I'm still catching up on music from last year, so I'm just now listening to Santigold's album Master of My Make-Believe, which was released last spring.

Drawing obvious comparisons to M.I.A., Santigold is less aggressive in her style and delivery, but still has something to say. Her influences are abundant and eclectic. Karen O. and Nick Zinner of the Yeah, Yeah, Yeahs, were quite involved in this record, from Karen O.'s vocal and writing contributions to Nick's handling of guitar work on several tracks. Diplo, Switch, Q-Tip, and Dave Sitek from TV on the Radio, among others, all produced at least one track. She also mentioned in an interview that she gains visual inspiration for her live shows from artists such as David Byrne and Bjork, but I would go as far to say that she is influenced by them musically because those two artists come to mind when I hear Santigold's record-- it has that worldly and genre-bending vibe to it.

Two tracks in particular stand out to me: "Disparate Youth" and "This Isn't Our Parade." They're nothing alike. The former is more straightforward and perhaps her more representative sound, the latter is laid-back and as close to a ballad as she gets. Track 9, "The Keepers," has a bouncy beat, but damning lyrics. It's all about the contrast. A great record for repeated listens because different elements come forward each time. This disc would be perfect for parties.

Side note: "Disparate Youth" is featured in the current Honda commercial.

The 2013 Dundees: Our Alternative Oscars

Below are our winners for our alternative Oscars, the Dundees, where I pick out my favorite performances in film and TV of the last year.  Since Ryan Gosling and Michael Fassbender were pretty much absent this year in film, I don't have a whole lot of complaints about this year's Oscar snubs.  That being said, I was disappointed to see that the Academy somehow had more love for Les Misérables than P.T. Anderson's fabulous The Master.   Personally,  I'd rather watch grass grow than Les Miz, at least that wouldn't involve Russell Crowe trying to sing!

This has been a big year for comebacks, with everyone from Matthew McConaughey to Bradley Cooper turning in refreshingly good performances.  In this vein, I was thrilled to see Joaquin Phoenix nominated for his fantastic performance in The Master.  Sure, he'll probably lose out to Daniel Day-Lewis, but it's nice to see him back!

Without further ado, here are the winners:

Best Comedy:  Moonrise Kingdom.
This movie has a tinge of bittersweet, as all Wes Anderson movies do, but it is also one of the funniest movies of the year.  For a more in-depth look at the movie, check out this great post by fellow Media Corner blogger Danielle. 

Runner Up:  Damsels in Distress. It took me about a half hour or so to adjust to the offbeat-ness of this movie, but its over the top strangeness eventually won me over.  It's sort of like an upside down 80s college comedy.

Best (Anti-) Romantic Comedy:  Celeste and Jesse Forever.  This movie doesn't really count as a rom-com in the traditional sense, since it's about two people getting divorced. It does manage to be the right mix of funny and moody, and has an incredible cast including Rashida Jones, Andy Samberg and Chris Messina.  It's a great sleeper movie.

Most Enviable Wardrobe, Female Performance:  Megan Draper (Jessica Paré) on Mad Men.  I was so disappointed when she quit her job at Sterling Cooper Draper Price, because we'd no longer get to see her incredible 60s office chic outfits!

Music Roundup: My Top 10 Albums of 2012

Top Ten

The Seer - Swans
The music on The Seer is far more sophisticated than the Swans recordings of the early-'80s, when the band was about brutal noise and confrontation at the expense of all else. Michael Gira has refined his songwriting and expanded his thematic concerns throughout his long career, most notably with his Angels of Light project. But the dark drama and punishing intensity are still integral to the band's vision. The Seer is a sinister, droning masterpiece.

'Allelujah! Don't Bend! Ascend! - Godspeed You! Black Emperor
Certain artists inspire devotion, and GY!BE have had a devout following since their 1997 debut. 'Allelujah! is their first new record since 2002 (Yanqui U.X.O.);  a record comprised of two relatively long compositions and two shorter works that have been part of the collective's live repertoire. (The Guardian published a statement from the group coincident with the release of 'Allelujah!, providing some genuinely moving sentiments about the group's ambitions.) If you're unfamiliar with GY!BE, the ideal introduction is "The Dead Flag Blues," the legendary first track from the group's debut record. There's simply no better encapsulation of the what Godspeed You! Black Emperor is about. Follow that with the 'Allelujah! track "Their Helicopters' Sing" for further evidence of the visceral beauty of this group's music.

