Showing posts with label Country Music. Show all posts
Showing posts with label Country Music. Show all posts

Friday, November 14, 2014

Country Albums You Can't Miss

 You may not have guessed it from my first post, but I'm a whiskey drinkin', cowboy chasin', hell of a time (that's a Brooks & Dunn reference...I'm not actually that clever). Some of my favorite albums of all time include George Strait's Easy Come, Easy Go and Garth Brooks' Ropin the Wind. While a lot of people tend to believe that country music is only for the beer-drinking or the brokenhearted-mostly true- it's also for the hopeless romantics and the old souls like myself. So, without further ado, here are some country albums you may have missed, coming from a self-proclaimed expert in the genre. 


Brandy Clark: 12 Stories
Released in 2013, Brandy's album is the quintessential country album. A huge relief for true country fans: Brandy's writing tackles topics like drug abuse, murder, and adultery. Most of the songs on this album have just been waiting to be recorded while Brandy has been busy writing chart toppers for superstars like Miranda Lambert, The Band Perry, and Keith Urban. Whether you're a fan of contemporary country or a Dolly Parton diehard, 12 Stories is worth checking out. Stand-out tracks: Get High, Hold My Hand, Pray to Jesus


Eric Church: The Outsiders

On his fourth studio album, North Carolina singer-songwriter Eric Church made a record that's weirder, louder and even more badass than any before. Church is a crafty, ambitious songwriter with a sensitive, rueful side. With The Outsiders, Church splits the difference between contemporary country's biggest trends: new-school storytelling (Kacey Musgraves, Ashley Monroe ) and check-cashing bro-country (Florida Georgia Line, Luke Bryan). And why not? His success raises the bar of possibility in an overcautious industry. Stand-out tracks: Like a Wrecking Ball, That's Damn Rock & Roll, The Joint


Ashley Monroe: Like a Rose

Monroe is classic, Tennessee country. I first discovered her when the Pistol Annies released their debut album in 2011. She can only be described as "sassy" or "spunky" or with some other coded feminine adjectives. Her second solo album Like a Rose brings out the singer's true colors. Similar to Clark in that her writing doesn't shy away from darker themes, the lyrics are as close as you can get to poetry in country music. Stand-out tracks: Used, Monroe Suede, You Ain't Dolly (And You Ain't Porter)



Friday, March 22, 2013

Jason Molina: 1973-2013


News outlets report that singer-songwriter Jason Molina passed away March 16, 2013, at the age of 39. He had been in poor health in recent years and a campaign was underway to help raise funds for his mounting medical bills. Molina is best known for the music he recorded under the names Songs: Ohia and Magnolia Electric Co. His music was noticeably influenced by American folk and country, and his unique voice was instantly recognizable. Molina's highly poetic lyrics often centered on the lives and concerns of working people, particularly in his home state of Ohio and the city of Chicago, which had become something of an adopted home for the musician. His protagonists were tired, anxious, uncertain about what their lives meant and where they might end up. But Molina expressed these pervasive anxieties with such tenderness that many of his songs have the comforting qualities of lullabies. I am reminded of a lyric from his song "Blue Factory Flame":

when i die put my bones in an empty street
to remind me of how it used to be
don’t write my name on a stone
bring a Coleman lantern and a radio
a Cleveland game and two fishing poles
and watch with me from the shore
ghostly steel and iron ore ships coming home
where i am paralyzed by the emptiness


Saturday, December 17, 2011

Music Roundup: My Top 10 Albums of 2011


My (Always Subjective) Top 10 List:


Apocalypse - Bill Callahan
I've said it before, and I'll say it again: If Bill Callahan puts out a new record, it will be my favorite record of the year. That's not mere dedication to a songwriter I've favored for two decades, but rather an acknowledgment that he gets better with each passing year. I would argue that Apocalypse, the latest from Callahan, is as evocative and frankly spellbinding as any work in the artist's catalog.
Standout tracks: "Baby's Breath" and "Riding for the Feeling"

Undun - The Roots
A percussive, soulful concept album that somehow, impossibly, improves upon the band's prior successes. By my count, this is the tenth Roots record that is an unequivocal classic. Tenth. Can you name another contemporary group with those credentials? I can't.
Standout tracks: This is such a cohesive work, there's little point in highlighting specific tracks.

