Friday, November 14, 2014

Country Albums You Can't Miss

 You may not have guessed it from my first post, but I'm a whiskey drinkin', cowboy chasin', hell of a time (that's a Brooks & Dunn reference...I'm not actually that clever). Some of my favorite albums of all time include George Strait's Easy Come, Easy Go and Garth Brooks' Ropin the Wind. While a lot of people tend to believe that country music is only for the beer-drinking or the brokenhearted-mostly true- it's also for the hopeless romantics and the old souls like myself. So, without further ado, here are some country albums you may have missed, coming from a self-proclaimed expert in the genre. 


Brandy Clark: 12 Stories
Released in 2013, Brandy's album is the quintessential country album. A huge relief for true country fans: Brandy's writing tackles topics like drug abuse, murder, and adultery. Most of the songs on this album have just been waiting to be recorded while Brandy has been busy writing chart toppers for superstars like Miranda Lambert, The Band Perry, and Keith Urban. Whether you're a fan of contemporary country or a Dolly Parton diehard, 12 Stories is worth checking out. Stand-out tracks: Get High, Hold My Hand, Pray to Jesus


Eric Church: The Outsiders

On his fourth studio album, North Carolina singer-songwriter Eric Church made a record that's weirder, louder and even more badass than any before. Church is a crafty, ambitious songwriter with a sensitive, rueful side. With The Outsiders, Church splits the difference between contemporary country's biggest trends: new-school storytelling (Kacey Musgraves, Ashley Monroe ) and check-cashing bro-country (Florida Georgia Line, Luke Bryan). And why not? His success raises the bar of possibility in an overcautious industry. Stand-out tracks: Like a Wrecking Ball, That's Damn Rock & Roll, The Joint


Ashley Monroe: Like a Rose

Monroe is classic, Tennessee country. I first discovered her when the Pistol Annies released their debut album in 2011. She can only be described as "sassy" or "spunky" or with some other coded feminine adjectives. Her second solo album Like a Rose brings out the singer's true colors. Similar to Clark in that her writing doesn't shy away from darker themes, the lyrics are as close as you can get to poetry in country music. Stand-out tracks: Used, Monroe Suede, You Ain't Dolly (And You Ain't Porter)