The Sun - Cat Power
Chan Marshall's career has had distinct musical phases that aren't always appreciated by the same audience; her stark, guitar-based recordings from the '90s often go unappreciated by those who favor her Southern soul influenced work. As a fan of her entire catalog, I'd like to think that The Sun represents yet another break/innovation. The soulful horn section has been replaced with warm synthesizers and electronic beats. There isn't much precedent for this type of production in Marshall's work, though it may have some superficial similarities with her guest spot on Handsome Boy Modelling School's 2004 record. The appeal of any Cat Power album is Marshall's voice, and it's invigorating to hear her sing with such directness on The Sun.

Four - Bloc Party
Bloc Party have always excelled at combining the best elements of  late-90s Blur and Radiohead with intense post-punk angularity. Those expected strengths are very much on display on the band's fourth record, but, really, nothing could have prepared me for the monster riffs of "Coliseum."

Cancer4Cure - El-P
The music of El-P is so idiosyncratic and distinctly his own that it's almost instantly identifiable. Forever at the margins of whatever can be considered "mainstream" hip-hop, El-P has consistently crafted innovative and intriguing music that reveals a profound appreciation for classic sampling. C4C is unquestionably one of El-P's finest records; a wild melange of samples and sounds that is, strangely, the most focused he has ever sounded.

Key to the Kuffs - JJ DOOM
You can pair MF DOOM with just about anyone and the results will, at the very least, be interesting. But his recent collaboration with MC/producer Jneiro Jarel is considerably more than a curio. Key to the Kuffs isn't a perfect record; and it suffers by comparison to Madvillainy, DOOM's beloved 2004 collaboration with Madlib. (To be fair, every recording suffers by comparison with Madvillainy.) Taken on a track-by-track basis, this is some of the best work DOOM has done in years. "Guv'nor" is almost certainly the standout, with its woozy production and lyrics that range far wider than DOOM's typical concerns.

awE naturalE - THEESatisfaction
I first heard TheeSatisfaction as guest artists on one my favorite records of 2011, Black Up by Shabazz Palaces. awE naturalE is the Seattle duo's debut full-length, and it easily exceeds all expectations in its seductive beauty and the seemingly effortless interplay between the singer (Cat) and the emcee (Stas).

Don't Be a Stranger - Mark Eitzel
My appreciation for this record may, to some extent, be tinged with nostalgia for the magisterial dolorousness of classic American Music Club. (Along with Red House Painters, A.M.C. were the demigods of slow-core.) But, taken on its own terms, Don't Be a Stranger is a beautifully crafted record that makes the most of Eitzel's unique voice and songcraft.

Between the Times and the Tides - Lee Ranaldo
As guitarist and co-founder of the band Sonic Youth, Lee Ranaldo's legacy as a rock innovator is secure. But, like his band-mates Kim Gordon and Thurston Moore, he has pursued various solo projects throughout has career. While the numerous side projects by Gordon and Moore are still pretty recognizable as Sonic Youth recordings (to the extent that Sonic Youth can be said to have a recognizable template), Ranaldo is pursuing musical ideas far afield of his full-time gig. From the darkly pulsing opening track, "Waiting on a Dream," to the gentle lyricism of "Stranded,"Between the Times and the Tides is a beautiful record that displays Ranaldo's maturation as a songwriter.

Mature Themes - Ariel Pink's Haunted Graffiti
Mature Themes is as strange as Ariel Pink himself. You just need to accept that Pink is working on another level, and the more time you spend with his songs, the more resonant they become. (Though I'm not sure there's any way to make sense of the almost unbelievably odd "Schnitzel Boogie.") Mature Themes isn't all experimentation and obfuscation; "Only in My Dreams" is as direct and charming a pop song as you could ask for, and the album's closer, "Baby," is a surprisingly soulful cover that just may be my favorite track of the year.