Bad as Me - Tom Waits
Arguably less ambitious than your average Tom Waits album (there's no song-cycle or high-concept narrative on this one), Bad as Me still offers just about everything you could possibly want from the artist at this stage of his career: guttural crooning, dusty blues, early R&B, rockabilly, and, yes, Keith Richards and Marc Ribot on guitar.
Standout tracks: "Raised Right Men", "Get Lost", and "Hell Broke Luce"

House of Balloons/Thursday - The Weeknd
House of Balloons is The Weeknd's proper full-length debut, and it justifiably received most of the accolades. But the mix-tape that followed it, Thursday, was a compelling listen in its own right. I'm including both in my top ten list, because I can. The lyrics on these recordings range from amusing to clumsy, but the sound is guaranteed to make you woozy. In a good way. (These two albums are only available as digital downloads from artist's Tumblr page.)
Standout tracks: "What You Need", "The Party and the After Party" and "Lonely Star"

Bon Iver - Bon Iver
This self-titled album is the proper follow-up to Justin Vernon's critically acclaimed debut, For Emma, Forever Ago. Vernon's gentle voice and impressionistic lyrics are still the focal point, but this record features a much fuller sound. I think I favor the intimacy of the earlier album, but Bon Iver has some excellent songs that benefit from the enhanced instrumentation.
Standout tracks: "Calgary" and "Minnesota, WI"

Black Up - Shabazz Palaces
Remember the '90s rap group Digable Planets? Doesn't matter. Even if you were familiar with that group, you'd probably never have guessed that Shabazz Palaces is the current project for former Digable Planets rapper Ishmael Butler. This is an astoundingly relevant and forward-looking album, particularly as it comes from an artist who has been in the business since the Clinton Administration.
Standout tracks: "A Treatease Dedicated to the Avian Airless from North East Nubis"

Demolished Thoughts - Thurston Moore
A solo outing from Sonic Youth singer/guitarist Thurston Moore, Demolished Thoughts is essentially a singer-songwriter album that sounds a lot like Sonic Youth. I find that to be a pretty irresistible combination. The songs are uniformly strong on this record, but they reach greatness thanks to the gorgeous production, courtesy of Beck.
Standout tracks: "Circulation" and "Orchard Street"

W.A.R. (We Are Renegades) - Pharoahe Monch
This may be the most focused, concise Monch album yet. His lyrical delivery is always a thing to behold, and his work on W.A.R. just might be up there with his revered solo debut.
Standout tracks: "W.A.R." and "Black Hand Side"

Hot Sauce Committee, Part 2 - Beastie Boys
I never thought I'd be including a Beastie Boys album in my top ten, but here we are. I've enjoyed Hot Sauce Committee more than any Beasties record since...the '90s? This is a record by a group of guys who know their strengths and actually sound like they're having a good time. Bonus points for collaborating with Nas on "Too Many Rappers". I would endorse an entire of album of Nas rhyming over Beastie Boys beats.
Standout tracks: "Make Some Noise" and "Too Many Rappers"

Father, Son, Holy Ghost - Girls
I'll be honest, the big over-the-top climaxes on Father, Son, Holy Ghost don't always pay off. But when they do... If you can appreciate the idea of a decidedly idiosyncratic songwriter going all out, you owe it to yourself to give this a listen.
Standout tracks: "Honey Bunny" and "Love Like a River"

Runners Up/Honorable Mentions:

The Family Sign - Atmosphere

El Camino - Black Keys

Deerhoof vs. Evil - Deerhoof

The Book of David - DJ Quik

No Kings - Doomtree

I'll Never Get Out of This World Alive - Steve Earle

Ceremonials - Florence + the Machine

Tell Me - Jessica Lea Mayfield

The Only She Chapters - Prefuse 73

Fear of God II: Let Us Pray - Pusha T

Shaolin vs. Wu-Tang - Raekwon

The Whole Love - Wilco

Wild Flag - Wild Flag

Monday, November 22, 2010

Music Roundup: Best Tracks of 2010


 Song rankings are determined by the following (highly scientific) factors:
  • Essential awesomeness
  • Personal zealotry
  • Number of repeat playings
  • Perceived technical difficulty
1). Dance Yrself Clean- LCD Soundsystem
Found on: This is Happening (Find it in the catalog!
Comments:  Throw your little hands up!

2).  Bloodbuzz Ohio- The National
Found on:  High Violet (Find it in the catalog!

3).  O.N.E.- Yeasayer
Found on: Odd Blood (Find it in the catalog!

4). Everlasting Light- Black Keys
Found on: Brothers (Find it in the catalog!)
Comments: Dan Auerbach proves that he is finally man enough to sing like a girl .  

5).  Closet Astrologer- Ruby Suns
Found on: Fight Softly (Find it in the catalog!

6).  Wanderin’- Justin Townes Earle
Found on: Harlem River Blues (Find it in the catalog!)

7).  Dancing on My Own- Robyn
Found on: Body Talk, Part 1 (Find it in the catalog!

8). Take it Easy-Surfer Blood
Found on: Astro Coast (Find it in the catalog! 

9).  Core of Nature- Midlake
Found on: Courage of Others (Find it in the catalog!

10).  Boyfriend- Best Coast
Found on: Crazy for You (Find it in the catalog!

Runners Up (unranked): 

Norway- Beach House
Found on: Teen Dream (Find it in the catalog!

F*** You- Cee-Lo 
Found on: The Lady Killer (Find it in the catalog!) 

Lark- Josh Ritter 
Found on: So Runs Away the World (Find it in the catalog!
Comment:  Best Paul Simon song not done by Paul Simon. 

Laughing Hieroglyphics- Avey Tare
Found on:  Down There (Find it in the catalog!)
Comment:  Recent discovery, otherwise would probably be in top 10.  

Friday, November 19, 2010

Music Roundup: My Top 10 Albums of 2010


Interestingly, almost none of the artists from my 2009 Music Roundup appear on this year's list. In fact, few of them released albums this year at all. MF Doom's out-of-nowhere live album is a notable exception, but it's Dan Auerbach who makes the list for the second consecutive year. Auerbach's 2009 solo album, Keep it Hid, was a definite favorite of mine, and this year he's back with an outstanding Black Keys album. As is always the case with my subjective "best of" lists, these titles are not ranked. This is just an opportunity for me to share some of my favorite musical experiences, in the hope that you might enjoy them as much as I have.

Wednesday, April 21, 2010

Track Analysis: "Rabbit Fur Coat"


"Rabbit Fur Coat" - Jenny Lewis with The Watson Twins

The title track of Jenny Lewis' solo debut is a beautifully written, ultimately disturbing, autobiographical sketch. Using her mother's rabbit fur coat as a recurring motif, Lewis recounts her life story as one inextricably linked to her mother's own early life and subsequent value-system.

Lewis begins with what might at first be taken for fairytale imagery, describing an altercation between her young mother and a wealthy girl. She matter-of-factly states, "I was of poor folk, But my mother had a rabbit fur coat. Then a girl of less character pushed her down the L.A. River, 'Hand over that rabbit fur coat.'" Whether out of jealousy or darker, unspecified motives, the girl takes exception to the coat and physically assaults her. Her mother "...really suffered for that, Spent her life in a gold-plated body cast." That is to say, she is paralyzed by her preoccupation with affluence. Though explicitly warned against doing so, the mother goes to the girl's "mansion house." The only one home is the girl's father, who invites her in. What transpires between the two is unclear, but the subtext is sexual. "They never sang a note, But she took off that rabbit fur coat." When her nemesis arrives at the house and accuses her of stealing from the mansion, the mother declares: "No, I'm in love with Mr. so and so, He invited me in, I'm a girl no more."

This back-story established, Lewis sings, "Let's move ahead twenty years, shall we?" Mother and daughter are living together in the San Fernando Valley. The mother supports them by working as a waitress and collecting welfare benefits. An unidentified woman makes an unsettling suggestion to the mother. "You treat your girl as your spouse, You can live in a mansion house." This is a reference to Lewis' early career as a child-actress (forgettable TV work, as well as co-starring with Fred Savage in the Nintendo-shilling movie The Wizard). It's a concise description of inverted family roles; Lewis, an adolescent at that time, taking on the role of bread-winner. The gambit pays off, with young Jenny Lewis becoming "a hundred-thousand-dollar kid." In what feels like a moment of earned self-realization, Lewis assesses the situation in this way: "When I was old enough to realize, Wiped the dust from my mother's eyes, It's all this for that rabbit fur coat." Her candid assessment: "But I'm not bitter about it, I've packed up my things and let them have at it, And the fortune faded as fortunes often do, And so did that mansion house." The epilogue concerning her mother's current whereabouts is devastating in its casualness: "Where my ma is now, I don't know, She was living in her car, I was living on the road, And I hear she's putting that stuff up her nose, And still wearing that rabbit fur coat." To her credit, the singer does not let herself off any easier. "But mostly I'm a hypocrite, I sing about the deficit, But when I sell out and leave Omaha, what will I get? A mansion house and a rabbit fur coat."