Other Highlights

2012 featured new music from some of my longtime favorites: Deerhoof (Breakup Song), Sun Kil Moon (Among the Leaves), Spiritualized (Sweet Heart, Sweet Light), Nas (Life Is Good), Mount Eerie (Clear Moon), and a late-entry from Big Boi (Vicious Lies and Dangerous Rumors). There were also a handful of newcomers who made an indelible impression: Frank Ocean (Channel Orange), Death Grips (The Money Store), and the surprisingly divisive pop singer Lana Del Rey (Born to Die). Say what you will about Del Rey's debut album, her single "Video Games" is an evocative song that feels emblematic of its moment in time, an impression that is only enhanced by its accompanying video.

Guilty pleasure pick: Ferris Bueller's Day Off

As a child of the 80s, I can do two things: spot a shoulder pad and quote John Hughes' movies. (I could also tell you where I was the first time I got my first Cabbage Patch Doll, but I digress ...) A classic Hughes movie, and I would argue his most funny, Ferris Bueller's Day Off still holds up 26 years later. And if you haven't seen it, or might want to revisit, I would recommend this oldie but goodie.

Do you that have a person in your life that seems to have everything work out for them? Well, Ferris is one of those people. The premise is simple: high-schooler Ferris wants to ditch school because it's too nice outside to sit in class all day. Of course, shenanigans and comedy ensue, though not without the dramatic moment in the best friend's garage after one of the shenanigans goes awry. All the other schemes, of course, work out because this is a Hollywood movie. But the fun is in the vicarious feelings, that, yeah, I wish I could play hooky too just once and have it be as great as Ferris' day off.

The performances are well done by all, but Matthew Broderick as the titular character, is golden. He carries the film with charm. The opening sequence alone is genius and a precursor to the use of the quick-cut-with-a-jumping-topic/situation-soliloquy, which is nowadays ubiquitous in many comedies. Alan Ruck (Cameron) and Mia Sara (Sloane, an appropriately North Shore name) are Ferris' best friend and girlfriend respectively. They are his sidekicks for the day, and each have their own moments. I particularly like Ruck's scene early on when Broderick is trying to convince him to play hooky too. Jennifer Grey, pre-Dirty Dancing days, excels as Ferris' jealous sister, Jeanie and even Charlie Sheen has a cameo that fits: bad boy.

FBDO may not compete with comedy classics such as Blazing Saddles or Caddyshack, but it's still a gem of a movie and good for a night in from the cold weather.

Ferris Bueller's Day Off
Find it in the catalog!

New on DVD: "Moonrise Kingdom"

“I love you, but you don’t know what you’re talking about.”
- Sam to Suzy

Moonrise Kingdom is set during 1965 in New Penzance Island, New England, about two misunderstood twelve-year-olds who fall in love and decide to run away together. This Wes Anderson film is full of whimsy and wonderful performances, especially from the two young leads playing Sam and Suzy.

Sam (Jared Gilman), an orphan, is described as "emotionally deranged" by his fellow Khaki scouts at Camp Ivanhoe. He runs away from the scouts with a canoe stocked full of supplies, which sets off a search party of Scout Master Ward (Edward Norton), the rest of Troup 55, and Island Police, headed by Captain Sharp (Bruce Willis). When Sam's foster parents hear about his running away, they inform Captain Sharp that Sam is no longer welcome back to their home.

Suzy (Kara Hayward) does not have any friends and gets in trouble at school. Her three younger brothers entertain themselves with games and listening to records, while she spends her time reading or looking at the world through her binoculars. She always has binoculars at her side and believes they are her magical powers.

Sam travels across the island from Camp Ivanhoe to Summer's End to meet Suzy, one year after their initial meeting. Between summers they wrote each other letters, talking about the difficulty of fitting in and getting along with classmates and authority figures. (“Dear Suzy, I have been trying very hard to make friends, but I feel people do not like my personality.”) When Suzy's mother (Frances McDormand) discovers one of Sam's letters to Suzy, she and Mr. Bishop (Bill Murray) join the search.  