There's a lot for me to like about this song. I admire the confessional nature of the writing, drawing as it does on personal experience. The symmetry of the narrative and its imagery is impressive. Lewis uses the rabbit fur coat as a metaphor for financial striving, and she elegantly sustains this metaphor throughout. By beginning the narrative with her mother's traumatic early experiences, Lewis adds complexity and a level of empathy to what could otherwise be seen as a general recrimination of her mother's values.

Find "Rabbit Fur Coat" in the catalog!

Saturday, January 30, 2010

Check out the 2010 Grammy nominees from the library

The Grammys air tomorrow night at 7 PM on CBS. Here are some nominated albums and artists you can check out from the library (click on the album title).  I put the albums nominated for multiple awards at the beginning of the list. Note: if you're looking for a nominated album not listed here, you can still search ALL LIBRARIES in the catalog and request the material be sent to Dundee for you to pick up.

X by Trace Adkins
"All I Ask For Anymore"- Best Male Country Vocal Performance, Best Country Song
I Am... Sasha Fierce by Beyonce
Album Of The Year, Best Contemporary R&B Album; "Halo"- Record Of The Year, Best Female Pop Vocal Performance; "Single Ladies (Put A Ring On It)"- Song Of The Year, Best R&B Song, Best Female R&B Vocal Performance
 
The E.N.D. by The Black Eyed Peas
Album Of The Year, Best Pop Vocal Album; "I Gotta Feeling"- Record Of The Year, Best Pop Performance By A Duo Or Group With Vocals; "Boom Boom Pow"- Best Dance Recording, Best Short Form Music Video

Live From Madison Square Garden by Eric Clapton and Steve Winwood
Best Rock Album; "Can't Find My Way Home"- Best Rock Performance By A Duo Or Group With Vocals

Big Whiskey and the Groogrux King by Dave Matthews Band
Album Of The Year, Best Rock Album

Sounds of the Universe by Depeche Mode
Best Alternative Music Album; "Wrong"- Best Short Form Music Video

So Far Gone by Drake
"Best I Ever Had"- Best Rap Solo Performance, Best Rap Song

Together Through Life by Bob Dylan
Best Americana Album; "Beyond Here Lies Nothin'"- Best Solo Rock Vocal Performance

Relapse by Eminem
Best Rap Album; "Beautiful"- Best Rap Solo Performance; "Crack A Bottle" (featuring Dr. Dre and 50 Cent)- Best Rap Performance By A Duo Or Group

Throw Down Your Heart: Tales From The Acoustic Planet, Vol. 3 - Africa Sessions by Bela Fleck
Best Contemporary World Music Album; "Throw Down Your Heart"- Best Pop Instrumental Performance

Intuition by Jamie Foxx
Best Contemporary R&B Album; "Blame It" (featuring T-Pain)- Best Male R&B Vocal Performance By A Duo Or Group With Vocals, Best R&B Song

The Fray by The Fray
Best Pop Vocal Album; "Never Say Never"- Best Pop Performance By A Duo or Group With Vocals

21st Century Breakdown by Green Day
Best Rock Album; "21 Guns"- Best Rock Performance By A Duo Or Group With Vocals; Best Rock Song

Ellipse by Imogen Heap
Best Engineered Album, Non-Classical; "The Fire"- Best Pop Instrumental Performance

 The Blueprint 3 by Jay-Z
"D.O.A. (Death of Auto-Tune)"- Best Rap Solo Performance, Best Rap Song; "Run This Town" (featuring Rihanna and Kanye West)- Best Rap/Sung Collaboration, Best Rap Song

The Fame by Lady Gaga
Album Of The Year, Best Electronic/Dance Album; "Poker Face"- Record Of The Year, Song Of The Year, Best Dance Recording

BLACKsummers' Night by Maxwell
Best R&B Album; "Pretty Wings"- Song Of The Year, Best Male R&B Vocal Performance, Best R&B Song; "Love You"- Best Male Pop Vocal Performance; "Phoenix Rise"- Best Pop Instrumental Performance

Oracular Spectacular by MGMT
Best New Artist; "Kids"- Best Pop Performance By A Duo Or Group With Vocals