Sam utilizes his Khaki scout knowledge as he and Suzy navigate their way along the Old Chickchaw Harvest Migration Trail. Suzy brings a suitcase full of library books (which she may return, someday), her cat, Lionel's record player, and her lefty scissors. Whenever they stop to take a break she reads aloud from her books as Sam listens and smokes a pipe. She prefers stories with magical powers and tells Sam that she wants to go on adventures when she’s older.

I could go on about the awesome cast, from Sam's fellow Khaki scouts to Jason Schwartzman's brief appearance as Cousin Ben. And the script by Anderson and Roman Coppola has so many great lines I had to restrain myself from including twenty quotes in this post.* Additionally, the soundtrack, with songs from composer Benjamin Britton, Alexandre Desplat, and Hank Williams, is beautiful and playful, down to the final “cuckoo, cuckoo.” Hilarious, sweet, and definitely a little crazy, Moonrise Kingdom is my favorite movie of the year.


*Okay, I can't help myself. If you want to see more of my favorite quotes from the movie, click to read more!

Being Human, UK v. US

Smackdown: UK Being Human season 1 v. US Being Human season 1

Basic premise of both: a vampire, a werewolf, and a ghost co-habitate in order to appear and try to live as humans.

In the original UK version we begin when vampire Mitchell (Adian Turner) and werewolf George (Russell Tovey) rent a place together and find ghost Annie (Lenora Crichlow) haunting it. She died in the house and can't cross-over; Mitchell and George are the first beings to actually be able to see her since she died 6 months prior. They form a tight trio and help each other out with their supernatural issues, which of course keep getting in the way of "begin human."

In the US version we follow vampire Aidan (Sam Witwer) and werewolf Josh (Sam Huntington) as they rent a house and find ghost Sally (Meaghan Rath). The beginning and basic plotlines follow those of the UK version, but there are some variations as the season progresses. One plotline in the US version doesn't even happen until the second series of the UK version, so the US makers seem eager to begin the separation fairly quickly from the original material.

Dreamy Men of Masterpiece Theater

There are lots of good reasons to check out Masterpiece Theater.  It has quality shows, helps you pretend to have read classic novels like Great Expectations or Tess D'Ubervilles, and there really isn't too much else on Sunday nights (when Breaking Bad and Mad Men are off season). But best of all, it has handsome British men in period dress!  Who could ask for more?

Below we* list our favorite men of Masterpiece Theater.  Since PBS has created a  Men of Austen website, so you can rank which Austen hero is the most eligible bachelor (surprise, surprise: Colin Firth as Mr. Darcy is winning), I'm leaving them out of the running (though, Rupert Perry-Jones as  Captain Wentworth would have been my pick). 

Matthew Crawley
Found On: Downton Abbey
Played by Dan Stevens
Why we love Matthew:  Those blue eyes.  And he's the least terrible of Lady Mary's many suitors.
The down side: Matthew can be a little bit stubborn.   

Also worth mentioning from Downtown Abbey:

William Mason (Thomas Howes) looks like a younger, blonder, old-timey sibling of John Krasinski.  William is also a sweetheart and can play the piano. 

Thomas Barrow (Rob James-Collier) is terrible.  But he's gorgeous and he seems to have curtailed his bad behavior a little bit in Season 2. 

Sherlock Holmes:
Found On: Sherlock.
Played by:  Benedict Cumberbatch
Why we love Sherlock:  He's brilliant, has a great head of hair, and looks equally great in a suit or a towel. 
The down side:  His personality is a lot to tolerate on a daily (or even hourly) basis.

Also worth mentioning from Sherlock:

Martin Freeman makes an adorable Dr. Watson.  He's definitely the more marriageable one of the duo.

Magnus Martnisson:
Found On: Wallander (seasons 1 and 2).
Played by:  Tom Hiddleston.
Why we love Magnus:  He's dashingly handsome, but his longish curly hair makes him look nerdy enough to be attainable.
The down side:  Martinsson saves the day on at least one occasion, but some of the time he can be a little bit incompetent. 

Also worth mentioning from Wallander:

Kenneth Branagh is a little bit too mature to be my type, but his character Kurt Wallander seems to have a way with the ladies on show, in spite of his near constant dourness.

*All "we"s are meant in the royal sense.