The Ecstatic by Mos Def
Best Rap Album; "Casa Bey"- Best Rap Solo Performance

We Sing. We Dance. We Steal Things. by Jason Mraz
"Make it Mine"- Best Male Pop Vocal Performance; "Lucky" (featuring Colbie Caillat)- Best Pop Collaboration With Vocals

Funhouse by Pink
Best Pop Vocal Album; "Sober"- Best Female Pop Vocal Performance

Soul by Seal
"If You Don't Know Me By Now"- Best Male Pop Vocal Performance; "A Change is Gonna Come"- Best Instrumental Arrangement Accompanying Vocalist(s)

Working On A Dream by Bruce Springsteen
"Working On A Dream"- Best Solo Rock Vocal Performance; Best Rock Song

Twang by George Strait
Best Country Album; "Living For The Night"- Best Male Country Vocal Performance

Fearless by Taylor Swift
Album Of The Year, Best Country Album; "You Belong With Me"- Record Of The Year, Song Of The Year, Best Female Pop Vocal Performance; "Breathe" (featuring Colbie Caillat)- Best Pop Collaboration With Vocals; "White Horse"- Best Female Country Vocal Performance, Best Country Song

Paper Trail by T.I.
"Dead And Gone" (featuring Justin Timberlake)- Best Rap/Sung Collaboration, Best Rap Song

No Line On The Horizon by U2
Best Rock Album; "I'll Go Crazy If I Don't Go Crazy Tonight"- Best Rock Performance By A Duo Or Group With Vocals, Best Rock Song

Carnival Ride by Carrie Underwood
"Just A Dream"- Best Female Country Vocal Performance; "I Told You So" (featuring Randy Travis)- Best Country Collaboration With Vocals


Defying Gravity by Keith Urban
Best Country Album; "Sweet Thing"- Best Male Country Vocal Performance


Call Me Crazy by Lee Ann Womack
Best Country Album; "Solitary Thinkin'"- Best Female Country Vocal Performance; "Everything But Quits" (featuring George Strait)- Best Country Collaboration With Vocals

The Foundation by Zac Brown Band
Best Country Album; "Chicken Fried"- Best Country Performance By A Duo Or Group With Vocals; Best New Artist

19 by Adele
"Hometown Glory"- Best Female Pop Vocal Performance

Breakthrough by Colbie Caillat
Best Pop Vocal Album

The List by Rosanne Cash
"Sea of Heartbreak" (featuring Bruce Springsteen)- Best Pop Collaboration With Vocals

Fantasy Ride by Ciara
"Love Sex Magic" (featuring Justin Timberlake)- Best Pop Collaboration With Vocals

All I Ever Wanted by Kelly Clarkson
Best Pop Vocal Album


Universal Mind Control by Common
Best Rap Album

R.O.O.T.S. by Flo Rida
Best Rap Album


The Blue Ridge Rangers Rides Again by John Fogerty
"Change in the Weather"- Best Solo Rock Vocal Performance

Evolver by John Legend
"This Time"- Best Male Pop Vocal Performance

Celebration by Madonna
"Celebration"- Best Dance Recording

Shine by Martina McBride
"I Just Call You Mine"- Best Female Country Vocal Performance

One of the Boys by Katy Perry
"Hot N Cold"- Best Female Pop Vocal Performance

Wolfgang Amadeus Phoenix by Phoenix
Best Alternative Music Album

LotusFlow3r by Prince
"Dreamer"- Best Solo Rock Vocal Performance

The Renaissance by Q-Tip
Best Rap Album

Circus by Britney Spears
"Womanizer"- Best Dance Recording

808s & Heartbreak by Kanye West
"Amazing" (featuring Young Jeezy)- Best Rap Performance By A Duo Or Group

It's Blitz! by Yeah Yeah Yeahs
Best Alternative Music Album

Fork In The Road by Neil Young
"Fork In The Road"- Best Solo Rock Vocal Performance

Thursday, June 18, 2009

What we're listening to...

The Foundation
by Zac Brown Band:
I had never heard of Zac Brown before, but I love this band. The favorite song is "Chicken Fried." Zac is a Georgia boy and proud of it. It is what he is about. Last night, at the 2009 CMT Music Awards, the Zac Brown Band took home the "USA Weekend Breakthrough Video of the Year" Award for "Chicken Fried." Try it...you might like them too!